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Presents a photographic introduction to the land, history, government, economy, people, and culture of the African nation of Mozambique.
Highlights the role of photography and other forms of aesthetic practice in processes of state formation and bureaucratic transition
People Saving Their Trees in Hurricane Sandy will raise funds for charities to plant trees in stricken areas. Read inspiring, heartfelt, and heroic stories from people who used the Tree Whispering Storm Prep Whispers to help their trees survive Hurricane Sandy and to empower themselves in the face of disaster.
Leading landscape photographers Diane Cook and Len Jenshel present Wise Trees—a stunning photography book containing more than 50 historical trees with remarkable stories from around the world. Supported by grants from the Expedition Council of the National Geographic Society, Cook and Jenshel spent two years traveling to fifty-nine sites across five continents to photograph some of the world’s most historic and inspirational trees. Trees, they tell us, can live without us, but we cannot live without them. Not only do trees provide us with the oxygen we breathe, food gathered from their branches, and wood for both fuel and shelter, but they have been essential to the spiritual and cultural life of civilizations around the world. From Luna, the Coastal Redwood in California that became an international symbol when activist Julia Butterfly Hill sat for 738 days on a platform nestled in its branches to save it from logging, to the Bodhi Tree, the sacred fig in India that is a direct descendent of the tree under which Buddha attained enlightenment, Cook and Jenshel reveal trees that have impacted and shaped our lives, our traditions, and our feelings about nature. There are also survivor trees, including a camphor tree in Nagasaki that endured the atomic bomb, an American elm in Oklahoma City, and the 9/11 Survivor Tree, a Callery pear at the 9/11 Memorial. All of the trees were carefully selected for their role in human dramas. This project both reflects and inspires awareness of the enduring role of trees in nurturing and sheltering humanity. Photographers, environmentalists, history buffs, and nature-lovers alike will appreciate the extraordinary stories found within the pages of Wise Trees!
Describes the geography, history, people, culture, and political issues of Malawi.
The sixteen-year-long war in Mozambique between the Frelimo government and Renamo rebels remains one of the most overlooked and misunderstood of the conflicts that raged across Africa during the height of the Cold War. While usually viewed as mere sideshow to more high-profile wars in Angola, Rhodesia and within apartheid South Africa itself, it nonetheless is noteworthy in its complexity, duration and destructiveness. Before it was all over in 1992 at least one million Mozambicans would be dead, millions more homeless and the country lying in ruins. Ultimately Frelimo would get its victory not on the battlefield but rather at the polling booth in 1994. Based on more than a decade of meticulous research, a review of thousands of pages of military records and documents, and dozens of in-depth interviews with political leaders, diplomats, generals, and soldiers and sailors, this book tells the story of the war from the perspective of those who fought it and lived it. It follows Renamo's growth from its Rhodesian roots in 1977 as a weapon against Robert Mugabe's Zimbabwean nationalist guerrillas operating from Mozambique through South African patronage in the early 1980s to Renamo's evolution as a self-sufficient nationalist insurgency. In tracing the ebb and flow of the conflict from the rugged mountains and Savannah forests of central Mozambique across the hot, humid Zambezi River valley and down to the very outskirts of the Mozambican capital in the far south, it examines the operational strategy of Frelimo and Renamo commanders in the field, the battles they fought and the lives of their troops. In doing so it highlights personal struggles, each side's successes and failures, and the missed opportunities to decisively turn the tide of war. Accordingly, this book provides the first real comprehensive military history of a war too long neglected and under appreciated in the chronicles of modern African history.
Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography—and with visibility more generally—in ways that engage and disrupt the easy categories and genres that have characterized the field to date. Contributors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa. As the contributors show, photography is itself a historical subject: it involves arrangement, financing, posture, positioning, and other kinds of work that are otherwise invisible. By moving us outside the frame of the photograph itself, by refusing to accept the photograph as the last word, this book makes photography an engaging and important subject of historical investigation. Ambivalent‘s contributors bring photography into conversation with orality, travel writing, ritual, psychoanalysis, and politics, with new approaches to questions of race, time, and postcolonial and decolonial histories. Contributors: George Emeka Agbo, Isabelle de Rezende, Jung Ran Forte, Ingrid Masondo, Phindi Mnyaka, Okechukwu Nwafor, Vilho Shigwedha, Napandulwe Shiweda, Drew Thompson
China and Africa have long shared a history of allegiance and contact points through global political forces from the time of colonialism and the Cold War. With China’s rise as the new superpower, its presence in Africa has expanded, leading to significant economic, geopolitical and cultural shifts. While issues such as trade, aid and development have received much attention, Chinese and African encounters through the lens of the visual arts and material culture is a neglected field. Visualising China in Southern Africa: Biography, Circulation, Transgression is a ground-breaking volume that addresses this deficit through engaging with the work of contemporary African and Chinese artists while analysing broader material production that prefigures the current relationship. The essays are wide-ranging in their analysis of ceramics, photography, painting, etching, sculpture, film, performance, postcards, stamps, installations, political posters, cartoons and architecture. Visualising China in Southern Africa confines its focus to southern Africa, yet even within this region, the context is complex. Ethnicity and nationalism, the lingering influence of Cold War allegiances and colonial configurations all continue to play a role. The various visual cultures discussed in this volume emphasise the commonality of these categories, but also point towards other shared histories that transcend the nation-state category. The collection includes scholarly chapters, photo essays, interviews, and artists’ personal accounts, organised around four themes: material flows, orientations and transgressions, spatial imaginaries, and biographies. The artists, photographers, filmmakers, curators and collectors in this volume include: Stary Mwaba, Hua Jiming, Anawana Haloba, Gerald Machona, Nobukho Nqaba, Marcus Neustetter, Brett Murray, Diane Victor, William Kentridge, Kristin NG-Yang, Kok Nam, Mark Lewis, the Chinese Camera Club of South Africa, Wu Jing, Henion Han and Shengkai Wu.