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Authoritative volume contains all 19 sonatas and 4 fantasies reprinted from the reliable Breitkopf & Härtel's Complete Works. Indispensable for serious pianists at all levels.
The Cambridge Companion to Chopin provides the enquiring music-lover with helpful insights into a musical style which recognises no contradiction between the accessible and the sophisticated, the popular and the significant. Twelve essays by leading Chopin scholars make up three parts. Part 1 discusses the sources of Chopin's style in the music of his predecessors and the social history of the period. Part 2 profiles the mature music, and Part 3 considers the afterlife of the music - its reception, its criticism and its compositional influence in the works of subsequent composers.
Revised and edited by Richard Epstein with a biographical sketch of the composer by Philip Hale. All text is written both in English and Spanish.
A favored student and comrade of Mozart, and Haydn's successor as music director to the Esterhazy court, Johann Nepomuk Hummel (1778 1827) was considered in his lifetime to be one of Europe's greatest composers and pianists. For his craftsmanship and sense of 18th-century style, Hummel was thought to be a true representative of his age, an "elder statesman of Viennese Classicism" ("Grove"). His compositions for solo piano reflect his essential qualities of classical grace, melodic elegance, and brilliant virtuosity fully evident in this compilation of 15 of Hummel's most important keyboard works: Rondo, Op. 11; Sonata in E-flat Major, Op. 13; Fantasie, Op. 18; Rondo-Fantasie, Op. 19; Sonata in F Minor, Op. 20; Caprice, Op. 49; "La Bella Caprissiosa" (Polonaise), Op. 55; Variations, Op. 57; 24 Preludes, Op. 67; Sonata in F-sharp Minor, Op, 81; Sonata in D Major, Op. 106; "La Contemplazione," Op. 107, No. 3; Rondo all'Ungherese, Op. 107, No. 6; Rondo Brillante, Op. 109; "La Galante" (Rondeau Brillant), Op. 120. Now pianists and music lovers can enjoy a treasury of Hummel's most representative piano music in this attractive, durable, and inexpensive edition, reproduced from authoritative Universal-Edition scores, edited by Charles de Beroit."
Classic of music criticism provides detailed studies of 23 of Mozart's piano concertos, offering 417 musical examples and authoritative information on the works' form, tone, style, and balance.
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Written by one of the world's outstanding music historians and critics, the late Alfred Einstein, this classic study of Mozart's character and works brings to light many new facts about his relationship with his family, his susceptibility to ambitious women, and his associations with musicalcontemporaries, as well as offering a penetrating analysis of his operas, piano music, chamber music, and symphonies.
A picture of Mozart's "character and of the personalities and events that exercised a decisive influence upon it. The works that are mentioned are not described, but characterized from the point of view of their time and--so far as possible--of our relation to them." --Preface.
Musicians have long treasured the Mozart sonatas for their symmetry and perfection. This volume presents single movements as well as complete sonatas (K. 282, 283, 545 and 570) for study by the advancing pianist. The sonatas provide ample opportunity for developing control, technical facility, a singing style, and balance and voicing. The preface gives Dr. Hinson's helpful suggestions on pedaling, ornamentation, articulation and dynamics, as well as a suggested order of study. Careful editing allows the teacher and student to make informed choices in interpreting these masterpieces.