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The Ultimate Protest: Malcolm W. Browne, Thich Quang Duc, and the News Photograph That Stunned the World examines how the most unlikely of war correspondents, Malcolm W. Browne, became the only Western reporter to capture Buddhist monk Thich Quang Duc's horrific self-immolation on June 11, 1963. Quang Duc made his ultimate sacrifice to protest the perceived anti-Buddhist policies of the Catholic-dominated administration of South Vietnam's president Ngo Dinh Diem. Biographer Ray E. Boomhower's The Ultimate Protest explores the background of the Buddhist crisis in South Vietnam in the spring of 1963 that led to Quang Duc's self-sacrifice as well as the worldwide reaction to Browne's photograph, how it affected American policy toward Diem's government, and the role the image played in the violent coup on November 1, 1963, that deposed Diem and led to his assassination. The book also delves into the dynamics involved in covering the Vietnam War in the early days of the American presence and the pressures placed on the journalists to stop raising doubts about how the war was going. Browne and his colleague David Halberstam shared the 1964 Pulitzer Prize for international reporting for their work in Vietnam.
The Vietnam War coincided with, and in many ways caused, an enormous cultural schism in the United States. Now, as then, scholarship is divided over the efficacy of American Cold War strategy, its ability to halt the spread of communism in Southeast Asia and the role the United States should have played in the struggle for a unified, socialist Vietnam. This book represents a new historical take on the Vietnam War. After a lengthy description of the war's historical backdrop, the book examines the origins of American involvement under the Truman and Eisenhower administrations, Kennedy's advancement toward direct conflict between the U.S. and guerrilla and regular North Vietnamese forces, and the dramatic troop buildup under Johnson. The final chapters discuss peace negotiations during Nixon's presidency, the ultimate American failure in Indochina, and the region in the aftermath of war. Throughout, the work argues that the war was necessary and winnable under better circumstances and leadership. The book includes an extensive bibliography.
Challenging the prevailing belief that organised violence is experiencing historically continuous decline, this book provides an in-depth sociological analysis that shows organised violence is, in fact, on the rise. Malešević demonstrates that violence is determined by organisational capacity, ideological penetration and micro-solidarity, rather than biological tendencies, meaning that despite pre-modern societies being exposed to spectacles of cruelty and torture, such societies had no organisational means to systematically slaughter millions of individuals. Malešević suggests that violence should not be analysed as just an event or process, but also via changing perceptions of those events and processes, and by linking this to broader social transformations on the inter-polity and inter-group levels he makes his key argument that organised violence has proliferated. Focusing on wars, revolutions, genocides and terrorism, this book shows how modern social organisations utilise ideology and micro-solidarity to mobilise public support for mass scale violence.
On two consecutive days in June 1963, in two lyrical speeches, John F. Kennedy pivots dramatically and boldly on the two greatest issues of his time: nuclear arms and civil rights. In language unheard in lily white, Cold War America, he appeals to Americans to see both the Russians and the "Negroes" as human beings. His speech on June 10 leads to the Limited Nuclear Test Ban Treaty of 1963; his speech on June 11 to the Civil Rights Act of 1964. Based on new material—hours of recently uncovered documentary film shot in the White House and the Justice Department, fresh interviews, and a rediscovered draft speech—Two Days in June captures Kennedy at the high noon of his presidency in startling, granular detail which biographer Sally Bedell Smith calls "a seamless and riveting narrative, beautifully written, weaving together the consequential and the quotidian, with verve and authority." Moment by moment, JFK's feverish forty-eight hours unspools in cinematic clarity as he addresses "peace and freedom." In the tick-tock of the American presidency, we see Kennedy facing down George Wallace over the integration of the University of Alabama, talking obsessively about sex and politics at a dinner party in Georgetown, recoiling at a newspaper photograph of a burning monk in Saigon, planning a secret diplomatic mission to Indonesia, and reeling from the midnight murder of Medgar Evers. There were 1,036 days in the presidency of John F. Kennedy. This is the story of two of them.
Because news is a weapon of war--affecting public opinion, troop morale, even strategy--for more than a century America's wartime officials have sought to control or influence the press, most recently by "embedding" reporters within military units in Iraq. This second front, where press freedom and military imperatives often do battle, is the territory explored in The Military and the Press, a history of how press-military relations have evolved during the twentieth and twenty-first century in response to the demands of politics, economics, technology, and legal and social forces. Author Michael S. Sweeney takes a chronological approach, considering freedoms and restraints such as the First Amendment, court decisions, and government and military directives that have affected the press during World Wars I and II, the Korean War, the Vietnam War, and the more recent conflicts. He explores the ongoing themes of wartime censorship and propaganda, as well as operational security in the battle zone. In chapters addressing the recent shift in military strategy in dealing with the press, Sweeney discusses new forms of control--from embedding journalists and discouraging unaccredited "unilaterals" to developing the news agenda through a barrage of briefings, sound bites, and visuals and appeals to patriotism that border on domestic propaganda. With profiles of a few specific journalists--from Richard Harding Davis covering the Spanish-American War to Christiane Amanpour reporting from the conflicts in Bosnia and Iraq--this deft blend of journalistic history and analysis should serve as a call-to-arms to a public not always well served by a military-press standoff.
The news media are often seen as a fourth branch of government, serving as a check on the other three. This text argues that this is a mistaken notion: the media's decisions affect the government's policy making, as well as the processes and outcomes of the political system.
Through extended portraits of AP foreign correspondents, this book documents the practices and constraints shaping international news since World War II.
This volume examines crucial moments in the rhetoric of the Cold War, beginning with an exploration of American neutrality and the debate over entering World War II. Other topics include the long-distance debate carried on over international radio between Hitler and Franklin D. Roosevelt; understanding and interpreting World War II propaganda; domestic radio following the war and the use of Abraham Lincoln narratives as vehicles for American propaganda; the influence of foreign policy agents Dean Acheson, Paul Nitze, and George Kennan; and the rhetoric of former presidents John F. Kennedy and Ronald Reagan. Ultimately, this volume offers a broad-based look at the rhetoric framing the Cold War and in doing so offers insight into the political climate of today.
Once Upon a Distance War tells the stories of such young Vietnam war correspondents as Neil Sheehan, Peter Arnett, and David Halberstam, providing a riveting chronicle of high adventure and brutal slapstick, gallantry and cynicism, as well as a vital addition to the history they shaped. "Prochnau . . . tells a Vietnam story we haven't heard before. . . . Complex, witty, and humane."--Tobias Wolff. of photos.
Over three hundred women, both print and broadcast journalists, were accredited to chronicle America's activities in Vietnam. Many of those women won esteemed prizes for their reporting, including the Pulitzer, the Overseas Press Club Award, the George Polk Award, the National Book Award, and the Bancroft Prize for History. Tragically, several lost their lives covering the war, while others were wounded or taken prisoner. In this gripping narrative, veteran journalist Joyce Hoffmann tells the important yet largely unknown story of a central group of these female journalists, including Dickey Chapelle, Gloria Emerson, Kate Webb, and others. Each has a unique and deeply compelling tale to tell, and vivid portraits of their personal lives and professional triumphs are woven into the controversial details of America's twenty-year entanglement in Southeast Asia.