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Letters written by and to Robert and Elizabeth Barrett Browning.
Letters written by and to Robert and Elizabeth Barrett Browning.
"Chiefly a series of [111] letters from Mrs. Browing to Arabel Barrett; a series of [57] to George Barrett, another series of [126] to her friend Mrs. Sophia May Eckley ... together with a number of early manuscripts left behind on September 19th, 1846"--Preface. Includes extensive quotes from letters relating to Elizabeth's marriage to Robert and their "flight" abroad.
Finalist for the 2022 Plutarch Award Longlisted for the PEN/Jacqueline Bograd Weld Award for Biography A Washington Post Best Book of 2021 “An elegant act of rehabilitation.”—New York Times Book Review, Editors’ Choice A "nuanced and insightful" (New Statesman) portrait of Britain’s most famous female poet, a woman who invented herself and defied her times. "How do I love thee? Let me count the ways." With these words, Elizabeth Barrett Browning has come down to us as a romantic heroine, a recluse controlled by a domineering father and often overshadowed by her husband, Robert Browning. But behind the melodrama lies a thoroughly modern figure whose extraordinary life is an electrifying study in self-invention. Born in 1806, Barrett Browning lived in an age when women could not attend a university, own property after marriage, or vote. And yet she seized control of her private income, defied chronic illness and disability, became an advocate for the revolutionary Italy to which she eloped, and changed the course of cultural history. Her late-in-life verse novel masterpiece, Aurora Leigh, reveals both the brilliance and originality of her mind, as well as the challenges of being a woman writer in the Victorian era. A feminist icon, high-profile activist for the abolition of slavery, and international literary superstar, Barrett Browning inspired writers as diverse as Emily Dickinson, George Eliot, Rudyard Kipling, Oscar Wilde, and Virginia Woolf. Two-Way Mirror is the first biography of Barrett Browning in more than three decades. With unique access to the poet’s abundant correspondence, “astute, thoughtful, and wide-ranging guide” (Times [UK]) Fiona Sampson holds up a mirror to the woman, her art, and the art of biography itself.
Born in 1806, Elizabeth Barrett Browning may be best known today for love sonnets such as 'How Do I Love Thee? Let me Count the Ways' and her romance with Robert Browning. But in her lifetime she was one of Britain's most revered poets – for her poems on social injustice, not love – and was far more celebrated than her husband. Her circle included John Ruskin and Georges Sand, while Emily Dickinson, Edgar Allan Poe and George Eliot were great admirers. Although her family owned slave plantations in the West Indies, she was an ardent abolitionist, anti-colonialist and republican. She wrote poems about child labour and runaway slaves – and in her verse novel Aurora Leigh created an innovative masterpiece of feminist writing. Yet privately, she submitted for decades to her father's oppressive will. Finally escaping, she married in secret and moved to Italy in 1846, her father cutting all ties with her. But in Robert Browning she found someone who devoted himself to her and to her work. In The Rebellion of a Dutiful Daughter, Emer O'Sullivan brilliantly charts the conflicted life of Elizabeth Barrett Browning, who not only blazed a trail in modernising poetry but reshaped the role that women could play in society, ensuring that she remains as relevant today as she was then.