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DIVA collector enlists Miss Silver’s help when his valuable jewels attract criminal attention /divDIVHe cannot say why, but Lewis Brading is an uneasy man. A collector of valuable jewels, he has taken the utmost precautions to safeguard what is most precious to him. He houses his gems in a concrete annex, protected by a reinforced steel door, the latest security system, and his own watchful eye. No one has a key but himself and his assistant, and he doesn’t doubt that his servant will remain true. The man in his employ is a criminal, and if anything should happen to Brading or his gems, the police will look to him first./divDIV /divDIVAnd yet, he suspects something may be wrong. He consults Maud Silver, the demure detective, and she tells him to fire his assistant and send his collection to a museum. Ignoring her advice may be the last mistake Lewis Brading ever makes./div
DigiCat Publishing presents to you this special edition of "The Brading Collection" by Dora Amy Elles. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
A high society house party in the country sets the stage for blackmail, sabotage, illicit passion, and murder in this witty, classic British mystery with a touch of political intrigue The last thing London debutante Gay Hardwicke wants is to become involved in another one of her cousin’s messy jams. But Lady Sylvia Colesborough is in over her head this time: She claims she’s being blackmailed by the mysterious Mr. Zero. If she doesn’t steal important government papers from the safe of her politically connected husband, the distinguished Sir Francis, her gambling debts will be exposed. Gay’s reluctant attempts to help Sylvia backfire when a murder raises the stakes—and Gay’s boyfriend, Algy Somers, becomes the prime suspect. Enlisting the aid of her society friends, Gay races to clear Algy’s name and catch a cagey killer before her own days are numbered.
The Collector’s Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin
For the statement above quoted, also for full bibliographical information regarding this publication, and for the contents of the volumes [1st ser.] v. 1- 7th series, v. 5, cf. Griffin, Bibl. of Amer. hist. society. 2d edition, 1907, p. 346-360.
While the roots of the detective novel go back to the 19th century, the genre reached its height around 1925 to 1945. This work presents information on 21 British and American women who wrote during the 20th century. As a group they were largely responsible for the great popularity of the detective novel in the first half of the century. The British authors are Dora Turnbull (Patricia Wentworth), Agatha Christie, Dorothy L. Sayers, Elizabeth Mackintosh (Josephine Tey), Ngaio Marsh, Gladys Mitchell, Margery Allingham, Edith Pargeter (Ellis Peters), Phyllis Dorothy James White (P.D. James), Gwendoline Butler (Jennie Melville), and Ruth Rendell, and the Americans are Patricia Highsmith, Carolyn G. Heilbrun (Amanda Cross), Edna Buchanan, Kate Gallison, Sue Grafton, Sara Paretsky, Nevada Barr, Patricia Cornwell, Carol Higgins Clark, and Megan Mallory Rust. A flavor of each author's work is provided.
Governess-turned-sleuth Miss Silver, who “has her place in detective fiction as surely as Lord Peter Wimsey or Hercule Poirot,” visits a small village hiding big secrets (Manchester Evening News). The citizens of Melling are perfectly ordinary. Some might even consider them boring, but not Miss Maud Silver. It’s been some years since she gave up work as a governess to become a detective, and her fascination with people has served her well during that time. Now, she’s come to Melling to pay a long-postponed visit to an old school chum—but Miss Silver’s vacations never last long. The town’s prodigal son has returned, wealthy and not exactly nostalgic for his hometown. He intends to sell his manor house and be done with Melling forever. But this cozy English hamlet hasn’t finished with him yet . . .
A tale of memory loss and murder starring a sleuth who “has her place in detective fiction as surely as Lord Peter Wimsey or Hercule Poirot” (Manchester Evening News). She awakes in a dark place. A young woman with a shattered memory, she knows neither who she is nor how she came to be in this abandoned house. All she possesses is a faint sense that someone is lying dead at the foot of the stairs. Horrifyingly, she is correct. In the cellar lies a young woman, her body broken, her head split, her life undone by a revolver’s shell. The amnesiac flees and finally has a stroke of luck: She meets Maud Silver. A dowdy governess turned daring detective, Miss Silver sees immediately that something is wrong. She comforts the confused young woman, and coaxes out of her what little story she can tell. The memory of the body sets Miss Silver on a fantastic adventure—the last written by Patricia Wentworth, and one of the most thrilling of them all.
In this classic British mystery, a revised will, a troubled upper-class marriage, and a crazed witness shake up a seemingly solved murder case. Marion Grey is growing used to the idea that her husband will never leave prison. After the horrors of a very public trial she’s almost able to find relief in her resignation. But when new evidence suggests her husband may be innocent after all, she hires a professional—Miss Maud Silver—to clear his name. It begins with a chance encounter on a busy train, when a friend of Marion’s meets a half-mad woman who claims to know something of the Grey case. With her is a man who disappeared during the trial—and may have information that could set Marion’s husband free. But who is he, and where has he gone? To find out, demure governess-turned-detective Miss Silver must track him down before becoming a victim herself. In a series that’s a delightful blend of Downton Abbey and Agatha Christie, retired schoolteacher and sleuth Miss Silver “has her place in detective fiction as surely as Lord Peter Wimsey or Hercule Poirot” (Manchester Evening News).