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Step-by-step instructions & glorious original photographs will guide the crafter through exciting projects. This book includes large-scale projects suitable for interior or exterior use, reveals secret techniques, & easy to use products.
In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.
An analytical history of the Hellenistic, Roman, Byzantine, Umayyad, and Early Abbasidmosaics in the Holy Land from the second century B.C.E to eighth century C.E.
“Turn broken china, colored glass or mosaic tiles into works of art for your home. Explanations are simple and beginners will get results that look so good your friends will never guess how easy the projects were to do unless—you share this book.”—Quick & Easy Crafts.
A beginning yet thorough mosaic course with master mosaic artist Aureleo Rosano of Tucson, Arizona. Lessons and explanations about glass, grout, surfaces and techniques, with a bit of history and some cultural moments. Full color photos and demonstrations throughout.
This text traces the history of mosaics, examining its chronological evolution from Hellenistic to Early Christian times and its regional variations. Topics discussed include mosaic technique and workshop organization and the relationship of mosaic to other forms of interior design.
Found materials are taking the craft world by storm because the creative potential is tremendous. Contemporary mosaic artists--who continue to expand the limits of construction and materials--can benefit greatly from this movement toward reuse. Even the mosaic neophytes among us can explore the myriad possibilities of these new materials with this fabulous guide. Learn everything you need to get started in the world of found art mosaics, from materials, glass, ceramics, natural materials, grouts, surfaces, sealants, safety gear, and more. The 27 projects here--including the Buttons & Pebbles Vase, Glittering Jewels Belt Buckle, and Recycled Bathtub Garden Planter--each reuse and repurpose objects differently, as the found object may be the surface, the tesserae, or both.
"Of greatest use to beginners here is the description and step-by-step illustrations of four different assembly processes...The dozen projects will introduce first-time mosaicists to the art without...frustration: designed by professionals, each includes elaborate instructions, pattern (if appropriate), color photographs, and artists' tips..."--Booklist. "You'll never look at a shard of glass in the same way again."--Glass Craftsman. 128 pages (all in color), 8 1/2 x 10.
In the Greek Classical period, the symposium--the social gathering at which male citizens gathered to drink wine and engage in conversation--was held in a room called the andron. From couches set up around the perimeter, symposiasts looked inward to the room's center, which often was decorated with a pebble mosaic floor. These mosaics provided visual treats for the guests, presenting them with images of mythological scenes, exotic flora, dangerous beasts, hunting parties, or the spectre of Dionysos: the god of wine, riding in his chariot or on the back of a panther. In The World Underfoot, Hallie M. Franks takes as her subject these mosaics and the context of their viewing. Relying on discourses in the sociology and anthropology of space, she presents an innovative new interpretation of the mosaic imagery as an active contributor to the symposium as a metaphorical experience. Franks argues that the images on mosaic floors, combined with the ritualized circling of the wine cup and the physiological reaction to wine during the symposium, would have called to mind other images, spaces, or experiences, and in doing so, prompted drinkers to reimagine the symposium as another kind of event--a nautical voyage, a journey to a foreign land, the circling heavens or a choral dance, or the luxury of an abundant past. Such spatial metaphors helped to forge the intimate bonds of friendship that are the ideal result of the symposium and that make up the political and social fabric of the Greek polis.