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Mia lost everything, even her own life, because of her sister's betrayal. Getting reborn, she took back everything, including the man she loves with his help. After reborn she has only one principle in her life” Love him unconditionally, trust him, spoil him” One day her man asked her” aren't you afraid if you trust me blindly and give me too much freedom, someone else might steal me from you? "No, I'm not afraid” she confidently answered him. Her man left speechless by her overconfidence.
Handsome, ruthless attorney Jordan Logan had an amazing track record: he'd never lost a case. So when he agreed to do a favor for his sister and become a substitute lawyer at Advocate Aid, he thought it would be a piece of cake. What Jordan didn't expect was the all-consuming passion he felt for his work—and for the one-ofa-kind office manager, Sarajane Gerrity. As suspicious of him as she was stunning, Sarajane was full of surprises. And the biggest surprise of all was allowing herself to fall for a man like Jordan. But the jury was still out on whether this romance could be for real.—
This volume explores the cultural meanings, especially the gendered meanings, of material associated with oral traditions. It is divided into three sections: 'Our mothers' maids', 'Spinsters, knitters and the uses of oral traditions' and 'Oral traditions and masculinity'.
Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada
Now a Netflix Mandarin original drama! From the New York Times bestselling author of The Night Tiger, a Reese’s Book Club pick Yangsze Choo’s stunning debut, The Ghost Bride, is a startlingly original novel infused with Chinese folklore, romantic intrigue, and unexpected supernatural twists. Li Lan, the daughter of a respectable Chinese family in colonial Malaysia, hopes for a favorable marriage, but her father has lost his fortune, and she has few suitors. Instead, the wealthy Lim family urges her to become a “ghost bride” for their son, who has recently died under mysterious circumstances. Rarely practiced, a traditional ghost marriage is used to placate a restless spirit. Such a union would guarantee Li Lan a home for the rest of her days, but at what price? Night after night, Li Lan is drawn into the shadowy parallel world of the Chinese afterlife, where she must uncover the Lim family’s darkest secrets—and the truth about her own family. Reminiscent of Lisa See’s Peony in Love and Amy Tan’s The Bonesetter’s Daughter, The Ghost Bride is a wondrous coming-of-age story and from a remarkable new voice in fiction.
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
Official website: https://www.webnovel.com/ “Feng Tianyi! Your brother destroyed my Tang family! Is there anything good about your family?” “En. Can’t you see how our good looking genes are passed on to our children? As for the Feng family’s debt, I will pay you.” He said nonchalantly. Tang Moyu scoffed and crossed her arms over her chest. “How will you pay for it?” “How about I repay you with my body?” “...” So shameless! The man sitting on his wheelchair burst into a round of laughter seeing her ugly expression. “Miss Tang, it’s no point pretending you haven’t seen it since you practically climbed on my bed and took advantage of me.” Five years ago, Tang Moyu was the empress of the business world and was at the peak of her career before she was reduced to nothing when her fiance fell in love with another woman. That was okay since there was no love between her and Feng Tianhua, but who would have thought that this ‘Cinderella’ was a wolf in sheep’s clothing? Then there’s Feng Tianyi, the infamous successor of the Feng family, a critically acclaimed author who constantly rocked the bestselling list with his books. Rumors say that he was hot-headed and temperamental. He was so ruthless, that neither men nor women wanted his company. The rumors even say that his face was so handsome and out of this world. He was practically a god amongst men. It was a pity that he was crippled. The two were never meant to meet again, but a pair of sweet little buns intervened. “Uncle, we don’t have money to pay you for damages.” The elder Little Bun said. “My manuscripts are invaluable,” This handsome uncle replied with amusement. “Uncle, if you don’t mind, can we pay with our Mommy? She’s also invaluable.” And so the pair of sweet little buns and the handsome uncle entered an agreement but who would have thought that the woman in question was an ice-cold queen from hell who had a weird affinity with sweets? —— Editor/proofreader: ninaviews Book cover: Bizzybiin / copyright 2020 anjeeriku