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The 1950s marked a decade of great fads - Hula-Hoops, Davy Crockett coonskin caps, Roy Rogers or Gene Audrey guns or Cowboy boots, and poodle skirts. It gave us Elvis Presley and rock and roll, crew cuts and sideburns, argyle sweaters, saddle shoes and white bucks. College kids on panty raids and sock hops. In the corner of every sitting room, was a small but ever-expanding eye fixed on an opening world - Television set. Films of the 1950s were wide variety and the stuidios sought to put audiences back in the seats of the theaters.
This annotated reference provides information on the copyright status of over 20,000 features, short films, television programs, and documentaries. The United States copyright system allows a film to fall into the public domain if a renewal is not filed in the twenty-eighth year after its release. Such public domain films may be used by anyone for free, but finding out which films are or are not still under copyright can be expensive and tedious. This guide alleviates that expense and drudgery by including all motion pictures registered for copyright in the 1950s, as well as 500 that were received after 1959. The book also includes an overview of the copyright system and sample certificates. All renewals of copyrights are noted, allowing readers to clearly see which items are or are not in the public domain.
What impact did the new art of film have on the development of another new art, the emerging science fiction genre, during the pre- and early post-World War II era? Focusing on such popular pulp magazines as Amazing Stories, Astounding Stories, and Wonder Stories, this book traces this early relationship between film and literature through four common features: stories that involve film or the film industry; film-related advertising; editorial matters and readers' letters commenting on film; and the magazines' heralded cover and story illustrations. By surveying these haunting traces of another medium in early science fiction discourse, we can begin to see the key role that a cinematic mindedness played in this formative era and to expand the early history of science fiction as a cultural idea beyond the usual boundaries that have been staked out by its literary manifestations and the genre's historians.
The Fabulous Fifties were America's "Happy Days." The Eisenhower Years produced amazing contributions to our American culture -- and to other cultures around the world. In so many ways, Americans innovated, and the world imitated -- from Elvis Presley and rock 'n' roll to the Salk anti-polio vaccine. America's contributions to the world included motion pictures and the Broadway stage; radio and television; amateur and professional sports; jazz, the "blues," country-and-Western music, traditional ballads and popular songs, and rock 'n' roll; domestic and international business and trade; public and private educational opportunities; and a rich and varied literature. While Americans did not invent all these categories, they nevertheless took each to new heights during the Eisenhower Years, and shared their bounty with the world. The Eisenhower Years, generally speaking, were happier, more stable, more prosperous, more optimistic, and simpler times then the preceding decades of the 1930's and '40's and the increasingly turbulent 1960's and '70's that followed. In fact, America's exuberance in so many areas of the arts and everyday life was omnipresent. As for political and military achievements, President Eisenhower kept us safely out of war, and was wise enough to stay out of the way of Americas artists and entrepreneurs. As a result, the Eisenhower Years should forever be remembered as those "Happy Days."
The American Film Institute Catalog has won great praise for its comprehensiveness, reliability, and utility. These volumes are an essential purchase for every library, and individual researchers will also find them indispensable. This newest AFI volume contains over 4,300 entries for feature-length films produced in the United States in the 1940s. The decade was an important and transitional one for filmmakers. Societal changes from the war years were reflected in films, and in the late 1940s the rise of television, the Hollywood blacklist, and the breakup of studio-owned theater chains greatly affected the number and types of films produced. Among films newly viewed for the book are such well-known classics as Citizen Kane, The Best Years of Our Lives, and Casablanca, along with less heralded films such as Fighting Men of the Plains and The Strange Death of Adolf Hitler. Entries include complete cast and crew credits, extensive plot summaries, and notes and sources for further study. A large accompanying volume provides access to the films through nine separate indexes, including personal and corporate names, subjects, and genres.