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No, 'tis no aisy job bein' a candydate, an' 'twud be no easy job if th' game iv photygraphs was th' on'y wan th' candydates had to play. Willum Jennings Bryan is photygraphed smilin' back at his smilin' corn fields, in a pair iv blue overalls with a scythe in his hand borrid fr'm th' company that's playin' 'Th' Ol' Homestead, ' at th' Lincoln Gran' Opry House. Th' nex' day Mack is seen mendin' a rustic chair with a monkey wrinch, Bryan has a pitcher took in th' act iv puttin' on a shirt marked with th' unio label, an' they'se another photygraph iv Mack carryin' a scuttle iv coal up th' cellar stairs. An' did ye iver notice how much th' candydates looks alike, an' how much both iv thim looks like Lydia Pinkham?
" Enter the witty and insightful world of "Mr. Dooley in Peace and in War" by Finley Peter Dunne, where humor, social commentary, and astute observations come together. This remarkable book introduces readers to Mr. Dooley, a wise and humorous character who shares his unique perspectives on various aspects of life, both in times of peace and during times of war. In "Mr. Dooley in Peace and in War," readers will enjoy the clever and thought-provoking musings of Mr. Dooley as he navigates the complexities of society and offers his humorous yet profound insights. From political discourse to social issues, Mr. Dooley's sharp wit and astute observations provide a fresh and entertaining perspective on the world around us. Finley Peter Dunne's storytelling captures the essence of Mr. Dooley's character, immersing readers in his colorful anecdotes and witty banter. Through his humorous commentary, readers will find themselves reflecting on the human condition, the follies of society, and the enduring spirit that helps us navigate both peaceful and turbulent times. Join Mr. Dooley as he offers his humorous take on life's absurdities, challenges societal norms, and leaves readers with laughter and thought-provoking insights."
Finley Peter Dunne, American journalist and humorist, is justly famous for his creation of Mr. Dooley, the Chicago Irish barkeep whose weekly commentary on national politics, war, and human nature kept Americans chuckling over their newspapers for nearly two decades at the beginning of this century. Largely forgotten in the files of Chicago newspapers, however, are over 300 Mr. Dooley columns written in the 1890s before national syndication made his name a household word. Charles Fanning offers here the first critical examination of these early Dooley pieces, which, far better than the later ones, reveal the depth and development of the character and his creator. Dunne created in Mr. Dooley a vehicle for expressing his criticism of Chicago's corruption despite the conservatism of most of his publishers. Dishonest officials who could not be safely attacked in plain English could be roasted with impunity in the "pure Roscommon brogue" of a fictional comic Irishman. In addition, Dunne painted, through the observations of his comic persona, a vivid and often poignant portrait of the daily life of Chicago's working-class Irish community and the impact of assimilation into American life. He also offered cogent views of American urban political life, already dominated by the Irish as firmly in Chicago as in other large American cities, and of the tragicomic phenomenon of Irish nationalism. Mr. Fanning's penetrating examination of these early Dooley pieces clearly establishes Dunne as far more than a mere humorist. Behind Mr. Dooley's marvelously comic pose and ironic tone lies a wealth of material germane to the social and literary history of turn-of-the century America.
As the United States struggled to absorb a massive influx of ethnically diverse immigrants at the turn of the twentieth century, the question of who and what an American is took on urgent intensity. It seemed more critical than ever to establish a definition by which Americanness could be established, transmitted, maintained, and judged. Americans of all stripes sought to articulate and enforce their visions of the nation’s past, present, and future; central to these attempts was President Theodore Roosevelt. Roosevelt fully recognized the narrative component of American identity, and he called upon authors of diverse European backgrounds including Israel Zangwill, Jacob Riis, Elizabeth Stern, and Finley Peter Dunne to promote the nation in popular written form. With the swell and shift in immigration, he realized that a more encompassing national literature was needed to “express and guide the soul of the nation.” Rough Writing examines the surprising place and implications of the immigrant and of ethnic writing in Roosevelt’s America and American literature.