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After the death of Margaret Oliphant—the prolific nineteenth-century novelist, biographer, essayist, reviewer, and prominent voice on the “woman question”—two well-intending relatives took the autobiographical manuscripts she composed over a thirty-year period, and recomposed them to suit the model of a conventional memoir. In the process, they suppressed more than a quarter of the material. Based on the original manuscripts, the Broadview edition now makes available the missing text in its original order, and the restored Autobiography of Margaret Oliphant portrays a woman of scathing irony, anger, and grief. Part of Broadview’s Nineteenth-Century British Autobiographies series, this edition also includes extensive excerpts from Oliphant’s diaries.
IT was an old manor-house, not a deserted convent, as you might suppose by the name. The conventual buildings from which no doubt the place had taken its name, had dropped away, bit by bit, leaving nothing but one wall of the chapel, now closely veiled and mantled with ivy, behind the orchard, about a quarter of a mile from the house. The lands were Church lands, but the house was a lay house, of an older date than the family who had inhabited it from Henry VIII.'s time, when the priory was destroyed, and its possessions transferred to the manor. No one could tell very clearly how this transfer was made, or how the family of Austins came into being. Before that period no trace of them was to be found. They sprang up all at once, not rising gradually into power, but appearing full-blown as proprietors of the manor, and possessors of all the confiscated lands. There was a tradition in the family of some wild, tragical union of an emancipated nun with a secularized friar-a kind of repetition of Luther and his Catherine, but with results less comfortable than those which followed the marriage of those German souls. With the English convertites the issue was not happy, as the story goes. Their broken vows haunted them; their possessions, which were not theirs, but the Church's, lay heavy on their consciences; and they died early, leaving descendants with whose history a thread of perpetual misfortune was woven. The family history ran in a succession of long minorities, the line of inheritance gliding from one branch to the other, the direct thread breaking constantly. To die young, and leave orphan children behind; or to die younger still, letting the line drop and fall back upon cadets of the house, was the usual fate of the Austins of Whiteladies-unfortunate people who bore the traces of their original sin in their very name.
"The Perpetual Curate" is a book written by Mrs. Oliphant, a pen name utilized by Margaret Oliphant, a well-known Scottish author. Frank Wentworth, a younger priest who becomes the everlasting curate in a small English city, is the main man or woman of the story. The book shows Wentworth's struggles and successes as he offers with the difficulties of us of an existence, personal relationships, and social expectancies. With the assist of a clergyman, Mrs. Oliphant expertly spins a story that explores the ethical and moral troubles humans face, relating subject matters of obligation, morality, and how the network's dynamics are changing. Frank Wentworth's journey takes region in Victorian England, giving readers an in depth photograph of the society and religious beliefs of the time. As the perpetual curate, Wentworth meets a huge variety of human beings, all of whom upload to the rich tapestry of human studies inside the book. When Mrs. Oliphant writes, she does so with a sharp wit, a deep expertise of the problems her character’s face, and a pointy commentary of human nature.
"The Story of a Governess" is one of the works by the master of domestic realism, the historical novel, and tales of the supernatural, Margaret Oliphant. She tells a story of a young girl ready for the self-denial of a governess position and the enclosed life of the old mansion, but, when turning pages, we learn that the fate and Mrs. Oliphant have made another plan for the young governess.