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In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.
Hagia Sophia, the Church of Holy Wisdom, sits majestically atop the plateau that commands the straits separating Europe and Asia. Located near the acropolis of the ancient city of Byzantium, this unparalleled structure has enjoyed an extensive and colorful history, as it has successively been transformed into a cathedral, mosque, monument, and museum. In Hagia Sophia, 1850-1950, Robert S. Nelson explores its many lives. Built from 532 to 537 as the Cathedral of Constantinople, Hagia Sophia was little studied and seldom recognized as a great monument of world art until the nineteenth century, and Nelson examines the causes and consequences of the building's newly elevated status during that time. He chronicles the grand dome's modern history through a vibrant cast of characters—emperors, sultans, critics, poets, archaeologists, architects, philanthropists, and religious congregations—some of whom spent years studying it, others never visiting the building. But as Nelson shows, they all had a hand in the recreation of Hagia Sophia as a modern architectural icon. By many means and for its own purposes, the West has conceptually transformed Hagia Sophia into the international symbol that it is today. While other books have covered the architectural history of the structure, this is the first study to address its status as a modern monument. With his narrative of the building's rebirth, Nelson captures its importance for the diverse communities that shape and find meaning in Hagia Sophia. His book will resonate with cultural, architectural, and art historians as well as with those seeking to acquaint themselves with the modern life of an inspired and inspiring building.
Biography of the medieval Mediterranean's most cross-culturally significant sculptural monument, the tallest in the pre-modern world.
Much medieval Persianate artwork--including books illustrated with exquisite miniature paintings--was disassembled and dispersed as isolated art objects. In The Arts of Iran in Istanbul and Anatolia, a literary historian and six art historians trace the journey from the destructive dispersal of fragments to the joys of restoration.
Hagia Sophia in Constantinople was the culminating architectural achievement of late antiquity. Author Rowland Mainstone draws on some 30 years' of detailed observations and critical reading to present the first authoritative account of the creation of this great masterpiece of the Byzantine world. Dr. Mainstone's drawings and superb photographs perfectly complement the text and provide a unique record. 304 Illus.
The historical role of Photius has, all too often, been viewed only as it concerned the rift between the Western and Eastern Churches. He has been regarded either as the "Father of the Schism" or as the staunch defender of Greek Orthodoxy against the encroachments of Rome. It is hoped that by presenting the Homilies of Photius in English translation these one-sided views may to some extent be corrected. For, surprising though it may appear, we shall not find in the Homilies a single reference to the Papacy. When they are not purely didactic, the Homilies are dominated by such topics as the suppression of the Iconoclast movement, the re-establishment of sacred painting, the propagation of the true faith among heretics, and the quelling of internal division in the Church of Constantinople. -From the Introduction
In Southeast Europe, the Balkans, and Middle East, scholars often refer to the “peaceful coexistence” of various religious and ethnic groups under the Ottoman Empire before ethnonationalist conflicts dissolved that shared space and created legacies of division. Post-Ottoman Coexistence interrogates ways of living together and asks what practices enabled centuries of cooperation and sharing, as well as how and when such sharing was disrupted. Contributors discuss both historical and contemporary practices of coexistence within the context of ethno-national conflict and its aftermath.
"Whether describing mystical visions or the rhythms of everyday life, Erickson turns the spiritual journey into a series of exciting transformations." ÑPublishers WeeklyÊ(starred review) From her childhood on an Iowa farm, Lori Erickson grew up to travel the world as a writer specializing in holy sitesjourneys that led her on an ever-deepening spiritual quest. InÊHoly Rover, she weaves her personal narrative with descriptions of a dozen pilgrimages. Along the way, Erickson encounters spiritual leaders who include the chief priest of the Icelandic pagan religion of Asatru, a Trappist monk at Thomas Merton's Gethsemani Abbey, and a Lakota retreat director at South Dakota's Bear Butte. Both irreverent and devout,ÊHoly RoverÊincludes images of holy sites around the world taken by several of the nation's leading travel photographers. Travel writer, Episcopal deacon, and author of the Holy Rover blog atÊPatheos, Erickson is an engaging guide for pilgrims eager to take a spiritual journey. Her book describes travels that changed her life and can change yours, too.
An archaeological re-examination of the cathedral of Byzantine Constantinople, with fresh evidence about the appearance and function of the complex enabling us to reconsider what Hagia Sophia can tell us about the wider Byzantine world.