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Daniel O'Connell created the Catholic nation in 1820s Ireland and in the process he gave birth to popular politics. Ahead of America where Andrew Jackson was creating his own brand of popular politics, O'Connell brought together rich and poor in support of a new phenomenon that became the popular political party. O'Connell began the shift in power from landed wealth to democratic nationalism. His success was built upon by Charles Stewart Parnell who created the first truly effective political party in the 1880s. The success of both O'Connell and Parnell was based on the flow of money into their organisations to sustain their political machines. Until now there has been no serious examination of how early nationalists raised money, how they accounted for it and – occasionally – how they misappropriated it. In telling this story Michael Keyes fills a key gap in our knowledge by showing us that popular funding was the life blood of Irish nationalism and was the key ingredient in a movement that went from political exclusion to political dominance in nineteenth-century Ireland.
Grantees of arms named in docquets and patents to the end of the seventeenth century: in the manuscripts preserved in the British museum, the Bodleian Library, Oxford, Queen's College, Oxford, Gonville and Caius College, Cambridge, and elsewhere: alphabetically arranged by the late Joseph Foster and contained in the Additional ms. no. 37,147, in the British museum by Foster, Joseph, 1844-1905; Rylands, W. Harry (William Harry), 1847-1922 Published 1915
A new exploration of the secular manuscripts and medieval medical texts associated with the York Guild and its members. Produced in 1486 and subsequently augmented, the Guild Book of the Barbers and Surgeons of York (British Library Egerton MS 2572) is a unique record of the knowledge, ambitions, activities and civic relationships maintained by the Barbers and Surgeons Guild over a period of 300 years. The manuscript's earliest folios contain images, astrological tracts, a plague treatise and a bloodletting poem. To these were added early modern ordinances and oaths, a series of royal portraits, and the names of the Guild's masters and apprentices. It is a rare survival of late medieval medical knowledge placed within a civic context. This new multi-disciplinary examination of the York Guild Book presents a comprehensive edition of its content and a detailed study of the creation and use of this fascinating manuscript. The York Guild Book was not owned by any one person but was intended to be representative of the types of manuscripts the Guild's members might have individually possessed. The Guild's commission elevated their manuscript's functional content into something which could be proudly owned and displayed, as is demonstrated by the stylishly executed pen and ink drawings, two of which are possibly unique. Through a contextualisation of the form and content of the manuscript, the book articulates ideas about material culture and the ceremonial role of secular manuscripts whilst shedding new light on the dissemination and status of medieval medical texts.
This book explores the notion that the emergent language of contemporary theatre, and more generally of modern culture, has links to much earlier forms of storytelling and an ancient worldview. This volume looks at our diverse and amalgamative theatrical inheritance and discusses various practitioners and companies whose work reflects and recapitulates ideas, approaches, and structures original to theatre’s ritual roots. Drawing together a range of topics and examples from the early Middle Ages to the modern day, Chadwick focuses in on a theatrical language which includes an emphasis on the psychosomatic, the non-linear, the symbolic, the liminal, the collective, and the sacred. This interdisciplinary work draws on approaches from the fields of anthropology, philosophy, historical and cognitive phenomenology, and neuroscience, making the case for the significance of historically responsive modes in theatre practice and more widely in our society and culture. Eleanor
Being a complete alphabetical and chronological record of all autograph letters, documents & manuscripts, sold by auction in London, with the date and place of sale, name of purchaser, and price of each lot, together with a comprehensive reference index.
This volume draws on emerging scholarship at the intersection of two already vibrant fields: medieval material culture and medieval sensory experience. The rich potential of medieval matter (most obviously manuscripts and visual imagery, but also liturgical objects, coins, textiles, architecture, graves, etc.) to complement and even transcend purely textual sources is by now well established in medieval scholarship across the disciplines. So, too, attention to medieval sensory experiences—most prominently emotion—has transformed our understanding of medieval religious life and spirituality, violence, power, and authority, friendship, and constructions of both the self and the other. Our purpose in this volume is to draw the two approaches together, plumbing medieval material sources for traces of sensory experience - above all ephemeral and physical experiences that, unlike emotion, are rarely fully described or articulated in texts.