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London, 1896. Madame Tussauds opens to find one of its nightwatchmen decapitated and his colleague nowhere to be found. To the police, the case seems simple: one killed the other and fled, but workers at the museum aren't convinced. Although forbidden contact by his superior officer, Scotland Yard detective John Feather secretly enlists 'The Museum Detectives' Daniel Wilson and Abigail Fenton to aid the police investigation. When the body of the missing nightwatchman is discovered encased within a wax figure, the case suddenly becomes more complex. With questions over rival museums, the dead men's pasts and a series of bank raids plaguing the city, Wilson and Fenton face their most intriguing and dangerous case yet.
Murder's a pain in the neck! Madame Tussauds, London's extravagant wax museum, reopens in 1928 to much fanfare. The horrific fire of '25, which had destroyed the wax figurines of famous and sometimes infamous characters, was news of the past. Ginger Reed and her good friend Haley Higgins are intrigued and eager to visit the museum which promises new and exciting exhibits. Of particular interest is the one on Bram Stoker's Dracula. Hailed by some as effective literary horror and by others as unnecessarily frightening, the exhibition about the book attracts all kinds. Haley Higgins, with her forensics knowledge, is the first to notice that something is amiss, and that the beautiful figurine with two bloody holes in her neck isn't made of wax at all, but is indeed made of flesh and bone! When a series of women are found dead in the streets of London in a similarly eerie fashion, it's up to Scotland Yard, with Chief Inspector Basil Reed at the helm, to solve the case. Can Ginger and Haley work behind the scenes to bring this repeat killer to a stop, before one of them becomes the next victim with a deadly bite? ★★★★★ Researching for the Ginger Gold Mysteries has been so much fun. I hope you sense that as you read. Ginger Gold is smart, savvy, and delightful. The fashions, the dances, the CRIME. The Ginger Gold Mysteries are COZY, so no scary, graphic on-stage violence. You'll find these books to be clean reads, with no swearing or sex. I hope you enjoy the Ginger Gold Mystery series! Hop aboard the 1920s! THE GINGER GOLD MYSTERY SERIES Murder on the SS Rosa (Book 1) Murder at Hartigan House (Book 2) Murder at Bray Manor (Book 3) Murder at Feathers & Flair (Book 4) Murder at the Mortuary (Book 5) Murder at Kensington Gardens (Book 6) Murder at st. George's Church (Book 7) The Wedding of Ginger & Basil (Book 7.5) Murder Aboard the Flying Scotsman (Book 8) Murder at the Boat Club (Book 9) Murder on Eaton Square (Book 10) Murder by Plum Pudding (Book 11) Murder on Fleet Street (Book 12) Murder at Brighton Beach (Book 13) Murder at Hyde Park (Book 14) Murder at Royal Albert Hall (Book 15) Murder in Belgravia (Book 16) Murder on Mallowan Court (Book 17) Murder at the Savoy (Book 18) Murder at the Circus (Book 19) Murder at the Boxing Club (Book 20) Murder in France (Book 21) Murder at Yuletide (Book 22) Murder at Madame Tussaud's Murder at St. Paul's Cathedral
1895. When the newly dubbed 'Museum Detectives' are asked to investigate deliberate damage to a dinosaur skeleton at the Natural History Museum, there is evidence that the fossil-hunting mania of the notorious Bone Wars in America may have reached their shores. But for Daniel Wilson, famed for his involvement in the Jack the Ripper case, and renowned archaeologist Abigail Fenton, events soon take a sinister turn. A museum attendant is found dead in an anteroom by none other than the infamous theatre manager Bram Stoker, who it seems may have had a personal connection with the deceased. Facing pressure both from an overseas business and local celebrity, Wilson and Fenton must rely on their talents and instincts to solve their most puzzling case yet.
1895. A senior executive at the Ashmolean Museum in Oxford is found in his office with a bullet hole between his eyes, a pistol discarded close by. The death has officially been ruled as suicide by local police, but with an apparent lack of motive for such action, the museum's administrator, Gladstone Marriott, suspects foul play. With his cast-iron reputation for shrewdness, formed during his time investigating the case of Jack the Ripper alongside Inspector Abberline, private enquiry agent Daniel Wilson is a natural choice to discreetly explore the situation, ably assisted by his partner, archaeologist-cum-detective Abigail Fenton. Yet their enquiries are hindered from the start by an interfering lone agent from Special Branch, ever secretive and intimidating in his methods. With rumours of political ructions from South Africa, mislaid artefacts and a lost Shakespeare play, Wilson and Fenton soon find themselves tangled in bureaucracy. Making unlikely alliances, the pair face players who live by a different set of rules and will need their intellect and ingenuity to reveal the secrets of the aristocracy.
In 1789, with the starving French people on the brink of revolution, orphaned Celie Rosseau, an amazing artist and a very clever thief, runs wild with her protector, Algernon, trying to join the idealistic freedom fighters of Paris. But when she is caught stealing from none other than the king's brother and the lady from the waxworks, Celie must use her drawing talent to buy her own freedom or die for her crimes. Forced to work for Madame Tussaud inside the opulent walls that surround Louis XVI and Marie Antoinette, Celie is shocked to find that the very people she imagined to be monsters actually treat her with kindness. But the thunder of revolution still rolls outside the gates, and Celie is torn between the cause of the poor and the safety of the rich. When the moment of truth arrives, will she turn on Madame Tussaud or betray the boy she loves? From the hidden garrets of the starving poor to the jeweled halls of Versailles, Madame Tussaud's Apprentice is a sweeping story of danger, intrigue, and young love, set against one of the most dramatic moments in history.
After rising to prominence for his role investigating the case of Jack the Ripper, former Detective Inspector Daniel Wilson is now retired. Known for his intelligence, investigative skills, and most of all his discretion, he's often consulted when a case must be solved quickly and quietly. So when a body is found in the Egyptian Collection of the Fitzwilliam Museum in Cambridge, Wilson is called in. As he tries to uncover the identity of the dead man and the circumstances surrounding his demise, Wilson must contend with an unhelpful police Inspector, and more alarmingly, Abigail McKenzie, the archaeologist who discovered the body and is determined to protect the Egyptian collection. Can they find a way to work together to solve the mystery?
Tussaud's catered for the public's fascination with monarchy, whether Henry VIII and his wives or Queen Victoria, as well as for their love of history, acting as an accessible and enjoyable museum. This work looks at Madame Tussaud herself and her exhibition as part of the wider history of wax modelling and of popular entertainment.
The true crimes of one of nineteenth century England’s most notorious thieves and killers, whose exploits still capture the public’s imagination. Once immortalized in Madame Tussauds’s Chamber of Horrors, and brought to life in two silent films, his gnarled and prematurely aged features would be the last image his victims ever saw, yet ironically, he was known by the name of Peace. A grotesque figure who took on many names and many faces, he could slip into the home of an unsuspecting family with the silent stealth of a cool night time breeze, and leave without a trace. Spending his nocturnal hours limping through the dirty streets with villainy on his mind, and impishly disappearing into the industrial smoke that hung over Victorian Sheffield like a perpetual storm cloud, this devil wrote his own place in the folklore of his hometown. Committing one gruesome crime after the next, he was the most wanted man in England for a time. Tales of burglary, murder, daring escapes, and a truly shocking miscarriage of justice feature in Charlie Peace along with moments of lost love, damaged pride, and violent revenge. Ben W. Johnson’s biography tells the chilling story of a man who turned to crime through necessity, but consciously chose to continue in an ever spiraling life of wickedness.
Paris, 1788. Marie is a young woman in love with her oldest friend and neighbour, Henri. But she is also a determined businesswoman, eager to see her family's waxwork museum keep them safe and solvent. Her gift for modelling faces in wax brings her to Versailles, where she must teach the king's sister her skill. But the coming revolution will place Marie, her family and all of Paris in grave danger. As the monarchy is overthrown and the guillotine becomes a fixture in French life, Marie is expected to show her patriotism by making death masks from the severed heads of every key figure killed as the Reign of Terror begins and France enters its darkest time. How will Marie survive the Revolution? Who will survive it with her? And just how will this girl come to be known as the woman behind one of the most famous museums in the world?
LONGLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD LONGLISTED FOR THE RSL ONDAATJE PRIZE LONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION LONGLISTED FOR THE RATHBONES FOLIO PRIZE "An amazing achievement. . . A compulsively readable novel, so canny and weird and surfeited with the reality of human capacity and ingenuity that I am stymied for comparison. Dickens and David Lynch? Defoe meets Margaret Atwood? Judge for yourself." —Gregory Maguire, New York Times-bestselling author of Wicked The wry, macabre, unforgettable tale of an ambitious orphan in Revolutionary Paris, befriended by royalty and radicals, who transforms herself into the legendary Madame Tussaud. In 1761, a tiny, odd-looking girl named Marie is born in a village in Switzerland. After the death of her parents, she is apprenticed to an eccentric wax sculptor and whisked off to the seamy streets of Paris, where they meet a domineering widow and her quiet, pale son. Together, they convert an abandoned monkey house into an exhibition hall for wax heads, and the spectacle becomes a sensation. As word of her artistic talent spreads, Marie is called to Versailles, where she tutors a princess and saves Marie Antoinette in childbirth. But outside the palace walls, Paris is roiling: The revolutionary mob is demanding heads, and . . . at the wax museum, heads are what they do. In the tradition of Gregory Maguire's Wicked and Erin Morgenstern's The Night Circus, Edward Carey's Little is a darkly endearing cavalcade of a novel—a story of art, class, determination, and how we hold on to what we love.