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A man of faith faces a personal reckoning after working aboard HMS Beagle in this “gripping” historical novel (The Wall Street Journal). Heading off to sea at the age of thirteen, Syms Covington became Charles Darwin’s manservant for seven years, sailing on the historic voyage of the Beagle. Their relationship was an odd one, but it furnished exactly what Darwin needed in order to complete his groundbreaking work, as Covington shot and collected hundreds of specimens which became fodder for The Origin of Species. Now, as Darwin’s groundbreaking book is about to be published, Covington has retired to Australia in poor health—and in a state of moral crisis over his role in undermining the Christian faith that has supported him during his life. As the novel progresses, he looks back on his upbringing in Bedford, England; his coming of age and wholehearted enjoyment of the sensual pleasures available to young sailors; and his unceremonious dismissal by Darwin once the research was complete. “A captivating seafarer’s tale rich in period detail and insight into relations among men,” Mr. Darwin’s Shooter paints a poignant and unforgettable picture of one man forging, then struggling to maintain his faith in an era when it is constantly under attack—from science, from the daily brutality of life during colonial expansion, and from one’s own cold, inexorable logic (Publishers Weekly). “A spectacular tale of 19th-century exploration and the conflict between science and religion, all based on Charles Darwin’s famous voyage of discovery . . . Brilliant.” —Kirkus Reviews
A tale based on the true life story of Syms Covington, servant to Charles Darwin on the famous voyage of The Beagle. It is a novel of ambition and adventure, masters and servants and an all-too-human quest for the truth.
This remarkable book brings us an intimate and moving interpretation of the life and work of Charles Darwin, by Ruth Padel, an acclaimed British poet and a direct descendant of the famous scientist. Charles Darwin, born in 1809, lost his mother at the age of eight, repressed all memory of her, and poured his passion into solitary walks, newt collecting, and shooting. His five-year voyage on H.M.S. Beagle, when he was in his twenties, changed his life. Afterward, he began publishing his findings and working privately on groundbreaking theories about the development of animal species, including human beings, and he made a nervous proposal to his cousin Emma. Padel’s poems sparkle with nuance and feeling as she shows us the marriage that ensued, and the rich, creative atmosphere the Darwins provided for their ten children. Charles and Emma were happy in each other, but both were painfully aware of the gulf between her deep Christian faith and his increasing religious doubt. The death of three of their children accentuated this gulf. For Darwin, death and extinction were nature’s way of developing new species: the survival of the fittest; for Emma, death was a prelude to the afterlife. These marvelous poems—enriched by helpful marginal notes and by Padel’s ability to move among multiple viewpoints, always keeping Darwin at the center—bring to life the great scientist as well as the private man and tender father. This is a biography in rare form, with an unquantifiable depth of family intimacy and warmth.
In the early 1800s, out of the prison society of governors, redcoats, English gaolers, Irish convicts, and the few free settlers of Botany Bay, one had entured much farther inland than a few dozen miles from Sydney into the vast territory claimed, New South Wales. Or so it was believed until the escape of Desmond Kale and the vengeance of his rival, the wildly eccentric parson magistrate Matthew Stanton. THE BALLAD OF DESMOND KALE is Roger McDonald's broad-sweeping novel of the first days of British settlement in Australia. At the centre is Stanton's pursuit of Kale - an Irish political prisoner and a rebelliously brilliant breeder of sheep. The alchemy of wool fascinates, threatens, and transforms when it is discovered that fine wool thrives in New South Wales as nowhere else in in the world, producing veritable gold on sheep's backs. The laying to waste of Spain (Britain's chief supplier of fine wools) at the end of the Napoleonic wars, opens vast new opportunities of supply. THE BALLAD OF DESMOND KALE is both a love story of unusual interest and an epic novel of greed, ambition, conceit, and redemption. The novel is rich in its characterisations and the rawness of its settings, vigour of language, and vividness of personality. The action moves from the early Australian bush to the halls of Westminster, the mills of Yorkshire, the sierras of Spain, the wilds of the Southern Ocean, and returns at last into the far outback for its finale. Once the ballad is sung, ordinary experience is heightened, the world can never be the same again. A brilliant and inspired recreation of the early days of white Australian settlement by one of Australia's finest writers working at the height of his powers.
Early in 1836 Charles Darwin spent two months in Australia as part of his voyage around the world on the Beagle. During this time he visited the town of Sydney, travelled on horseback across the Blue Mountains to Bathurst, visited Hobart in Tasmania, and called into King George Sound in Western Australia. Darwin met with several of the leading figures of the Australian colonies, including members of the King and Macarthur families in Sydney, and Alfred Stephen and George Frankland in Hobart.
This book examines the ways in which contemporary British and British postcolonial writers in the after-empire era draw connections between magic (defined here as Renaissance Hermetic philosophy) and science. Writers such as Tom Stoppard, Zadie Smith, and Margaret Atwood critique both imperial science, or science used in service to empire, and what Renk calls "imperical science," a distortion of rational science which denies that reality is holistic and claims that nature can and should be conquered. In warning of the dangers of imperical science, these writers restore the connection between magic and science as they examine major shifts in scientific thinking across the centuries. They reflect on the Copernican Revolution and the historic split between magic and science, scrutinize Darwinism, consider the relationship between Victorian science and pseudo-science, analyze twentieth-century Uncertainty theories, reject bio/genetic engineering, call for a new approach to science that reconnects science and art, and ultimately endeavor to bring an end to the imperial age. Overall, these writers forge a new discourse that merges science with the arts and emphasizes a holistic philosophy, a view shared by both Hermetic philosophy and recent scientific theories, such as chaos or complexity theory. Along with recent books that focus on the relationship between contemporary literature and science, this work focuses on contemporary British literature’s critique of science and the ways in which postcolonial literature addresses the relationship between magic, science, and empire.
Criticism about the neo-Victorian novel — a genre of historical fiction that re-imagines aspects of the Victorian world from present-day perspectives — has expanded rapidly in the last fifteen years but given little attention to the engagement between science and religion. Of great interest to Victorians, this subject often appears in neo-Victorian novels including those by such well-known authors as John Fowles, A. S. Byatt, Graham Swift, and Mathew Kneale. This book discusses novels in which nineteenth-century science, including geology, paleontology, and evolutionary theory, interacts with religion through accommodations, conflicts, and crises of faith. In general, these texts abandon conventional religion but retain the ethical connectedness and celebration of life associated with spirituality at its best. Registering the growth of nineteenth-century secularism and drawing on aspects of the romantic tradition and ecological thinking, they honor the natural world without imagining that it exists for humans or functions in reference to human values. In particular, they enact a form of wonderment: the capacity of the mind to make sense of, creatively adapt, and enjoy the world out of which it has evolved — in short, to endow it with meaning. Protagonists who come to experience reality in this expansive way release themselves from self-anxiety and alienation. In this book, Glendening shows how, by intermixing past and present, fact and fiction, neo-Victorian narratives, with a few instructive exceptions, manifest this pattern.
Spanning evolutionary science from its inception to its latest findings, from discoveries and data to philosophy and history, this book is the most complete, authoritative, and inviting one-volume introduction to evolutionary biology available. Clear, informative, and comprehensive in scope, Evolution opens with a series of major essays dealing with the history and philosophy of evolutionary biology, with major empirical and theoretical questions in the science, from speciation to adaptation, from paleontology to evolutionary development (evo devo), and concluding with essays on the social and political significance of evolutionary biology today. A second encyclopedic section travels the spectrum of topics in evolution with concise, informative, and accessible entries on individuals from Aristotle and Linneaus to Louis Leakey and Jean Lamarck; from T. H. Huxley and E. O. Wilson to Joseph Felsenstein and Motoo Kimura; and on subjects from altruism and amphibians to evolutionary psychology and Piltdown Man to the Scopes trial and social Darwinism. Readers will find the latest word on the history and philosophy of evolution, the nuances of the science itself, and the intricate interplay among evolutionary study, religion, philosophy, and society. Appearing at the beginning of the Darwin Year of 2009Ñthe 200th anniversary of the birth of Charles Darwin and the 150th anniversary of the publication of the Origin of SpeciesÑthis volume is a fitting tribute to the science Darwin set in motion.
Charles Dickens in Cyberspace opens a window on a startling set of literary and scientific links between contemporary American culture and the nineteenth-century heritage it often repudiates. Surveying a wide range of novelists, scientists, filmmakers, and theorists from the past two centuries, Jay Clayton traces the concealed circuits that connect the telegraph with the Internet, Charles Babbage's Difference Engine with the digital computer, Frankenstein's monster with cyborgs and clones, and Dickens' life and fiction with all manner of contemporary popular culture--from comic books and advertising to recent novels and films. In the process, Clayton argues for two important principles: that postmodernism has a hidden or repressed connection with the nineteenth-century and that revealing those connections can aid in the development of a historical cultural studies. In Charles Dickens in Cyberspace nineteenth-century figures--Jane Austen, Charles Darwin, Charles Dickens, Thomas Hardy, Henry James, Ada Lovelace, Joseph Paxton, Mary Shelley, and Mary Somerville--meet a lively group of counterparts from today: Andrea Barrett, Greg Bear, Peter Carey, Hélène Cixous, Alfonso Cuarón, William Gibson, Donna Haraway, David Lean, Richard Powers, Salman Rushdie, Ridley Scott, Susan Sontag, Neal Stephenson, Bruce Sterling, and Tom Stoppard. The juxtaposition of such a diverse cast of characters leads to a new way of understanding the "undisciplined culture" the two eras share, an understanding that can suggest ways to heal the gap that has long separated literature from science. Combining storytelling and scholarship, this engaging study demonstrates in its own practice the value of a self-reflective stance toward cultural history. Its personal voice, narrative strategies, multiple points of view, recursive loops, and irony emphasize the improvisational nature of the methods it employs. Yet its argument is serious and urgent: that the afterlife of the nineteenth century continues to shape the present in diverse and sometimes conflicting ways.
There has been a remarkable resurgence in the past decade of intellectual interplay between geography and the humanities in both academic and public circles. Terminology and concepts such as space, place, landscape, mapping and geography are becoming pervasive as conceptual frameworks and core metaphors in recent publications by humanities scholars and well-known writers. Envisioning Landscapes, Making Worlds examines the depth and complexity of human meaning invested in maps, attached to landscapes, and embedded in the spaces and places of modern life. The clashing and blending of cultures caused by globalization and the new technologies that profoundly alter human environmental experience suggest new geographical narratives and representations that are explored here by a multidisciplinary group of authors. With contributions from leadng scholars, this text is essential reading for scholars and students seeking to understand the new synergies and interconnectedness of geography and the humanities.