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“Mountain Homespun will be of special interest to those studying southern Appalachian handicrafts, the 1890s handicraft revival, and northern Protestant missionary work in turn-of-the-century Appalachia.” —North Carolina Historical Review “Mountain Homespun is much more than a memoir. It offers unrivaled specific information on the processes of mountain crafts—not only on weaving, spinning, and dyeing, the author’s primary interest, but also on basketry, quilting, and other pursuits. All in all, the book is an important publishing event.” —Berea College Newsletter “This is a wonderful book. It belongs at the bedside of every spinner and weaver everywhere.” —Jude Daurelle, Handwoven
Weaving centers led the Appalachian Craft Revival at the beginning of the twentieth century. Soon after settlement workers came to the mountains to start schools, they expanded their focus by promoting weaving as a way for women to help their family's financial situation. Women wove thousands of guest towels, baby blankets, and place mats that found a ready market in the women's network of religious denominations, arts organizations, and civic clubs. In Weavers of the Southern Highlands, Philis Alvic details how the Fireside Industries of Berea College in Kentucky began with women weaving to supply their children's school expenses and later developed student labor programs, where hundreds of students covered their tuition by weaving. Arrowcraft, associated with Pi Beta Phi School at Gatlinburg, Tennessee, and the Penland Weavers and Potters, begun at the Appalachian School at Penland, North Carolina, followed the Berea model. Women wove at home with patterns and materials supplied by the center, returning their finished products to the coordinating organization to be marketed. Dozens of similar weaving centers dotted mountain ridges.
In this study, Elizabeth Engelhardt finds in the work of four women writers from Appalachia, the origins of what is recognized today as ecological feminism - a wide-reaching philosophy that values the connections between humans and non-humans and works for social and environmental justice.
“A captivating tale about father-daughter relationships, personal independence, and second chances.” –KIRKUS REVIEW When Viney Walker’s long, absent father arrives in the 19th century Utopian Community of Rugby, TN, he begs her to return with him to the Great Smoky Mountains. Viney’s sister, Lizzie urges her to go, because a new setting will help Viney heal from a broken engagement. Viney acquiesces and in her new home, she meets her Walker cousins, including handsome and brawny James. The couple’s romance angers the White Caps, a vigilante group that whips lewd women, and they warn Viney to mend her ways. Seeking revenge and the freedom to love James, Viney joins a counter vigilante group. She plots a trap for the White Caps, but finds herself tied to a post, with a whip racing toward her.
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