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More than 75 essays—many freshly composed by Mumia with the cartridge of a ball-point pen, the only implement he is allowed in his death-row cell—embody the calm and powerful words of humanity spoken by a man on Death Row. Abu-Jamal writes on many different topics, including the ironies that abound within the U.S. prison system and the consequences of those ironies, and his own case. Mumia's composure, humor, and connection to the living world around him represents an irrefutable victory over the "corrections" system that has for two decades sought to isolate and silence him. The title, All Things Censored, refers to Mumia's hiring as an on-air columnist by National Public Radio's "All Things Considered," and subsequent banning from that venue under pressure from law and order groups.
"Revolutionary love, revolutionary memory and revolutionary analysis are at work in every page written by Mumia Abu-Jamal … His writings are a wake-up call. He is a voice from our prophetic tradition, speaking to us here, now, lovingly, urgently. Black man, old-school jazz man, freedom fighter, revolutionary—his presence, his voice, his words are the writing on the wall."—Cornel West, from the foreword From the first slave writings to contemporary hip hop, the canon of African American literature offers a powerful counter-narrative to dominant notions of American culture, history and politics. Resonant with voices of prophecy and resistance, the African American literary tradition runs deep with emancipatory currents that have had an indelible impact on the United States and the world. Mumia Abu-Jamal has been one of our most important contributors to this canon for decades, writing from the confines of the U.S. prison system to give voice to those most silenced by chronic racism, impoverishment and injustice. Writing on the Wall is a selection of more than 100 previously unpublished essays that deliver Mumia Abu-Jamal's essential perspectives on community, politics, power, and the possibilities of social change in the United States. From Rosa Parks to Edward Snowden, from the Trail of Tears to Ferguson, Missouri, Abu-Jamal addresses a sweeping range of contemporary and historical issues. Written mostly during his years of solitary confinement on Death Row, these essays are a testament to Abu-Jamal's often prescient insight, and his revolutionary perspective brims with hope, encouragement and profound faith in the possibility of redemption. "Greatness meets us in this book, and not just in Mumia's personal courage and character. It's in the writing. This is art with political power, challenging institutional injustice in the U.S. while catalyzing our understanding, memory and solidarities for liberation and love. Writing on the Wall can set the nation aflame—yes, for creating new possible worlds."—Mark Lewis Taylor, Professor of Theology and Culture, Princeton Theological Seminary Mumia Abu-Jamal is an award-winning journalist and author of two best-selling books, Live From Death Row and Death Blossoms. Johanna Fernández is a Fulbright Scholar and Professor of History at Baruch College in New York City. Cornel West is a scholar, philosopher, activist and author of over a dozen books including his bestseller, Race Matters. He appears frequently in the media, and has appeared on Real Time with Bill Maher, The Colbert Report, CNN and C-Span as well as Tavis Smiley.
The author, a prisoner on death-row for killing a police officer, presents a series of essays and reflections on his life and his spirituality.
Sentenced to death in 1982 for allegedly killing a police officer named Daniel Faulkner, Mumia Abu-Jamal is the most famous death row inmate in the United States, if not the world. This book is the first to convincingly show how the Philadelphia Police Department and District Attorney's Office efficiently and methodically framed him. It takes you step-by-step through what actually transpired on the night Faulkner was shot, including positioning each of the witnesses at the scene and revealing the identity of the killer. It also details the entire trial and fully covers the tortuous appeals process. The author, a seasoned crime reporter, writes in the language of hard facts, without hyperbole or exaggeration, unfounded accusation or finger-pointing, to reveal the truth about one of the most hotly debated cases of the twentieth century.
In his youth Mumia Abu-Jamal helped found the Philadelphia branch of the Black Panther Party, wrote for the national newspaper, and began his life-long work of exposing the violence of the state as it manifests in entrenched poverty, endemic racism, and unending police brutality and celebrating a people's unending quest for freedom. In We Want Freedom, Mumia combines personal experience with extensive research to provide a compelling history of the Black Panther Party--what it was, where it came from, and what rose from its ashes. Mumia also pays special attention to the U.S. government's disruption of the organization through COINTELPRO and similar operations. While Abu-Jamal is a prolific writer and probably the world's most famous political prisoner, this book is unlike any of Mumia's previous works. In We Want Freedom, Abu-Jamal applies his sharp critical faculties to an examination of one of the U.S.'s most revolutionary and most misrepresented groups. A subject previously explored by various historians and forever ripe for "insider" accounts, the Black Panther Party has not yet been addressed by a writer with the well-earned international acclaim of Abu-Jamal, nor with his unique combination of a powerful, even poetic, voice and an unsparing critical gaze. Abu-Jamal is able to make his own Black Panther Party days come alive as well as help situate the organization within its historical context, a context that included both great revolutionary fervor and hope, and great repression. In this era, when the US PATRIOT Act dismantles some of the same rights and freedoms violated by the FBI in their attack on the Black Panther Party, the story of how the Party grew and matured while combating such invasions is a welcome and essential lesson.
Mumia Abu-Jamal's defense attorney provides an account of his client's struggle for justice as he describes the 1982 conviction of the award-winning journalist for the killing of a police officer.
Once a prominent radio reporter, Mumia Abu-Jamal is now in a Pennsylvania prison awaiting his state-sactioned execution. In 1982 he was convicted and sentenced to death for the murder of Philadelphia police officer Daniel Faulkner after a trial many have criticized as profoundly biased. Live From Death Row is a collection of his prison writings--an impassioned yet unflinching account of the brutalities and humiliations of prison life. It is also a scathing indictment of racism and political bias in the American judicial system that is certain to fuel the controversy surrounding the death penalty and freedom of speech.
A powerful indictment on the history of police violence against people of color, from slavery to today's Black Lives Matter.
“Expert and well-reasoned commentary on the justice system . . . His writings are dangerous.”—The Village Voice In Jailhouse Lawyers, award-winning journalist and death-row inmate Mumia Abu-Jamal presents the stories and reflections of fellow prisoners-turned-advocates who have learned to use the court system to represent other prisoners—many uneducated or illiterate—and, in some cases, to win their freedom. In Abu-Jamal’s words, “This is the story of law learned, not in the ivory towers of multi-billion-dollar endowed universities [but] in the bowels of the slave-ship, in the dank dungeons of America.” Includes an introduction by Angela Y. Davis. Mumia Abu-Jamal’s books include Live From Death Row and Death Blossoms.
An inspiring memoir from a legendary activist and political prisoner that “reminds us of the sheer joy that comes from resisting civic wrongs” (Truthout). In 1968, Safiya Bukhari witnessed an NYPD officer harassing a Black Panther for selling the organization’s newspaper on a Harlem street corner. The young pre-med student felt compelled to intervene in defense of the Panther’s First Amendment right; she ended up handcuffed and thrown into the back of a police car. The War Before traces Bukhari’s lifelong commitment as an advocate for the rights of the oppressed. Following her journey from middle-class student to Black Panther to political prisoner, these writings provide an intimate view of a woman wrestling with the issues of her time—the troubled legacy of the Panthers, misogyny in the movement, her decision to convert to Islam, the incarceration of outspoken radicals, and the families left behind. Her account unfolds with immediacy and passion, showing how the struggles of social justice movements of the past have paved the way for the progress—and continued struggle—of today. With a preface by Bukhari’s daughter, Wonda Jones, a forward by Angela Y. Davis, and edited by Laura Whitehorn, The War Before is a riveting look at the making of an activist and the legacy she left behind.