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Records publications acquired from Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka, by the U.S. Library of Congress Offices in New Delhi, India, and Karachi, Pakistan.
Devotional poems in praise of the Hindu deities Krishna and Rāma.
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Treatise on the rituals and doctrines of Vaishnavism.
Srimad Bhagavad Gita is now widely recognised as a scriptural text of worldwide importance. Sri Ramanuja is one of the noted commentators on the Vedanta Sutras of Badarayana and the Bhagavad Gita. This has brought him recognition as one of the greatest exponents of Vedanta from the Vaishnava point of view. Swami Adidevananda, one of the distinguished scholarly monks of the Ramakrishna Order who retained his inherent Sri Vaishnava heritage, has translated the original verses and Sri Ramanuja’s commentary into English. This book is of special importance because it is the only English translation now available with the original Sanskrit commentary as well. The book opens with meditation on the Gita followed by the Gitartha-sangraha of Sri Yamunacharya with English translation. Swami Tapasyananda, who was a scholarly monk with deep devotional temperament and one of the Vice-Presidents of the Ramakrishna Order, has written a scholarly introduction to this work.
Narayanam Namaskritya I Bow Before Thee With Deep Reverence O Lord Krishna Says Great Indian Epic Mahabharata In Its Opening Benedictory Verse. The Impact Of Krishna Cult On Indian Art, Literature And Culture Is Stupendous. Krishna Worship Includes Music, Dance, Drama, Which Delights Him Most. Bhassa Describes Him As Sutradhar, String-Holder, Of The Drama Of Life That Is Being Enacted In All The Three Worlds. Bhagavata Purana Eulogise Him As Natavar, Supreme Actor, And Enjoins The Devotees To Offer Him Theatricals On Festive Occasions. Inscriptions Speak Of The Tradition Of Enacting Plays In The Krishna Temples. The Tradition Still Continues As River Yamuna, On Whose Bank Krishna Performed Ras Dance, Continues To Flow. All Over India Plays Based On Krishna Theme Are Enacted. Indian Classical Dance Forms Take Delight In Depicting Radha-Krishna Love Lore. The Ras Leela Of Vraj, Ankia Nat Of Assam, Kala Of Goa And Maharashtra, Krishna Attam Of Kerala, Ras Of Manipur, Odissi Of Orissa Kathak Of Uttar Pradesh Are Some Of The Traditional Drama And Dance Forms That Depict Krishna Lore? Many Krishna Plays Are There In The Repertory Of Kathakali, Yakshagana, Kuchipudi, Tamasha And Many Other Folk And Traditional Theatrical Forms Of India. In Fact Some Scholars Believe That Indian Theatre Itself Has Originated From The Cult Of Krishna That Flourished In Surasena Region. This Most Colourful Theatrical Saga Full Of Poetry, Dance And Music Is Narrated In The Book By Eminent Scholar Shri M.L. Varadpande In A Most Attractive Manner. In A Style Picturesque And Lucid The Author Tells Us How The Dark-Hued Krishna Danced With Milkmaids Fair As Champak Flower On The Bank Of Yamuna And How The Indian Traditional Theatre And Dance Forms Recreated This Romance On The Stage. The Spectacular Rainbow Of Delightful Romance Of Krishna S Eventful Life As Seen On Indian Stage Is Charmingly Revealed To The Readers Through The Pages Of This Profusely Illustrated Book Of Infinite Charm.
101 Mystics Of India Is A Valuable Compilation By The Scholar-Artist-Author V. K. Subramanian, Whose Ten-Volume Series Sacred Songs Of India- The Result Of Loving And Laborious Research Spread Over Several Years Is Already Before The Discerning Public. 101 Mystic Of India Will Be An Invaluable Reference Book To Scholars Of Indiloogy And To All Those Sons And Daughters Of India Who Live Scattered Across The Globe A Precious Reminder Of Their Spiritual Heritage.
Comprises articles on the life of Kesiraju Satyanarayana, 1897-1985, mathematician from Andhra Pradesh.