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Neapolitan Postcards gathers a diverse group of international scholars to investigate unexplored transnational aspects of the intimate yet globally popular canzone napoletana. Performed and beloved worldwide in almost every language, the style had hits such as “Funiculì funiculà” (1880) and “’O sole mio” (1898) which sold millions of copies. These hits fueled the tradition’s spread across the world over the course of the twentieth century with the eventual popularity of covers by singers and musicians of all music genres and styles, from popular music to opera and jazz. This book is the first scholarly work that considers the specific complexities of the international Neapolitan Song scenes through case studies from Argentina, England, Greece, and the United States, employing analyses of compositions, iconographical sources, international films, mechanical musical instruments, performances, and recordings devoted to the canzone napoletana.
Integrated view of the genesis of grasslands of the New World tropics, especially those of Venezuela.
With case studies that link practices of concentration to the emergence of new racial categories, this groundbreaking book convincingly argues that race was a product of, rather than a starting point for, the spatial politics of colonial rule in Latin Ame
“I am home, safe and sound, and reviewing all these memories as if in a dream. All of this pleases me. I have been faithful to my duty.” Thus José de la Luz Sáenz ends his account of his military service in France and Germany in 1918. Published in Spanish in 1933, his annotated book of diary entries and letters recounts not only his own war experiences but also those of his fellow Mexican Americans. A skilled and dedicated teacher in South Texas before and after the war, Sáenz’s patriotism, his keen observation of the discrimination he and his friends faced both at home and in the field, and his unwavering dedication to the cause of equality have for years made this book a valuable resource for scholars, though only ten copies are known to exist and it has never before been available in English. Equally clear in these pages are the astute reflections and fierce pride that spurred Sáenz and others to pursue the postwar organization of the League of United Latin American Citizens (LULAC). This English edition of one of only two known war diaries of a Mexican American in the Great War is translated with an introduction and annotation by noted Mexican American historian Emilio Zamora.
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