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Does journalism matter? Here is a book that documents an alternative journalistic tradition - one marked by depth of vision, passion for change, and remarkable bravery. In collecting the kind of reportage that all too rarely appears in this age of media triviality and corporate conglomeration, Muckraking! makes clear that American journalists have changed the country for the better. Ranging across three centuries - from the Stamp Act to the abolition movement to the Vietnam War, from the integration of baseball to Watergate - this book contains more than 125 greatest works of American Journallism. -- Cover.
Tells how investigative reporting began with the muckrakers in the early 20th century.
Crusading journalists from Sinclair Lewis to Bob Woodward and Carl Bernstein have played a central role in American politics: checking abuses of power, revealing corporate misdeeds, and exposing government corruption. Muckraking journalism is part and parcel of American democracy. But how many people know about the role that muckraking has played around the world? This groundbreaking new book presents the most important examples of world-changing journalism, spanning one hundred years and every continent. Carefully curated by prominent international journalists working in Asia, Africa, Latin America, Europe, and the Middle East, Global Muckraking includes Ken Saro-Wiwa’s defense of the Ogoni people in the Niger Δ Horacio Verbitsky's uncovering of the gruesome disappearance of political detainees in Argentina; Gareth Jones’s coverage of the Ukraine famine of 1932–33; missionary newspapers’ coverage of Chinese foot binding in the nineteenth century; Dwarkanath Ganguli’s exposé of the British "coolie" trade in nineteenth-century Assam, India; and many others. Edited by the noted author and journalist Anya Schiffrin, Global Muckraking is a sweeping introduction to international journalism that has galvanized the world’s attention. In an era when human rights are in the spotlight and the fate of newspapers hangs in the balance, here is both a riveting read and a sweeping argument for why the world needs long-form investigative reporting.
Printed together for the first time since their original publication in 1903, Ray Stannard Baker’s piece on the coal strike, "The Right to Work"; Lincoln Steffens’ exposé of political corruption, "The Shame of Minneapolis"; and Ida Tarbell’s story of corporate villainy, "The Oil War of 1872"; along with an editorial from S. S. McClure and the narrative of Ellen Fitzpatrick, invite students to explore and understand "muckraking."
This edition of Louis Filler's classic account carries the muckraking tradition through World War II, McCarthyism, the civil rights movement, Korea, Vietnam, Ralph Nader, and Watergate.
African Muckraking is the first collection of investigative and campaigning journalism written by Africans about Africa. The editors delved into the history of modern Africa to find the most important and compelling pieces of journalism on the stories that matter. This collection of 41 pieces of African journalism includes passionate and committed writing on labor abuses, police brutality, women2019s rights, the struggle for democracy and independence on the continent and other subjects. Each piece of writing is introduced by a noted scholar or journalist who explains the context and why the journalism mattered. Some of the highlights include: Feminist writing from Tunisia into the 1930s, exposés of the secret tactics planned by the South African government during apartheid, Richard Mgamba2019s searing description of the albino brothers in Tanzania who fear for their lives, and the reporting by Liberian journalist Mae Azango on genital cutting, which forced her to go into hiding. Many African Muckrakers have been imprisoned and even killed for their work. African Muckraking is a must-read for anyone who cares about journalism and Africa
The Center for Public Integrity has amassed stories of people who have fought city hall and won. From how to use the Freedom of Information Act to conducting interviews for effective investigative reporting, "Citizen Muckraking" shows how to fight the Goliaths of the day.
McClure's was the leading muckraking journal among the many which flourished at the turn of the century. Both a literary and political magazine, It introduced exciting new writers to the American scene (Rudyard Kipling, Robert Louis Stevenson, A. Conan Doyle) and fearlessly championed the important causes of the day (from betterment of conditions in the coal mines to antitrust measures). This is the story of McClure's lifespan, beginning in Ohio when Samuel McClure gathered around himself a talented group of editors and writers (among them Willa Cather. Frank Norris. Stephen Crane, O. Henry. Hamlin Garland) and continuing to the magazine's last days in New York City. The growing concern of the staff about American urban and commercial life led to such exposes as Ida Tarbell's History of Standard Oil and Lincoln Steffens' Shame of the Cities. McClure's was a channel for those determined to combat the ills of society, and one of the first voices of the emerging Progressive Party. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In this first definitive biography of Ida Tarbell, Kathleen Brady, who is on the staff of Time, has written a readable and widely acclaimed book about one of America's great journalists.Ida Tarbell's generation called her "a muckraker" (the term was Theodore Roosevelt's, and he didn't intend it as a compliment), but in our time she would have been known as "an investigative reporter," with the celebrity of Woodward and Bernstein. By any description, Ida Tarbell was one of the most powerful women of her time in the United States: admired, feared, hated. When her History of the Standard Oil Company was published, first in McClure's Magazine and then as a book (1904), it shook the Rockefeller interests, caused national outrage, and led the Supreme Court to fragment the giant monopoly.A journalist of extraordinary intelligence, accuracy, and courage, she was also the author of the influential and popular books on Napoleon and Abraham Lincoln, and her hundreds of articles dealt with public figures such as Louis Pateur and Emile Zola, and contemporary issues such as tariff policy and labor. During her long life, she knew Teddy Roosevelt, Jane Addams, Henry James, Samuel McClure, Lincoln Stephens, Herbert Hoover, and many other prominent Americans. She achieved more than almost any woman of her generation, but she was an antisuffragist, believing that the traditional roles of wife and mother were more important than public life. She ultimately defended the business interests she had once attacked.To this day, her opposition to women's rights disturbs some feminists. Kathleen Brady writes of her: "[She did not have] the flinty stuff of which the cutting edge of any revolution is made. . . . Yet she was called to achievement in a day when women were called only to exist. Her triumph was that she succeeded. Her tragedy ws that she was never to know it."
Jessica Mitford was a member of one of England’s most legendary families (among her sisters were the novelist Nancy Mitford and the current Duchess of Devonshire) and one of the great muckraking journalists of modern times. Leaving England for America, she pursued a career as an investigative reporter and unrepentant gadfly, publicizing not only the misdeeds of, most famously, the funeral business (The American Way of Death, a bestseller) and the prison business (Kind and Usual Punishment), but also of writing schools and weight-loss programs. Mitford’s diligence, unfailing skepticism, and acid pen made her one of the great chroniclers of the mischief people get up to in the pursuit of profit and the name of good. Poison Penmanship collects seventeen of Mitford’s finest pieces—about everything from crummy spas to network-TV censorship—and fills them out with the story of how she got the scoop and, no less fascinating, how the story developed after publication. The book is a delight to read: few journalists have ever been as funny as Mitford, or as gifted at getting around in those dark, cobwebbed corners where modern America fashions its shiny promises. It’s also an unequaled and necessary manual of the fine art of investigative reporting.