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The city of Mumbai is poised to be a global metropolis and like other cities in the world faces enormous challenges in the new millennium. This book deals with the transformation of Mumbai. It highlights the changing concerns of the city as it transited through the colonial to a global era.
Starting from the catastrophic floods and terrorist attacks of recent years, Prakash reaches back to the sixteenth-century Portuguese conquest to reveal the stories behind Mumbai's historic journey. Examining Mumbai's role as a symbol of opportunity and reinvention, he looks at its nineteenth-century development under British rule and its twentieth-century emergence as a fabled city on the sea. Different layers of urban experience come to light as he recounts the narratives of the Nanavati murder trial and the rise and fall of the tabloid Blitz, and Mumbai's transformation from the red city of trade unions and communists into the saffron city of Hindu nationalist Shiv Sena. Starry-eyed planners and elite visionaries, cynical leaders and violent politicians of the street, land sharks and underworld dons jostle with ordinary citizens and poor immigrants as the city copes with the dashed dreams of postcolonial urban life and lurches into the seductions of globalization. --
For readers of Jhumpa Lahiri and Rohinton Mistry, as well as Lorrie Moore and George Saunders, here are stories on the pathos and comedy of small–town migrants struggling to build a life in the big city, with the dream world of Bollywood never far away. Jayant Kaikini’s gaze takes in the people in the corners of Mumbai—a bus driver who, denied vacation time, steals the bus to travel home; a slum dweller who catches cats and sells them for pharmaceutical testing; a father at his wit’s end who takes his mischievous son to a reform institution. In this metropolis, those who seek find epiphanies in dark movie theaters, the jostle of local trains, and even in roadside keychains and lost thermos flasks. Here, in the shade of an unfinished overpass, a factory–worker and her boyfriend browse wedding invitations bearing wealthy couples’ affectations—”no presents please”—and look once more at what they own. Translated from the Kannada by Tejaswini Niranjana, these resonant stories, recently awarded the DSC Prize for South Asian Literature, take us to photo framers, flower markets, and Irani cafes, revealing a city trading in fantasies while its strivers, eating once a day and sleeping ten to a room, hold secret ambitions close.
Mumbai India s financial nerve centre & biggest port is a melting pot with a population of over fifteen million.Bursting at the seams, the crowded, pulsating city is not just a city of gold but also a city of dreams it is home to the Bollywood. BOMBAY: THEN Enriched with in-depth historical research and exclusive photographs, Bombay: Then documents the transformation of the once insignificant cluster of islets into one of the most exciting spots for cultural exchange in South Asia. Among other views, the book illustrates the Mankeshwar temple and the Rajabai Clock Tower wrapped in scaffolding; the construction of Victoria Dock and the opening of its massive underwater gates; a lush and sparsely populated Malabar Hill; a rare view of the interior of a Parsi fire temple; factory scenes inside the Royal Mint and the Times of India units; what the stock exchange looked like nearly a century ago; and many breath-taking aerial shots of this beautiful island-city. Bombay: Then is a sheer visual treat through extraordinary historical photographs. MUMBAI: NOW Mumbai India s financial nerve centre and biggest port is a melting pot with a population of over fifteen million. Bursting at the seams, the crowded, pulsating city is not just a city of gold but also a city of dreams it is home to the Hindi film industry, also known as Bollywood. Mumbai: Now captures the city s chaotic but spirited and robust present, and brings this shape-shifting, elusive city to you from the stories of the first Goan migrants to the lives of native Koli fishermen; from the tradition of dabbawalas to that of cutting chai; and from the potters in Dharavi to the pink flamingos in Sewri in a series of beautiful, moving pictures that capture the many moods and faces of Mumbai.
A native of Bombay, Suketu Mehta gives us an insider’s view of this stunning metropolis. He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs, following the life of a bar dancer raised amid poverty and abuse, opening the door into the inner sanctums of Bollywood, and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks. As each individual story unfolds, Mehta also recounts his own efforts to make a home in Bombay after more than twenty years abroad. Candid, impassioned, funny, and heartrending, Maximum City is a revelation of an ancient and ever-changing world.
A fascinating history of a great cosmopolitan port and industrial city
Mumbai's textile industry is commonly but incorrectly understood to be an extinct relic of the past. In The Archive of Loss Maura Finkelstein examines what it means for textile mill workers—who are assumed not to exist—to live and work during a period of deindustrialization. Finkelstein shows how mills are ethnographic archives of the city where documents, artifacts, and stories exist in the buildings and in the bodies of workers. Workers' pain, illnesses, injuries, and exhaustion narrate industrial decline; the ways in which they live in tenements exist outside and resist the values expounded by modernity; and the rumors and untruths they share about textile worker strikes and a mill fire help them make sense of the industry's survival. In outlining this archive's contents, Finkelstein shows how mills, which she conceptualizes as lively ruins, become a lens through which to challenge, reimagine, and alter ways of thinking about the past, present, and future in Mumbai and beyond.
Dr. Sapir draws upon extensive research, to tell the captivating story of the Baghdadi Jewish Community in Bombay and their unique contribution to the urban landscape of the city during the latter period of the British Raj.
Riots and After in Mumbai provides a synoptic record of events in Mumbai, focusing essentially on the history of riots in the city. Using this framework, it attempts to understand the sociopolitical and cultural realities of present-day Mumbai through a collection of narratives of the people affected by the communal riots of 1992–93. Author Meena Menon uses a novel approach, combining historical records from the pre-Independence era (1893–1945) and personal interviews of both Muslims and Hindus living in the city. It also looks into the political manipulations that ordinary people of both communities alike are subjected to by the ruling powers and political parties.
From starry-eyed fans with dreams of fame to cotton entrepreneurs turned movie moguls, the Bombay film industry has historically energized a range of practices and practitioners, playing a crucial and compelling role in the life of modern India. Bombay Hustle presents an ambitious history of Indian cinema as a history of material practice, bringing new insights to studies of media, modernity, and the late colonial city. Drawing on original archival research and an innovative transdisciplinary approach, Debashree Mukherjee offers a panoramic portrait of the consolidation of the Bombay film industry during the talkie transition of the 1920s–1940s. In the decades leading up to independence in 1947, Bombay became synonymous with marketplace thrills, industrial strikes, and modernist experimentation. Its burgeoning film industry embodied Bombay’s spirit of “hustle,” gathering together and spewing out the many different energies and emotions that characterized the city. Bombay Hustle examines diverse sites of film production—finance, pre-production paperwork, casting, screenwriting, acting, stunts—to show how speculative excitement jostled against desires for scientific management in an industry premised on the struggle between contingency and control. Mukherjee develops the concept of a “cine-ecology” in order to examine the bodies, technologies, and environments that collectively shaped the production and circulation of cinematic meaning in this time. The book thus brings into view a range of marginalized film workers, their labor and experiences; forgotten film studios, their technical practices and aesthetic visions; and overlooked connections among media practices, geographical particularities, and historical exigencies.