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Hollywood agent Charlie Greene gets tangled up in a world of holistic intervention, out-of-body experiences, and murder in this thrilling paranormal mystery Hollywood literary agent and single mother Charlie Greene heads out of town to fog-bound Moot Point, Oregon, to meet a client, reclusive New Age author Jack Monroe. But Charlie barely has time to sample a veggie meal and bond with Jack’s bronze Buddha statue before she runs into trouble: Local gossip Georgette Glick and her Schwinn bicycle have just been found under the wheels of Charlie’s Toyota—which makes Charlie the prime suspect in Georgette’s murder. Luckily, Moot Point sheriff Bennett discovers that Glick was shot, not run over, so Charlie is in the clear. But there are still too many unanswered questions. Who delivered the fatal bullet to Glick’s head? And why was the seventy-eight-year-old riding her bike on a night with zero visibility in the first place? Alongside Sheriff Bennett, whose interest in Charlie seems decidedly more than professional, she resolves to find the murderer among the town’s eccentrics, who include the suspiciously nongrieving widower, a holistic veterinarian, the victim’s terrified neighbor, and a Byronic artist whose painting of a century-old local shipwreck matches the one in Charlie’s recent nightmares. With the killer still at large, Charlie may be tempting an out-of-body experience of her own in this quirky and suspenseful novel.
A Hollywood literary agent and single mother is a reluctant sleuth—and psychic—in this delightfully quirky quartet of paranormal mysteries. Kicking off with the “entertainingly oddball” debut novel in the Charlie Greene series, this volume gathers four of Millhiser’s best high-spirited whodunits (Kirkus Reviews). Murder at Moot Point: Charlie Greene heads to foggy Moot Point, Oregon, to meet with a client, reclusive New Age author Jack Monroe, who is currently experimenting with out-of-body experiences. But when a real body is found under Charlie’s car, she must find the real killer before she goes out of her mind. Death of the Office Witch: Gloria Tuschman—the receptionist at Charlie’s office and also a practicing witch—rubbed everyone the wrong way, so someone rubbed her out. With Gloria’s ghost calling to her from the great beyond, Charlie has no choice but to find who did it before someone else gets a cold-blooded reception. “Humorous, inviting . . . written in crisp, likable prose” (Library Journal). Murder in a Hot Flash: Charlie’s mother, biology professor and rodent specialist Edwina Greene, is in Utah consulting on a documentary. Unfortunately, she’s also the prime suspect in the murder of a science fiction film director. Now Charlie must team up with a Hollywood hunk and track down the dirty rat who did the deed if she hopes to clear her mom’s name. “Likable protagonists and wry humor make this a hit ” (Library Journal). Voices in the Wardrobe: Charlie takes her dear friend Maggie Stutzman to an exclusive San Diego spa to get some much-needed R&R. But tensions rise after a celebrity motivational speaker is found dead in one of the pools and Maggie is facing murder charges. Charlie will need to flush out the killer hiding among the spa’s pampered elite if she hopes to save her friend.
In 1853 Lexington, Virginia, Mary Evelyn Anderson, one of the most beautiful women in the Commonwealth, spurned the advances of a young law student named Charles Burks Christian. Humiliated and heartbroken, Christian confronted, stabbed and killed the man he believed responsible for Anderson's decision. The man was her cousin, Thomas Blackburn, a VMI cadet and student of Stonewall Jackson. What followed was a circus of inept and brilliant lawyers dragging members of the most prominent families in antebellum Virginia through and all-too-public discussion of seduction, courtship, honor and self-defense. Author and historian Daniel S. Morrow chronicles the history of the events that led to Blackburn's death, the trials that followed and the impact on Lexington, its two colleges and the men and women who would soon find themselves engaged in a great Civil War.
The crime of homicide has long animated academic debate, community concern and political attention. The discussion has often centered on the perceived (in)adequacy of legal responses to homicide, questions of culpability, and divergent representations of victims and offenders. Within this, notions of gender, responsibility and justice are pivotal. This edited collection builds on existing scholarship by examining these concerns not only in the context of the ‘private’ world of domestic murder but also in the more ‘public’ world of the state, the corporation, war, and genocide. In so doing this book draws from key frameworks of criminological thought, legal analysis and empirical evidence to critically examine the relationship between homicide, gender and responsibility. Bringing together leading international criminology and legal scholars, this collection provides a unique contribution to the academic and policy engagement with what is, more often than not, an ordinary and mundane crime. Analysing the crime in a variety of different social contexts alongside an in-depth and critical analysis of the interconnections between the ordinary act of lethal violence, gender and notions of responsibility, this book will be of interest to students, scholars and policymakers working in criminology and socio-legal studies.
Words: A User's Guide is an accessible and invaluable reference that is ideal for students, business people and advanced learners of English. The book is structured in groups of words that may be confused because they sound alike, look alike or seem to have similar meanings, and this approach makes it much more intuitive and easy to use than a dictionary. Contrasting over 5000 words (such as habitable and inhabitable, precipitation and rainfall, reigns and reins), Words: a User’s Guide provides examples of usage adapted from large national databases of contemporary English, and illustrates each headword in typical contexts and phrases. This book gives you straightforward answers, and helps with pronunciation, spelling, style and levels of formality. For those working internationally it presents international standards and compares usage in Britain and the USA. Words: A User’s Guide is an excellent resource for anyone who wants to communicate well in written and spoken English. "At last! A book about the use of words that clarifies and de-mystifies in an eminently usable way. I would recommend it to anyone who wants to write well. It is a book to keep." Sandy Gilkes, Head of the Centre for Academic Practice, University of Northampton "Rigorous, fresh, intriguing and downright useful, it deserves a place on every properly stocked reference shelf." Brian Cathcart, Professor of Journalism, Kingston University "From the pedantic to the permissive, everyone who’s interested in the English language and the way we speak and write it will want a copy of this practical, entertaining book." Wynford Hicks (author of Quite Literally and The Basics of English Usage)
TV shows that retain their popularity over the years do so for obvious reasons: good production values, good acting, and compelling storylines. But detective stories in particular also endure because they appeal to the gumshoe in all of us. America is obsessed with crime solving. Nancy Grace on CNN Headline News, Greta Van Susteren on Fox, and the seemingly annual recurrence of the courtroom sensation all testify to this fact. And these people and cases are able to reach their phenomenal status not simply because of the media-the media only demonstrates the enormous national appetite for this material. Rather, Cold Case, CSI, and Law & Order have achieved their current popularity because they all respond to the same national craving for crime, and do so with great skill and creativity. Round Up the Usual Suspects provides a comparison of the crime fighting models and justice proceedings of each of these TV series. Each series has its own special crime-fighting niche, and each approaches its job with a different set of values and different paradigms of discovery and proof. Their separate approaches are each firmly grounded in different components of human nature — analytical reasoning, for instance, in CSI, memory in Cold Case, and teamwork in Law & Order. After examining each of the individual series in depth, Ruble goes on to investigate some of the historical antecedents in classical TV detective series such as The FBI and Dragnet. It is interesting to note that these crime fighting methodologies are extensions of the way we all process information about the world. Ray Ruble here aims to increase our appreciation for the ingenious manner in which fictional cases are broken and convictions convincingly secured, and also illuminates the deeper human elements that lie under a more implicit spotlight in these runaway hits.
When an eighty-three-year-old curmudgeon is suffocated in her hospital bed, a plethora of relatives make excellent suspects amid a controversy over her will. Can beer-swilling, Letterman-loving Detective Sam Runyon pick through the cast of characters and find out which one murdered her? Or will Sam be next on the hit list?
Unraveling a twenty-five-year tale of multiple murder and medical deception, The Death of Innocents is a work of first-rate journalism told with the compelling narrative drive of a mystery novel. More than just a true-crime story, it is the stunning expose of spurious science that sent medical researchers in the wrong direction--and nearly allowed a murderer to go unpunished. On July 28, 1971, a two-and-a-half-month-old baby named Noah Hoyt died in his trailer home in a rural hamlet of upstate New York. He was the fifth child of Waneta and Tim Hoyt to die suddenly in the space of seven years. People certainly talked, but Waneta spoke vaguely of "crib death," and over time the talk faded. Nearly two decades later a district attorney in Syracuse, New York, was alerted to a landmark paper in the literature on Sudden Infant Death Syndrome--SIDS--that had been published in a prestigious medical journal back in 1972. Written by a prominent researcher at a Syracuse medical center, the article described a family in which five children had died suddenly without explanation. The D.A. was convinced that something about this account was very wrong. An intensive quest by a team of investigators came to a climax in the spring of 1995, in a dramatic multiple-murder trial that made headlines nationwide. But this book is not only a vivid account of infanticide revealed; it is also a riveting medical detective story. That journal article had legitimized the deaths of the last two babies by theorizing a cause for the mystery of SIDS, suggesting it could be predicted and prevented, and fostering the presumption that SIDS runs in families. More than two decades of multimillion-dollar studies have failed to confirm any of these widely accepted premises. How all this happened--could have happened--is a compelling story of high-stakes medical research in action. And the enigma of familial SIDS has given rise to a special and terrible irony. There is today a maxim in forensic pathology: One unexplained infant death in a family is SIDS. Two is very suspicious. Three is homicide.
Librarian Carrie Singleton must catch a killer before she can say “I do” in the 8th delightful installment in Agatha Award-nominee Allison Brook’s Haunted Library mystery series. Carrie Singleton is ready to kiss the single life goodbye. Her wedding to Dylan Avery is just a few weeks away, and a happy ending is about to be hers. But when a body is found on the lawn of their wedding venue, happily-ever-after is looking deadlier than ever. The victim turns out to be Billy Carpenter, a young man recently released from prison after serving time for a bank robbery. The stolen money he’d buried is gone and Carrie and the police suspect Billy’s two alleged co-conspirators, his friends Luke Rizzo and Tino Valdez. But then Luke is murdered and Tino is nowhere to be found. With no leads and only a week to go before her big day, Carrie is on the hunt for clues. She hopes to wrap up this investigation with a neat bow before she and Dylan tie the knot. Carrie has something old, something new, and something borrowed ready for her walk down the aisle. Now she needs to find the killer without becoming the ‘something blue.’