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An analysis of Mozart's Clarinet Concerto - of supreme importance as the composer's last instrumental work.
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
For any serious clarinet player, this book is an absolute must.
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
(Music Minus One). This book provides an easy way to learn and perform compositions with a full ensemble, in the comfort of your own home! "Blue Bossa" offers a unique opportunity to take off on a happy bossa nova tune that has a relatively simple harmonic progression. "The Girl from Ipanema" is another of those Jobim tunes that has a great feel and very relaxed approach to melodic interpratation. "No More Blues" serves as an example that personal interpretation of a song does indeed inform one's playing, and is a great tune for improvisation. These classic bossa novas, 10 in all, will provide the clarinetist with countless hours of enjoyment. This Music Minus One edition includes a newly engraved transcription of the solo part, along with a CD containing the complete performance of each piece in digital stereo, followed by a second version minus the clarinet for you, the soloist, to play with.
Arranged for clarinet and piano from Serenade for Wind Instuments K.361
This volume comprises a series of essays on the life and works of Mozart.
This work reveals that Mozart enjoyed a good middle-class income in Vienna, his begging letters were less heart-rending than they seem, the myth of the mystery about Mozart's Requiem, and why Mozart's grave was not a pauper's grave as is commonly believed.