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Adrian Monk is feeling strangely satisfied these days-and he'd like his agoraphobic brother to feel the same way. So he takes Ambrose, against his will, on the open road in a motorhome. Little crimes pop up along the way and Monk can't resist getting involved. Nor can he help sensing a pattern that reveals the hand of a serial killer at work on this highway to hell.
Welcome to the series of original mysteries starring Adrian Monk, the brilliant investigator who always knows when something’s out of place.... Of all the things that make Adrian Monk uneasy, change ranks high on the list. So when Natalie completes her P.I. license—and technically becomes Monk’s boss—it’s not easy for him to accept. Nor can he accept Natalie attending a business seminar at sea without him, even if it means spending a week with her on a cruise ship. Between choppy waters and obnoxious kids, Monk finds himself in a perfect storm of anxiety. Luckily, Mariah, the cruise director, is always able to smooth things over…until the crew fishes her dead body out of the water. Even after the ship’s doctor declares Mariah’s death an accident, Monk isn’t convinced. So when the captain hires Monk and Natalie to look into a mysterious rash of vandalism on board, Monk steers the investigation toward murder.…
California and Adrian Monk are in a financial crisis when he's fired by the SFPD and finds his savings are gone. Bob Sebes, the leader of Reinier Investments, swindled his clients, including Monk. Whena key witness is killed, Monk is convince that Sebes, under house-arrest, did it. Being jobless and broke, Monk can devote all of his obsessive energy to solving this latest mystery.
Some people think Hawaii is paradise. But Monk knows that danger—like dirt—lurks everywhere. Look at Helen Gruber, the rich tourist who took a fatal blow from a coconut. The police say it fell from a tree, but Monk suspects otherwise. His assistant, Natalie, isn’t exactly thrilled about Monk’s latest investigation. It was bad enough that Monk followed her on vacation, and now it looks as though the vacation is over.... Smooth-talking TV psychic Dylan Swift is on the island and claims to have a message from beyond—from Helen Gruber. Monk has his doubts about Swift’s credibility. But finding the killer and proving Swift a fraud—all while coping with geckos and the horror of unsynchronized ceiling fans—may prove a tough coconut to crack....
Monk's house is being fumigated, and he has nowhere to go. Fortunately, his assistant Natalie and her daughter are kind enough to welcome him into their home. Unfortunately, their home is not quite up to Monk's standards of cleanliness and order. But while Monk attempts to arrange his surroundings just so, something else needs to be put straight. The death of a dog at the local firehouse-on the same night as a fatal house fire-has led Monk into a puzzling mystery. And much to his horror, he's going to have to dig through a lot of dirt to find the answer.
Based on the hit USA network series- from edgar(r) Award - nominated Monk screenwriter lee Goldberg Adrian Monk and his assistant Natalie are in Paris, touring the shadowy catacombs that wind beneath the city streets, lined with millions of centuries-old human bones. Of course, Monk notices one particular skull, declaring that the person was killed recently. With the delights of Paris overshadowed by murder, Monk will have to think fast-and see in the dark-if he's going to catch a cunning killer.
Obsessive. Compulsive. Detective. The husband of Monk's former assistant, Sharona, has been arrested for murder. Now back in San Francisco, she's ready to reclaim her place in Monk's life-much to the chagrin of his current assistant, Natalie. While Monk tries to maintain a delicate balance between the two women, he discovers a few unsettling snags in the case against Sharona's husband, and may be up against a killer who not only understands him, but is one step ahead.
Ever since a 1962 unsolved train robbery made it famous, people have flocked to the town of Trouble in California's gold country, searching for the booty that train robbers supposedly dumped off the Golden Rail Express in a botched heist. When the town's museum's watchman is murdered, Adrian Monk and his assistant, Natalie, are sent to investigate. But if Monk isn't careful, he'll learn that the town of Trouble can live up to its name.
An all-new story starring Adrian Monk by Edgar® Award–nominated Monk screenwriter and coexecutive producer Hy Conrad. It’s compulsive, page-turning fun. Monk and Natalie have finally settled into a new office routine. Now they just need to work things out with their neighbors—a print shop run by hippies whose music leaks through the walls, driving Monk nuts. But the detectives soon have a more serious conflict to deal with: Captain Stottlemeyer’s new lieutenant, A.J. Cartledge—a man of limited skills whom Monk finds insufferable. Even the presence of Lieutenant Cartledge won’t keep Monk and Natalie from attending the funeral of Judge Oberlin, and it’s a good thing. In typical fashion, Monk examines the body in the casket—and finds evidence of poison. The judge was murdered. While there are no traces of the poison at the judge’s house, Monk detects that there had been an intruder. The next rainy day, when Captain Stottlemeyer begins to show the same symptoms, Monk deduces that there’s a diabolical killer at work, someone who wanted both the judge and the captain dead. Monk and Natalie turn to the captain’s ex-lieutenant in Summit, New Jersey for help, but even that might not be enough to solve this crime. With his friend in danger and an enemy close, Monk will have to put his reservations aside to crack the case in time.
What if we truly belong to each other? What if we are all walking around shining like the sun? Mystic, monk, and activist Thomas Merton asked those questions in the twentieth century. Writer Sophfronia Scott is asking them today. In The Seeker and the Monk, Scott mines the extensive private journals of one of the most influential contemplative thinkers of the past for guidance on how to live in these fraught times. As a Black woman who is not Catholic, Scott both learns from and pushes back against Merton, holding spirited, and intimate conversations on race, ambition, faith, activism, nature, prayer, friendship, and love. She asks: What is the connection between contemplation and action? Is there ever such a thing as a wrong answer to a spiritual question? How do we care about the brutality in the world while not becoming overwhelmed by it? By engaging in this lively discourse, readers will gain a steady sense of how to dwell more deeply within--and even to love--this despairing and radiant world.