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In Mrs. Bridge, Evan S. Connell, a consummate storyteller, artfully crafts a portrait using the finest of details in everyday events and confrontations. With a surgeon's skill, Connell cuts away the middle-class security blanket of uniformity to expose the arrested development underneath-the entropy of time and relationships lead Mrs. Bridge's three children and husband to recede into a remote silence, and she herself drifts further into doubt and confusion. The raised evening newspaper becomes almost a fire screen to deflect any possible spark of conversation. The novel is compris.
Evan S. Connell's Mr Bridge is a moving and darkly funny portrayal of a man who is outwardly successful but internally stunted by existential doubts, repressed sexual yearnings and deep-seated prejudices. Fans of Jonathan Franzen and Richard Yates will enjoy Connell's pitch-perfect portrayal of marriage and family life, and this new Penguin Classics edition also includes an introduction by Lionel Shriver, author of We Need to Talk About Kevin. Walter Bridge, husband to India and father to three, is a successful lawyer in a Kansas suburb. The daily dramas of his life only serve to illuminate his prejudice, self-doubts and dreary existence - his Christmas gifts to the family are stock certificates, which he immediately takes back to manage on their behalf - yet he is also kind and charitable, loving his wife while never able to tell her so. In Mr Bridge, Evan S. Connell gives us a moving, satirical and poetic portrayal of a man who cannot escape his limitations, and a couple growing old together but unable, ultimately, to connect. The companion novel, Mrs Bridge, telling the story from the other side of the marriage, is published in Penguin Modern Classics with an introduction by Joshua Ferris, author of Then We Came to the End and The Unnamed. 'Mr Bridge is a tour-de-force of contemporary American realism, a beautiful work of fiction' - Life 'With a delicate and subtle irony, Mr Connell shows us, first from her, then from his point of view, the little daily dramas of this ordinary family. It is very, very funny, often moving and sad, and written with an uncompromising realism that one rarely comes across. To me the Bridges were a revelation: I cannot recommend them too highly' - Daily Telegraph
Winner, 2022 Society of Midland Authors award for Biography/Memoir Evan S. Connell (1924–2013) emerged from the American Midwest determined to become a writer. He eventually made his mark with attention-getting fiction and deep explorations into history. His linked novels Mrs. Bridge (1959) and Mr. Bridge (1969) paint a devastating portrait of the lives of a prosperous suburban family not unlike his own that, more than a half century later, continue to haunt readers with their minimalist elegance and muted satire. As an essayist and historian, Connell produced a wide range of work, including a sumptuous body of travel writing, a bestselling epic account of Custer at the Little Bighorn, and a singular series of meditations on history and the human tragedy. This first portrait and appraisal of an under-recognized American writer is based on personal accounts by friends, relatives, writers, and others who knew him; extensive correspondence in library archives; and insightful literary and cultural analysis of Connell’s work and its context. It also illuminates aspects of American publishing, Hollywood, male anxieties, and the power of place.
Son of the Morning Star is the nonfiction account of General Custer from the great American novelist Evan S. Connell. Custer's Last Stand is among the most enduring events in American history--more than one hundred years after the fact, books continue to be written and people continue to argue about even the most basic details surrounding the Little Bighorn. Evan S. Connell, whom Joyce Carol Oates has described as "one of our most interesting and intelligent American writers," wrote what continues to be the most reliable--and compulsively readable--account of the subject. Connell makes good use of his meticulous research and novelist's eye for the story and detail to re-create the heroism, foolishness, and savagery of this crucial chapter in the history of the West.
The Golden Gate Bridge. The impossible bridge, some call it. They say it can't be built. But Robert's father is building it. He's a skywalker--a brave, high-climbing ironworker. Robert is convinced his pop has the most important job on the crew . . . until a frightening event makes him see that it takes an entire team to accomplish the impossible. When it was completed in 1937, San Francisco's Golden Gate Bridge was hailed as an international marvel. Eve Bunting's riveting story salutes the ingenuity and courage of every person who helped raise this majestic American icon. Includes an author's note about the construction of the Golden Gate Bridge.
Annie Sullivan was little more than a half-blind orphan with a fiery tongue when she arrived at Ivy Green in 1887. Desperate for work, she’d taken on a seemingly impossible job—teaching a child who was deaf, blind, and as ferocious as any wild animal. But if anyone was a match for Helen Keller, it was the girl who’d been nicknamed Miss Spitfire. In her efforts to reach Helen’s mind, Annie lost teeth to the girl’s raging blows, but she never lost faith in her ability to triumph. Told in first person, Annie Sullivan’s past, her brazen determination, and her connection to the girl who would call her Teacher are vividly depicted in this powerful novel.
"The year is 1095. The most prominent leaders of the Christian world have assembled in a meadow in France near Clermont. Pope Urban appeals for the liberation of Jerusalem and cries out Deus Lo Volt! God Wills It! The cry is taken up, echoes forth and is carried on. Wave upon wave of Christian pilgrims rush to assault the growing power of Muslims in the Holy Land and will do so for the next two hundred years. Most able men become soldiers of the Cross, and when a man is prevented by old age or ill health, he sends his son. Women, too, go to fight alongside the men. It is a time of great adventure, of great exploration and cultural change. Uniting Christian Europe in a common cause, the crusades defined forever the spirit of the West.
Fifty-six stories, some new, some republished. In Corset, a wife does headstands in the nude to excite her husband, in Au Lapin Gros, a man falls for a woman's big feet, and A Cottage Near Twin Falls is on a boring cocktail party.
Before Betty Friedan wrote The Feminine Mystique there was Mrs. Bridge, an inspired novel set in the years around World War II that testified to the sapping ennui of an unexamined suburban life. India Bridge, the title character, has three children and a meticulous workaholic husband. She defends her dainty, untouched guest towels from son Douglas, who has the gall to dry his hands on one, and earnestly attempts to control her daughters with pronouncements such as "Now see here, young lady ... in the morning one doesn't wear earrings that dangle." Though her life is increasingly filled with leisure and plenty, she can't shuffle off vague feelings of dissatisfaction, confusion, and futility. Evan S. Connell, who also wrote the twinned novel Mr. Bridge, builds a world with tiny brushstrokes and short, telling vignettes.
From the author of the no.1 New York Times bestselling novel The Book Thief. "An amazing talent in Australian literature" Sunday Telegraph The Dunbar boys bring each other up in a house run by their own rules. A family of ramshackle tragedy - their mother is dead, their father has fled - they love and fight, and learn to reckon with the adult world. It is Clay, the quiet one, who will build a bridge; for his family, for his past, for his sins. He builds a bridge to transcend humanness. To survive. A miracle and nothing less. WINNER INDIE BOOK AWARD FOR FICTION 2019 SHORTLISTED FOR THE ABIA BOOK OF THE YEAR 2019 LONGLISTED FOR THE DUBLIN LITERARY AWARD 2020 PRAISE FOR BRIDGE OF CLAY "I am pleased to recommend...Markus Zusak's extraordinary novel Bridge of Clay, which I suspect I'll reread many times. It's a sprawling, challenging, and endlessly rewarding book. But it also has the raw and real and unironized emotion that courses through all of Zusak's books. I'm in awe of him." John Green, author of The Fault in Our Stars and Looking for Alaska "Exquisitely written multigenerational family saga...With heft and historical scope, Zusak creates a sensitively rendered tale of loss, grief, and guilt's manifestations." Publishers Weekly "An evocative, compassionate and exquisitely composed coming-of-age story about family, love, tragedy and forgiveness. Zusak's prose is distinct: astute, witty, exquisitely rhythmic, and utterly engrossing." Australian Books+Publishing Magazine "Zusak is a writer of extraordinary empathy and he excels in his understanding of adolescent boys...in his portrayal of the gently traumatised Clay he has created a memorable character to savour... in Bridge of Clay, as earlier in The Book Thief, Zusak has succeeded in creating a story so vibrant and so real that the reader feels enveloped by it." The Australian "This vast novel is a feast of language and irony. It is such a compassionate book that it is hard not to fall a bit in love with it yourself. Bridge of Clay shares with Zusak's The Book Thief an underlying sense of the possibility of joy and human dignity even in dehumanising situations." Sydney Morning Herald "A complex, big-hearted, multi-generational Australian epic, highly evocative and rich in idiom that sprawls across 580 pages, much in the manner of Colleen McCullough, or Tim Winton's Cloudstreet." Good Weekend Magazine "In 2005, the Australian writer dazzled readers and secured a perch on bestseller lists with The Book Thief ...this book too is a stunner. Devastating, demanding and deeply moving, Bridge of Clay unspools like a kind of magic act in reverse, with feats of narrative legerdemain concealed by misdirection that all make sense only when the elements of the trick are finally laid out. In words that seem to ache with emotion, or perhaps, more aptly, with the suppression of it, Mr. Zusak moves us in and out of time. Grief and sacrifice lie at the heart of things, and we can feel it through Mr. Zusak's writing even before we understand the story's real contours." Wall Street Journal "What truly stands out about Bridge of Clay is the intensity of the prose - the potency of the heartbreak. The depth of grief and loss is so palpable you can all but feel the blood, sweat, and tears that went into crafting the story." Entertainment Weekly "As with The Book Thief, much of the appeal of the novel lies in Zusak's heartfelt love for his characters and for language. The book sings in short musical sentences like poetry, and words stop you in your tracks." Herald Sun