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Some vols. include supplemental journals of "such proceedings of the sessions, as, during the time they were depending, were ordered to be kept secret, and respecting which the injunction of secrecy was afterwards taken off by the order of the House."
CONTENTS: I. The Needless Mystery of Court House Government. II. Fights and Rights. III. Facts Are Guesses. IV. Modern Legal Magic. V. Wizards and Lawyers. VI. The "Fight" Theory versus the "Truth" Theory. VII. The Procedural Reformers. VIII. The Jury System. IX. Defenses of the Jury System--Suggested Reforms. X. Are Judges Human? XI. Psychological Approaches. XII. Criticism of Trial-Court Decisions--The Gestalt. XIII. A Trial as a Communicative Process. XIV. "Legal Science" and "Legal Engineering." XV. The Upper-Court Myth. XVI. Legal Education. XVII. Special Training for Trial Judges. XVIII. The Cult of the Robe. XIX. Precedents and Stability. XX. Codification. XXI. Words and Music: Legislation and Judicial Interpretation. XXII. Constitutions--The Merry-Go-Round. XIII. Legal Reasoning. XXIV. Da Capo. XXV. The Anthropological Approach. XXVI. Natural Law. XXVII. The Psychology of Litigants. XXVIII. The Unblindfolding of Justice. XXIX. Classicism and Romanticism. XXX. Justice and Emotions. XXXI. Questioning Some Legal Axioms. XXXII. Reason and Unreason--Ideals.
Colorful, prolific stage, film, and television producer Michael "Chalky" White was born in Scotland was sent, at the age of seven, to a Swiss private school which he hated. He studied at the Sorbonne, worked on Wall Street, and as assistant to Sir Peter Daubeny, making contacts with Brecht's Berliner Ensemble, the Moscow Art Theatre and the Comédie Française--internationally renowned companies then at their peak. In 1960, he brought Merce Cunningham and John Cage to London for the first time and created a new market for modern dance. A legendary social butterfly, he was an enthusiastic and generous host who delighted in mixing up stars from film, theater, fashion and rock music with aristocrats and civilians, keeping Swinging London swinging. In his recitation of the events of his extraordinary showbusiness life, White describes how he helped put the Monty Python team on the map and made a fortune on The Rocky Horror Show and A Chorus Line. Fabulous fun for theater fans.