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California and Adrian Monk are in a financial crisis when he's fired by the SFPD and finds his savings are gone. Bob Sebes, the leader of Reinier Investments, swindled his clients, including Monk. Whena key witness is killed, Monk is convince that Sebes, under house-arrest, did it. Being jobless and broke, Monk can devote all of his obsessive energy to solving this latest mystery.
Based on the hit USA network series- from edgar(r) Award - nominated Monk screenwriter lee Goldberg Adrian Monk and his assistant Natalie are in Paris, touring the shadowy catacombs that wind beneath the city streets, lined with millions of centuries-old human bones. Of course, Monk notices one particular skull, declaring that the person was killed recently. With the delights of Paris overshadowed by murder, Monk will have to think fast-and see in the dark-if he's going to catch a cunning killer.
Monk's house is being fumigated, and he has nowhere to go. Fortunately, his assistant Natalie and her daughter are kind enough to welcome him into their home. Unfortunately, their home is not quite up to Monk's standards of cleanliness and order. But while Monk attempts to arrange his surroundings just so, something else needs to be put straight. The death of a dog at the local firehouse-on the same night as a fatal house fire-has led Monk into a puzzling mystery. And much to his horror, he's going to have to dig through a lot of dirt to find the answer.
Welcome to the series of original mysteries starring Adrian Monk, the brilliant investigator who always knows when something’s out of place.... Natalie is taking a break from studying for her PI license—the last step to becoming Monk’s full partner. She sneaks off to Half Moon Bay for a retreat run by Miranda Bigley, leader of the Best Possible Me self-help program, but her plans for a relaxing weekend are disrupted when Monk tracks her down to rescue her from the “cult.” Their argument is cut short when Miranda, in full view of everyone, calmly walks to the edge of a cliff and jumps. Even though Miranda’s death looks like suicide, Natalie is sure it's murder. But Monk brushes her off to help the SFPD solve the murder of a clown, despite his coulrophobia, aka fear of clowns. As Monk and Natalie begin their independent investigations, they quickly learn that if they want to figure out whodunit, they will have to find a way to become true partners.... An all-new story starring Adrian Monk by Edgar® Award–nominated Monk screenwriter and coexecutive producer Hy Conrad. It’s compulsive, page-turning fun.
Obsessive. Compulsive. Detective. An all-new original mystery starring Adrian Monk, the brilliant investigator who always knows when something’s out of place.... No one likes to come home to a mess—least of all Monk and Natalie. But when they return briefly to San Francisco from an extended stay working as cops in New Jersey, Natalie discovers somebody has been sleeping in her bed. But this Goldilocks is not asleep. She’s dead. If that’s not bad enough, investigators find marked money from a Federal sting operation stuffed under Natalie’s mattress. Now her life is a real mess and she needs Monk’s help to clean it up. But Monk has problems of his own. His brother Ambrose is desperate to find Yuki, his missing lover, but his agoraphobia prevents him from leaving the house. Ambrose needs a man on the outside—and that man is Monk, who is torn, because he’s glad to see her go. As the two investigations begin, and the body count rises, it quickly becomes clear to Monk that Yuki has a dangerous past…and that they are pursuing a ruthless, cold-blooded killer that nobody would ever want to mess with…
Welcome to the series of original mysteries starring Adrian Monk, the brilliant investigator who always knows when something’s out of place.... Of all the things that make Adrian Monk uneasy, change ranks high on the list. So when Natalie completes her P.I. license—and technically becomes Monk’s boss—it’s not easy for him to accept. Nor can he accept Natalie attending a business seminar at sea without him, even if it means spending a week with her on a cruise ship. Between choppy waters and obnoxious kids, Monk finds himself in a perfect storm of anxiety. Luckily, Mariah, the cruise director, is always able to smooth things over…until the crew fishes her dead body out of the water. Even after the ship’s doctor declares Mariah’s death an accident, Monk isn’t convinced. So when the captain hires Monk and Natalie to look into a mysterious rash of vandalism on board, Monk steers the investigation toward murder.…
Obsessive. Compulsive. Detective. The husband of Monk's former assistant, Sharona, has been arrested for murder. Now back in San Francisco, she's ready to reclaim her place in Monk's life-much to the chagrin of his current assistant, Natalie. While Monk tries to maintain a delicate balance between the two women, he discovers a few unsettling snags in the case against Sharona's husband, and may be up against a killer who not only understands him, but is one step ahead.
Some people think Hawaii is paradise. But Monk knows that danger—like dirt—lurks everywhere. Look at Helen Gruber, the rich tourist who took a fatal blow from a coconut. The police say it fell from a tree, but Monk suspects otherwise. His assistant, Natalie, isn’t exactly thrilled about Monk’s latest investigation. It was bad enough that Monk followed her on vacation, and now it looks as though the vacation is over.... Smooth-talking TV psychic Dylan Swift is on the island and claims to have a message from beyond—from Helen Gruber. Monk has his doubts about Swift’s credibility. But finding the killer and proving Swift a fraud—all while coping with geckos and the horror of unsynchronized ceiling fans—may prove a tough coconut to crack....
Mr. Monk and Philosophy is a carefully and neatly organized collection of eighteen chapters divided into exactly six groups of precisely three chapters each. Drawing on a wide range of philosophers—from Aristotle and Diogenes, to Siddhartha Gautama and St. Thomas Aquinas, to David Hume and Karl Popper—the authors ask how Adrian Monk solves his cases, why he is the way he is, how he thinks, and what we can learn from him. Some of the authors suggest Monk is a kind of tragic hero, whose flaws help us live out and expunge the fear and anxiety we all experience; that he is more than just his personality or memories, but something more individual and indefinable; and that his most distinctive traits are not the traits that make him a detective, but those that make him a friend. His most notable trait is the dedication he shows to his late wife, Trudy. Other authors explore how Monk encounters the world, arguing that his genius comes not from logic or reasoning, but from his ability to see his surroundings in a pre-conceptualized way; that there isn’t as much distance between his rational beliefs about crimes and evidence and his irrational phobic beliefs as there might seem; and that his phobias have themselves made him approach himself and the world as something to be overcome. Just how does Mr. Monk come to his conclusions? Does he use inductive, deductive, or abductive reasoning? Is he dependent on a false notion of the law of noncontradiction? Is it possible that his reasoning might have more to do with constructing harmonious stories than it does with evidence, causes, or insights? Some contributors ponder Monk's name and what it means given his views on religion. Some authors argue that Mr. Monk's approach to the world is fundamentally similar to that of medieval monastic orders; that his rituals and deductive ‘dancing’ show how he exhibits a kind of shamanism; and that he acts in accordance with the Bodhisattva ideal, bringing others to enlightenment through circumstances and by accident, even though he has no such intention or goal. In one chapter, the author asks how the character Monk is related to other similar characters, arguing that Monk and House are closely related characters, each based on the conflict between reason and emotion which exemplifies the motif of the “troubled genius;” that Monk and House both pursue ethical practices and goals even as they fail at the everyday face-to-face ethics of normal social interactions; and that great detectives all, through their flaws, help us to understand and forgive ourselves for our flaws. And finally, there are several chapters in which the authors consider Monk from the psychologist’s perspective, discussing how Monk’s relationship with Trudy, while having unhealthy codependent elements, demonstrates some important aspects of successful romantic partnerships; how laughter plays a difficult role in mental illness, and the difficult position that the show and therapists are placed in when having to treat seriously disorders that are both tragic and comic; and how, from a psychoanalytic perspective, Monk’s inability to mourn shows us why we both reject and are drawn towards death. In the words of author D. E. Wittkower, "In order to be sure that the reader is able to enjoy the book, every chapter will have an even number of words. You’ll thank me later."
Adrian Monk is feeling strangely satisfied these days-and he'd like his agoraphobic brother to feel the same way. So he takes Ambrose, against his will, on the open road in a motorhome. Little crimes pop up along the way and Monk can't resist getting involved. Nor can he help sensing a pattern that reveals the hand of a serial killer at work on this highway to hell.