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In the early sixteenth century, the monk Filofei proclaimed Moscow the "Third Rome." By the 1930s, intellectuals and artists all over the world thought of Moscow as a mecca of secular enlightenment. In Moscow, the Fourth Rome, Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today-transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin. Moscow, the Fourth Rome breaches the intellectual iron curtain that has circumscribed cultural histories of Stalinist Russia, by broadening the framework to include considerable interaction with Western intellectuals and trends. Its integration of the understudied international dimension into the interpretation of Soviet culture remedies misunderstandings of the world-historical significance of Moscow under Stalin.
Drawing on theories of political myth and concepts of nationalism, Jardar Østbø analyzes the content and ideological function of the myth of Russia as a Third Rome. Through case studies of four prominent nationalist intellectuals, Østbø shows how this messianic myth was used to reinvent Russia and its allegedly rightful place in the world after the collapse of the Soviet Union. Though it exists in many radically different versions, the Third Rome myth in general embodies particularism and rabid anti-Westernism. At best, it portrays Russia as an essentially isolationist country. At worst, it casts the country as superior to all other nations, divinely elected to rule the world.
This book describes the role of Byzantine diplomacy in the emergence of Moscow in the fourteenth century.
An evil omen clouds the sky. A song of power returns. Can one man's quest save the world? Voran, a young warrior of Vasyllia, lives in a dying world. As blight ravages the countryside and darkness covers the sun, he can't avoid hearing the rumors of an ancient spirit that devours souls. He feels powerless to fight the oncoming devastation until a mythical creature entrusts him with a long-forgotten song. Legend has it that such a song can heal the masses, overthrow kingdoms, and raise humans to divine beings… Armed with the power of the song, Voran must hunt down the dark spirit before it achieves its goal of immortality. His quest takes him through doorways to other worlds and puts him on a collision course with seductive nymphs and riddling giants. With each step of the journey, the strength of the villainous spirit grows, as does Voran’s fear that the only way to save his world… is to let it be destroyed. The Song of the Sirin is an epic fantasy retelling of the Russian fairy tale Prince Ivan and the Grey Wolf. If you like complex characters, creative twists on mythology, and cinematic world-building, then you’ll love Nicholas Kotar’s sweeping tale. Buy The Song of the Sirin to begin the journey today!
"An in-depth history of the Stalinist skyscraper"--
Spanning the divide between Europe and Asia, Russia is a multi-ethnic empire with a huge territory, strategically placed and abundantly provided with natural resources. But Russia's territory has a harsh climate, is cut off from most maritime contact with the outside world, and has open and vulnerable land frontiers. It has therefore had to devote much of its wealth to the armed forces, and the sheer size of the empire has made it difficult to mobilise resources and to govern effectively, especially given the diversity of its people. In this Very Short Introduction, Geoffrey Hosking discusses all aspects of Russian history, from the struggle by the state to control society, the transformation of the empire into a multi-ethnic empire, Russia's relationship with the West/Europe, the Soviet experience, and the post-Soviet era. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
This unique work will be of great interest to those engaged in politics and Russian studies, as well as professionals dealing with Russia.
The University of Durham presents the excepts from "Moscow the Third Rome," written by the Russian monk Filofei. The monk urges the Moscow grand prince to protect the last Orthodox kingdom on earth. Filofei asserts that Moscow is the third Rome following the falls of Rome and Constantinople.
An integrated collection of essays by leading scholars, Two Romes explores the changing roles and perceptions of Rome and Constantinople in Late Antiquity. This important examination of the "two Romes" in comparative perspective illuminates our understanding not just of both cities but of the whole late Roman world.
"The epic tale of the rise to power of Russia's current president-- of his emergence from shrouded obscurity and deprivation to become one of the most consequential and complicated leaders in modern history." --