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This journey into a child's imagination begins with the question, "What did you do on your vacation?" Not one to be upstaged by her "worldly" classmates, Shirley spins a wild tale of Egyptian adventure, which utilizes rock and roll and rap to explore the amazing value of one's imagination.
This gently spooky read-aloud treat is also a satisfying bedtime book — sure to delight the youngest reader on many a deep, dark night. Little Baby Mummy wants just one more game of hide-and-shriek with Big Mama Mummy before bedtime. The night is deep and dark, full of friendly creatures that click their clacky teeth and whoosh past on flippy-floppy wings. But who will comfort Little Baby Mummy if a small, scritchy-scratchy someone gives him a scare? Big Mama Mummy, of course! Fresh, comical illustrations complement this ever-so-slightly suspenseful story with a satisfying ending.
"In the 1980s, Denver Museum of Nature & Science acquired two ancient Egyptian mummies and coffins. The mummies are from an unknown locale and have been subject of unpublished scientific and unscientific analyses. The DMNS staff scientists decided to reexamine the mummies and coffins using new and innovative techniques"--
Shaggy, Scooby-Doo, and the rest of the gang visit the movie set of an Eygptian film, but when everything seems to go wrong, it is rumored that a mummy's curse is sabotaging the production. Original.
Mummies, Cannibals and Vampires charts in vivid detail the largely forgotten history of European corpse medicine, when kings, ladies, gentlemen, priests and scientists prescribed, swallowed or wore human blood, flesh, bone, fat, brains and skin against epilepsy, bruising, wounds, sores, plague, cancer, gout and depression. One thing we are rarely taught at school is this: James I refused corpse medicine; Charles II made his own corpse medicine; and Charles I was made into corpse medicine. Ranging from the execution scaffolds of Germany and Scandinavia, through the courts and laboratories of Italy, France and Britain, to the battlefields of Holland and Ireland, and on to the tribal man-eating of the Americas, Mummies, Cannibals and Vampires argues that the real cannibals were in fact the Europeans. Medicinal cannibalism utilised the formidable weight of European science, publishing, trade networks and educated theory. For many, it was also an emphatically Christian phenomenon. And, whilst corpse medicine has sometimes been presented as a medieval therapy, it was at its height during the social and scientific revolutions of early-modern Britain. It survived well into the eighteenth century, and amongst the poor it lingered stubbornly on into the time of Queen Victoria. This innovative book brings to life a little known and often disturbing part of human history.
After Dracula tells of films set in London music halls and Yorkshire coal mines, South Sea Islands and Hungarian modernist houses of horror, with narrators that survey the outskirts of contemporary Paris and travel back in time to ancient Egypt. Alison Peirse argues that Dracula (1931) has been canonised to the detriment of other innovative and original 1930s horror films in Europe and America. By casting out the deified vampire, she reveals a cycle of films made over the 1930s that straddle both the pre- and post-regulatory era of the Hays Production Code an stringent censorship from the British Board of Film Censors. These films are indepenedent and studio productions, literary adaptations, folktales and original screenplays, and include Werewolf of London, The Man Who Changed His Mind, Island of Lost Souls and Vampyr. The book considers the horror genre's international evolution during this period, engaging with a number of European horror films that have hitherto received cursory attention. It focuses on the interplay between Continental, British and transatlantic contexts, and particularly on the intriguing, the obscure and the underrated.
Scooby-Doo and his friends look for stolen rare coins at a shopping mall
The Mummy's Ransom by Fred Hunter A controversial exhibit of Chinchorro mummies is about to open in Chicago at Dolores Tower, the latest building by the equally controversial local developer Louie Dolores. The mummies - dating from 2000 to 7000 BC - are incredibly fragile, making their transportation and display very risky. Even worse, the pending exhibition is being protested by a group who regard the exploitation of the mummies to be desecration of their ancient dead, leading to both tension and excitement over the coming opening. Lucky for Chicago Police Detective Jeremy Ransom none of this has anything to do with him. He figures as long as he can keep his friend, the elderly Miss Emily Charters, away from the opening, then there won't be a murder and he won't have to get involved. But first there are reports that a mummy is moving around the exhibit at night, then there are death threats against the developer, and when one night, alone in the exhibit, Louie Dolores is attacked by one of the mummies, Ransom is assigned to find out what's going on. With the sharp wits and intelligence of Emily at his beck and call, Ransom has to sort out the truth in what could be his strangest assignment ever before the a volatile situation turns fatal.
Perfect for school and public libraries, this is the only reference book to combine pop culture with science to uncover the mystery behind mummies and the mummification phenomena. Mortality and death have always fascinated humankind. Civilizations from all over the world have practiced mummification as a means of preserving life after death—a ritual which captures the imagination of scientists, artists, and laypeople alike. This comprehensive encyclopedia focuses on all aspects of mummies: their ancient and modern history; their scientific study; their occurrence around the world; the religious and cultural beliefs surrounding them; and their roles in literary and cinematic entertainment. Author and horror guru Matt Cardin brings together 130 original articles written by an international roster of leading scientists and scholars to examine the art, science, and religious rituals of mummification throughout history. Through a combination of factual articles and topical essays, this book reviews cultural beliefs about death; the afterlife; and the interment, entombment, and cremation of human corpses in places like Egypt, Europe, Asia, and Central and South America. Additionally, the book covers the phenomenon of natural mummification where environmental conditions result in the spontaneous preservation of human and animal remains.