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In Secrets of Pinar’s Game, Roger Boase is the first to decipher a card game completed in 1496 for Queen Isabel, Prince Juan, her daughters and her 40 court ladies. This game offers readers access to the cultural memory of a group of educated women, revealing their knowledge of proverbs, poetry and sentimental romance, their understanding of the symbolism of birds and trees, and many facts ignored in official sources. Boase translates all verse into English, reassesses the jousting invenciones in the Cancionero general (1511), reinterprets the poetry of Pinar’s sister Florencia, and identifies Acevedo, author of some poems about festivities in Murcia c. 1507. He demonstrates that many of Pinar’s ladies reappear as prostitutes in the anonymous Carajicomedia two decades later.
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First published in the summer of 1557 - as the protestant martyrs’ pyres blazed across England - Songes and Sonettes, written by the ryght honorable Lorde Henry Haward late Earle of Surrey, and other (more generally known as Tottel’s Miscellany) is widely regarded as the first anthology of English poetry responsible for introducing Italianate verse forms to England. Yet those scholars who have paid attention to the book usually dismiss its literary quality and regard its chief accomplishment as paving the way for the Golden Age of Elizabethan verse to come. As Professor Warner makes clear, however, there is much more historical significance to the Miscellany than merely being a precursor to Shakespeare and Sidney. Drawing upon a wealth of historical, textual and literary evidence, this new study recasts the Miscellany as a peculiar phenomenon of the reign of Mary I. Placing it in the context of its European counterparts and its competition in the London book market, Warner argues that at heart the Miscellany was a collaborative project between the printer, Richard Tottel and law students from the Inns of Court, and represented a timely response to the religious, political and social upheavals of the English Reformation and Counter-Reformation. Analysing from both a literary and historical perspective, this study reconnects the Miscellany with the social, cultural, literary and religious milieu in which it was created. Warner thus reveals not only the distinctiveness of the book’s design compared to other English verse works for sale in 1557, but its function as a patriotic retort to Continental collections of verse -including one that put into print a selection of satirical songs and sonnets written by the Spanish caballeros who found themselves reluctant attendants at the court of Mary I.
The career of Arthur L-F. Askins is celebreated in a panorama of current scholarship on the Iberian peninsula during the Middle Ages and the Renaissance. This volume is dedicated to Professor Arthur L-F. Askins, whose scholarship on Spanish and Portuguese literatures of the Medieval and Renaissance periods is esteemed by colleagues around the world. Many North American and European scholars have contributed with essays of an exceptionally high scholarly quality, in English, Spanish and Portuguese, to this wide-ranging tribute, dealing with Spanish and Portuguese literary culture from the end of the fourteenth to the late sixteenth century. Some tackle problems concerning manuscripts, texts, and books; other essays are literary, theoretical, and interpretive in nature; topics range from medieval and Renaissance epic and love poetry to spiritual, travel and chivalric literature, as well as balladry and pliegos sueltos. CONTRIBUTORS: Gemma Avenoza, Nieves Baranda, Vicenç Beltran, Alberto Blecua, Pedro M. Cátedra, Manuel da Costa Fontes, Alan Deyermond, Aida Fernanda Dias, Dru Dougherty, Thomas F. Earle, Charles B. Faulhaber, María del Mar Fernández Vega, Helder Godinho, Angel Gómez Moreno, Thomas R. Hart, Ana Hatherly, David Hook, Victor Infantes, Paul Lewis-Smith, Beatriz Mariscal Hay, Aires A. Nascimento, Joao David Pinto-Correia, Dorothy Sherman Severin, Harvey L. Sharrer. Martha E. Schaffer is Associate Professor of Spanish at the University of San Francisco; Antonio CortijoOcaña is Professor of Spanish at the University of California.