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The first scholarly English translations of thirteen vital texts that elucidate the central role mountains have played across nearly five centuries of Germanophone cultural history.
A study of how Nanga Parbat, the ninth-highest peak on earth, became the German "mountain of the mind."
What does it take to be one of the world's best high-altitude mountain climbers? A lot of fundraising; traveling in some of the world's most dangerous countries; enduring cold bivouacs, searing lungs, and a cloudy mind when you can least afford one. It means learning the hard lessons the mountains teach. Steve House built his reputation on ascents throughout the Alps, Canada, Alaska, the Karakoram and the Himalaya that have expanded possibilities of style, speed, and difficulty. In 2005 Steve and alpinist Vince Anderson pioneered a direct new route on the Rupal Face of 26,600-foot Nanga Parbat, which had never before been climbed in alpine style. It was the third ascent of the face and the achievement earned Steveand Vince the first Piolet d"or (Golden Ice Axe) awarded to North Americans. Steve is an accomplished and spellbinding storyteller in the tradition of Maurice Herzog and Lionel Terray. Beyond the Mountain is a gripping read destined to be a mountain classic. And it
Throughout the longue dureé of Western culture, how have people represented mountains as landscapes of the imagination and as places of real experience? In what ways has human understanding of mountains changed – or stayed the same? Mountain Dialogues from Antiquity to Modernity opens up a new conversation between ancient and modern engagements with mountains. It highlights the ongoing relevance of ancient understandings of mountain environments to the postclassical and present-day world, while also suggesting ways in which modern approaches to landscape can generate new questions about premodern responses. It brings together experts from across many different disciplines and periods, offering case studies on topics ranging from classical Greek drama to Renaissance art, and from early modern natural philosophy to nineteenth-century travel writing. Throughout, essays engage with key themes of temporality, knowledge, identity, and experience in the mountain landscape. As a whole, the volume suggests that modern responses to mountains participate in rhetorical and experiential patterns that stretch right back to the ancient Mediterranean. It also makes the case for collaborative, cross-period research as a route both for understanding human relations with the natural world in the past, and informing them in the present.
“A riveting adventure for the soul . . . just the kind of evocative historical fiction I love.”—Sara Gruen, author of At the Water’s Edge and Water for Elephants An epic, inspiring novel about one woman’s survival in the hardscrabble Italian countryside and her determination to protect her family throughout the Second World War—by any means possible Maria Vittoria is twenty-five when her father brings home the man who will become her husband. It is 1923 in the austere Italian mountain village where her family has lived for generations, and the man she sees is tall and handsome and has survived the First World War without any noticeable scars. Taking just the linens she has sewn that make up her dowry and a statue of the Madonna that sits by her bedside, Maria leaves the only life she has ever known to begin a family. But her future will not be what she imagines. The Madonna of the Mountains follows Maria over the next three decades, as she moves to the town where she and her husband become shopkeepers, through the birth of their five children, through the hardships and cruelties of the National Fascist Party Rule and the Second World War. Struggling with the cost of survival at a time when food is scarce and allegiances are questioned, Maria trusts no one and fears everyone—her Fascist cousin, the madwoman from her childhood, her watchful neighbors, the Nazis and the Partisans who show up hungry at her door. As Maria’s children grow up and her marriage endures its own hardships, she must hold her family together with resilience, love, and faith, until she makes a fateful decision that will change the course of all their lives. A sweeping saga about womanhood, loyalty, war, religion, family, food, motherhood, and marriage, The Madonna of the Mountains is a poignant look at the span of one woman’s life as the rules change and her world becomes unrecognizable. In depicting the great cost of war and the ineluctable power of time on a life, Elise Valmorbida has created an unforgettable portrait of a woman navigating both the unforeseen and the inevitable. Advance praise for Madonna of the Mountains “The moral and ethical questions raised propel the story beyond the particulars into the universal.”—Kirkus Reviews “It is a bewitching but entirely unsentimental portrait of one woman’s attempt to keep her family safe in turbulent times.”—The Times (UK), Book of the Month “A solid choice for readers who appreciate layered family sagas.”—Library Journal
Writing the Mountains reconsiders the role of mountains in German language fiction from 1800 to the present and argues that in a range of texts, from E.T.A. Hoffmann's “Die Bergwerke zu Falun” (1819) to Elfriede Jelinek's Die Kinder der Toten (1995) and beyond, mountains serve as dynamic spaces of material change that generate aesthetic and narrative innovation. In contrast to dominant critical approaches to the Alpine landscape in literature, in which mountain ranges often features as passive settings, or which trace the influence of geographical and geological sciences in literary productions, this study argues for the dynamic role in literature of presumably rigid mineral structures. In German-language fiction after 1800, the counter-intuitive topology of rocky mountain ranges and unfathomable subterranean depths of the Alpine imaginary functions as a space of exception which appears to reconfirm and radically challenge the foundations of Enlightenment thought. Writing the Mountains reads the mountain range as a rigid yet permeable liminal space. Within this zone, semiotic orders are unsettled, as is the division between organic and inorganic, between the human and the other.
A teenage boy in 1940s Italy becomes part of an underground railroad that helps Jews escape through the Alps, but when he is recruited to be the personal driver for a powerful Third Reich commander, he begins to spy for the Allies.