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While the impact that legendary actors and actresses have had on the development of the Hollywood film industry is well known, few have recognised the power of movie fans on shaping the industry. This books redresses that balance, and is the first study of Hollywood's golden era to examine the period from the viewpoint of the fans. Using fan club journals, fan letters, studio production records, and other previously unpublished archival sources, Samantha Barbas reveals how the passion, enthusiasm, and ongoing activism of film fans in Hollywood's golden era transformed early cinema, the modern mass media and American popular culture.
In Film Crazy, McGilligan shares some of his fascinating interviews with screen luminaries from his salad days as a young journalist working the Hollywood beat. He rides the presidential campaign bus with Ronald Reagan, visits Alfred Hitchcock on the set of the Master of Suspense's last film, "Family Plot," meets George Stevens at the Brown Derby and conducts the last interview with the director of "Shane" and "Giant." Other interview subjects captured for posterity include rough-and-ready pioneer directors William Wellman and Raoul Walsh; likeable actor Joel McCrea; actress - and the only female director of her era - Ida Lupino; French legend Rene Clair; and lowly-contract-writer-turned-studio-mogul Dore Schary. Film Crazy is a must for film students, scholars and professionals.
Biographer Patrick McGilligan interviews legendary stars and directors of Hollywood's Golden Age in FILM CRAZY.Patrick McGilligan, the acclaimed biographer of George Cukor, Robert Altman, Jack Nicholson, Fritz Lang and Clint Eastwood, has interviewed many of Hollywood's biggest stars and most important directors.In FILM CRAZY, McGilligan shares some of his fascinating interviews with screen luminaries from his salad days as a young journalist working the Hollywood beat.He rides the presidential campaign bus with Ronald Reagan, visits Alfred Hitchcock on the set of the Master of Suspense's last film, "Family Plot," meets George Stevens at the Brown Derby and conducts the last interview with the director of "Shane" and "Giant." Other interview subjects captured for posterity include rough-and-ready pioneer directors William Wellman and Raoul Walsh; likeable actor Joel McCrea; actress - and the only female director of her era - Ida Lupino; French legend Rene Clair; and lowly-contract- writer-turned-studio-mogul Dore Schary.FILM CRAZY is a must for film students, scholars and professionals.
Based on interviews with the director and his family, offers a behind-the-scenes look at the movie-obsessed creator of "E.T.," "Schindler's List," "Jaws," and other masterpieces.
"Portions of this book originally appeared in issues of Leonard Maltin's movie crazy"--T.p. verso.
"...a classy movie-geek-must-have..." - Kevin Smith "This book is 176 pages of stunning, creative, witty, and sometimes just down-right funny art pieces." - We Are Movie Geeks "I personally recommend the hell out it, and I hope it does well -- because I'll get every single damn collection Gallery 1988 and Titan Books puts out." - Topless Robot "It’s just a damned gorgeous book filled with stunning, movie-related artwork." - Hollywood.com "Quite simply this book is a must have. If ever there was a book for movie inspired Art collectors then this is it." - Poster Shizzle "The artwork is beautiful, and anyone who loves film owes it to themselves to check it out." - Ain't It Cool "Crazy 4 Cult: Cult Movie Art is absolutely amazing and should be picked up by anyone and everyone who considers themselves a moving pictures enthusiast." - Posterocalypse "A book that belongs on every movie geek's coffee table." - Movies.com "There’s nothing like Crazy 4 Cult and this book shows you why." - Very Aware "Love Movies? Love Cult Art? Then 'Crazy 4 Cult' Is the Book for You." - Moviefone "THIS BOOK ROCKS!" - Cool and Collected -- The annual Crazy 4 Cult art show in LA has quickly become a phenomenon, with thousands of visitors, a million hits on its website on opening day, and high profile buyers including Kevin Smith and Edgar Wright. Why? Because the cream of the pop culture-influenced art scene - including Shepard Fairey, creator of the Obama 'Hope' poster - come together to celebrate cult movies with art that is surprising, beautiful and very, very cool. This lavishly produced book presents the best of the first 4 years of the show, with art inspired by such movies as The Big Lebowski, Edward Scissorhands, Blade Runner, Donnie Darko, A Clockwork Orange, Pulp Fiction and many more.
GUN CRAZY: THE ORIGIN OF AMERICAN OUTLAW CINEMA examines the history of the extraordinary 1950 film, from its genesis as a Saturday Evening Post short story through its tumultuous production history to its eventual enshrinement as one of the most influential cult films of all time.
Alvin Theatre, Alvin Theatre Corp., owners, Alex. A. Aarons and Vinton Freedley, lessees. Alex. A. Aarons and Vinton Freedley present "Girl Crazy," the new musical comedy, book by Guy Bolton and John McGowan, music by George Gershwin, lyrics by Ira Gershwin, staged by Alexander Leftwich, dances and ensembles by George Hale, costumes by Kiviette, settings by Donald Oenslager. "Red" Nichols and his orchestra, Roger Edens at the piano. Orchestra under the direction of Earl Busby.
"Now, the extraordinary story of this comic master is brought to life in Harold Lloyd: Master Comedian, a unique illustrated survey of Lloyd's life and career, recalled by his granddaughter Suzanne Lloyd, who was raised by him, and film historian Jeffrey Vance."--BOOK JACKET.
“A masterpiece. . . . An unforgettable character . . . who proceeds to take you on a roller-coaster ride through his tawdrily tumultuous life.” —Chicago Tribune At the age of fifty-seven—living a life riddled with ex-wives, one night stands, and daily diet of Jack Daniels—Bad Blake is on his last legs. His ticker, his liver, even his pick-up truck are all giving him trouble. A renowned songwriter and “picker” who hasn’t recorded in five years, Bad now travels the countryside on gigs that take him mostly to motels and bowling alleys. Enter Jean Craddock, a young journalist sent to interview him after a beautiful concert, and a tentative romance blooms. Can Bad stop living the life of a country-western song and tie a rope around his crazy heart? “A measure of Thomas Cobb’s talent is that he can make Bad Blake’s story amusing even as we watch him fall.” —New York Times Book Review “[Cobb’s] picture of the scraggly underside of Western music is brutally convincing.” —The New Yorker “Crazy Heart just might be the finest country-western novel ever written, bar none.” —Houston Post “[A] moving, respectful evocation of the world of country music.” —Boston Herald “Thomas Cobb’s marvelous first novel doesn’t just play on your heartstrings, it breaks them.” —San Francisco Examiner “A piercing, keenly observed chronicle of modern Americana.” —Los Angeles Times “Heartfelt.” —Houston Chronicle “A beautiful book. . . . Bad Blake is a man you will not soon forget.” —Washington Times