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A new edition of the seminal work on one of the world's most celebrated cellists, Msitislav Rostropovich. Mstislav Rostropovich (1927-2007), internationally recognised as one of the world's finest cellists and musicians, always maintained that teaching is an important responsibility for great artists. Before his emigration in 1974 from Russia to the West, Rostropovich taught several generations of the brightest Russian talents - as Professor of the Moscow Conservatoire - for twenty-five years. His students included such artists as Jacqueline de Pr , Natalya Gutman, Karine Georgian and many others. Within these pages, Elizabeth Wilson vividly charts Rostropovich's musical development and the pivotal points in his career. Drawing from her own vivid reminiscences and those of former students, documents from the Moscow Conservatoire, and extensive interviews with Rostropovich himself, Wilson defines the philosophy behind his teaching and vividly recaptures the atmosphere of the Conservatoire and Moscow's musical life. This paperback edition includes a new introduction and epilogue by the author.
Mstislav Rostropovich, a legendary musician of the 20th century, died just a month after the English edition of this book was published in April 2007. Wilson, a British author and former student of Rostropovich, gained access to a great deal of archival information about his years as a faculty member at the Moscow State Conservatory. The book proceeds chronologically through Rostropovich's life and career, with several interpolated chapters devoted to reminiscences from other former pupils. Wilson explores Rostropovich's teaching philosophies and methods and details his warm relationships with several leading composers of the day, notably Benjamin Britten and Dmitry Shostakovich. Unfortunately, Wilson ends her narrative in 1974, the year of Rostropovich's forced departure from the Soviet Union. She acknowledges that a study of the remaining 33 years of his life--during which he was principal conductor of the National Symphony Orchestra in Washington, DC, and taught and performed around the globe--could fill several volumes, and one hopes that she will rise to the challenge of completing the biography of this great musician, humanist, and pedagog. Recommended for all music collections.
In these conversations with French journalist and critic Claude Samuel, Rostropovich and Vishnevskaya tell their dramatic story from their marriage in 1955 (four days after meeting!) onward. Musical matters - Bach and Beethoven, to be sure, but also the great Russian masters - are the focus of their thoughts, but their turbulent political battles coupled with a deep love for their homeland are pervasive themes as well.
This compilation assembles previously published and unpublished essays by Schnittke and supplements them with an interview with cellist and scholar Alexander Ivashkin. The book is illustrated with musical examples, many of them in Schnittke's own hand. In A Schnittke Reader, the composer speaks of his life, his works, other composers, performers, and a broad range of topics in 20th-century music. The volume is rounded out with reflections by some of Schnittke's contemporaries.
Eminently readable, informative, and entertaining, "The Jewish 100" ranks the most influential Jews of all time, with biographies of each person and the reason for his or her ranking. The influence of these men and women spans all fields--from religion and music to sports and philosophy. Illustrations.
A unique Companion to J S Bach's iconic Cello Suites from internationally-renowned cellist Steven Isserlis. 'Isserlis is the master of the material, yet always able to make it accessible . . . It is an absolute treat to be led to this sublime music by such an ethusiastic expert.' MICHAEL PALIN 'The book I've always wanted: an accessible, eloquent guide to the world's greatest - and maybe most elusive - pieces of music. And written by the man I'd want to tell me about it. This is such a delight.' DERREN BROWN 'Illuminating.' OBSERVER 'Striking.' THE SPECTATOR Bach's six Cello Suites are among the most cherished of all the works in the classical music literature. Shrouded in mystery - they were largely unknown for some two hundred years after their composition - they have acquired a magical aura which continues to attract and fascinate audiences the world over. To cellists they represent a musical bible, to listeners, scarcely less. Through what are on the surface simple dance suites, Bach takes us on a spiritual journey like no other, leading us from joy to tragedy, concluding in jubilation, even triumph. Award-winning international cellist Steven Isserlis, whose recent recording of the Suites met with the highest critical acclaim, goes deep into that emotional journey, bringing to bear all his many years' experience of performing the Suites. His book is intended as a rewarding companion for all music lovers, ranging from the casual listener to the performing musician. By offering his own very personal observations of the music, Isserlis's aim is to take the reader further into the world of the Suites in order to enhance the experience of hearing some of the greatest works ever composed. Praise for Steven Isserlis' BACH: THE CELLO SUITES 'The most wonderful cello-playing, surely among the most consistently beautiful to have been heard in this demanding music.' GRAMOPHONE 'Isserlis has done the impossible. He has given the listener something new, and indeed something outstandingly good . . . This recording can sit proudly on the shelf alongside the great recordings of Casals and Rostropovich. In fact, I may find myself picking it up as the favourite.' BBC RADIO 3
The first full biography of the fearless and brilliant Maria Yudina, a legendary pianist who was central to Russian intellectual life "Playing with Fire is a ground-breaking work--a phenomenal biography of a towering human spirit of everlasting relevance."--Norman Lebrecht, Wall Street Journal Maria Yudina was no ordinary musician. An incredibly popular pianist, she lived on the fringes of Soviet society and had close friendships with such towering figures as Boris Pasternak, Pavel Florensky, and Mikhail Bakhtin. Legend has it that she was Stalin's favorite pianist. Yudina was at the height of her fame during WWII, broadcasting almost daily on the radio, playing concerts for the wounded and troops in hospitals and on submarines, and performing for the inhabitants of besieged Leningrad. By the last years of her life, she had been dismissed for ideological reasons from the three institutions where she taught. And yet, according to Shostakovich, Yudina remained "a special case. . . . The ocean was only knee-deep for her." In this engaging biography, Elizabeth Wilson sets Yudina's extraordinary life within the context of her times, where her musical career is measured against the intense intellectual and religious ferment of the postrevolutionary period and the ensuing years of Soviet repression.
From the bestselling author of Stalin and The Last Tsar comes The Rasputin File, a remarkable biography of the mystical monk and bizarre philanderer whose role in the demise of the Romanovs and the start of the revolution can only now be fully known. For almost a century, historians could only speculate about the role Grigory Rasputin played in the downfall of tsarist Russia. But in 1995 a lost file from the State Archives turned up, a file that contained the complete interrogations of Rasputin’s inner circle. With this extensive and explicit amplification of the historical record, Edvard Radzinsky has written a definitive biography, reconstructing in full the fascinating life of an improbable holy man who changed the course of Russian history. Translated from the Russian by Judson Rosengrant.