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Reprint of the original, first published in 1883.
Bridgerton and Downton Abbey meet a mystery perfect for fans of Agatha Christie in the debut of a new Regency set series, when drastic circumstances compel Lady Caroline Morton to make an upstairs downstairs switch to become a lady’s companion, whose duties will soon entail solving a murder . . . The options for the penniless daughter of a deceased earl are few indeed in Regency England. So, following the suspicious death of her father, the Earl of Morton, and the discovery that she and her much younger sister have been left without income or home, Lady Caroline takes a post as a lady’s companion to the wealthy widow Frogerton. Just as Caroline is getting accustomed to her new position, her aunt, Lady Eleanor Greenwood, invites her and her employer to a house party in the countryside to celebrate her youngest daughter’s birthday. Mrs. Matilda (Matty) Frogerton sees this as an opportunity to introduce her own rather wild daughter, Dorothy, to the ton, and Caroline is eager to see her sister, who as a child lives with their aunt. But all is not well at the Greenwood estate. For one thing, Lady Caroline’s former fiancé, Lord Francis Chatham, is a guest and refuses to speak to her. Far worse, after a series of troubling harassments of the staff, an elderly family member is found stabbed by a knitting needle. As Caroline and an unexpected ally—Mrs. Frogerton—attempt to solve the chilling crime, they discover the culprit may be leaving bizarre clues as to who will be next in the nursery. But they must make haste, for this heartless killer is engaged in anything but child’s play . . .
A long-lost letter arriving at its destination fifty years after it was sent lures Edie Burchill to crumbling Milderhurst Castle, home of the three elderly Blythe sisters, where Edie's mother was sent to stay as a teenager during World War II.
e-artnow presents to you this meticulously edited Edward Bulwer-Lytton Ultimate collection, formatted to the highest digital standards and adjusted for readability on all devices._x000D_ Novels & Novellas:_x000D_ The Last Days of Pompeii_x000D_ The Pilgrims of the Rhine_x000D_ Rienzi, the last of the Roman tribunes_x000D_ Falkland_x000D_ Pelham_x000D_ The Disowned_x000D_ Devereux_x000D_ Paul Clifford_x000D_ Eugene Aram_x000D_ Godolphin_x000D_ Asmodeus at Large_x000D_ Ernest Maltravers_x000D_ Alice, or The Mysteries (A sequel to Ernest Maltravers)_x000D_ Calderon, the Courtier_x000D_ Leila, or The Siege of Granada_x000D_ Zicci: A Tale (A prequel to Zanoni)_x000D_ Zanoni_x000D_ Night and Morning_x000D_ The Last of the Barons_x000D_ Lucretia_x000D_ Harold, the Last of the Saxons_x000D_ The Caxtons: A Family Picture_x000D_ A Strange Story_x000D_ My Novel, or Varieties in English Life_x000D_ The Haunted and the Haunters, or The House and the Brain_x000D_ What Will He Do With It?_x000D_ The Coming Race, or Vril: The Power of the Coming Race_x000D_ Kenelm Chillingly_x000D_ The Parisians_x000D_ Pausanias, the Spartan _x000D_ Short Stories:_x000D_ The Incantation_x000D_ The Brothers_x000D_ Poetry:_x000D_ The New Timon_x000D_ Constance_x000D_ Milton_x000D_ Eva_x000D_ The Fairy Bride_x000D_ The Beacon_x000D_ The Lay of the Minstrel's Heart_x000D_ Narrative Lyrics; or, The Parcæ_x000D_ King Arthur_x000D_ Corn-Flowers I_x000D_ Corn-Flowers II_x000D_ Earlier Poems_x000D_ The Land of Promise: A Fable_x000D_ Play:_x000D_ The Lady of Lyons, or Love and Pride_x000D_ Historical Works:_x000D_ Athens: Its Rise and Fall_x000D_ _x000D_ _x000D_ _x000D_