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As ancient immortals are left reeling, a modern Athena and Hermes search the world for answers in Mortal Gods, the second Goddess War novel by Kendare Blake, acclaimed author of Anna Dressed in Blood. Ares, god of war, is leading the other dying gods into battle. Which is just fine with Athena. She's ready to wage a war of her own, and she's never liked him anyway. If Athena is lucky, the winning gods will have their immortality restored. If not, at least she'll have killed the bloody lot of them, and she and Hermes can die in peace. Cassandra Weaver is a weapon of fate. The girl who kills gods. But all she wants is for the god she loved and lost to return to life. If she can't have that, then the other gods will burn, starting with his murderer, Aphrodite. The alliance between Cassandra and Athena is fragile. Cassandra suspects Athena lacks the will to truly kill her own family. And Athena fears that Cassandra's hate will get them all killed. The war takes them across the globe, searching for lost gods, old enemies, and Achilles, the greatest warrior the world has ever seen. As the struggle escalates, Athena and Cassandra must find a way to work together. Because if they can't, fates far worse than death await. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
According to the commonly accepted view, Thomas Hobbes began his intellectual career as a humanist, but his discovery, in midlife, of the wonders of geometry initiated a critical transition from humanism to the scientific study of politics. In Mortal Gods, Ted Miller radically revises this view, arguing that Hobbes never ceased to be a humanist. While previous scholars have made the case for Hobbes as humanist by looking to his use of rhetoric, Miller rejects the humanism/mathematics dichotomy altogether and shows us the humanist face of Hobbes’s affinity for mathematical learning and practice. He thus reconnects Hobbes with the humanists who admired and cultivated mathematical learning—and with the material fruits of Great Britain’s mathematical practitioners. The result is a fundamental recasting of Hobbes’s project, a recontextualization of his thought within early modern humanist pedagogy and the court culture of the Stuart regimes. Mortal Gods stands as a new challenge to contemporary political theory and its settled narratives concerning politics, rationality, and violence.
Heather, a young American girl, is visiting her college roommate, who now lives in Rome. While partying in a local nightclub, she's picked up by a man who looks like he was created in the image of a Greek god. Her initial impression is correct. He’s one of the last surviving members of the Greek pantheon. After hooking up with him, Heather is forced to join the culmination of a two-millennium-long war between that pantheon and a clandestine sect of monks within the Catholic Church, itself led by perhaps the most infamous figure in Christian history. Heather and Apollo embark on a world-spanning effort to collect what remains of the gods to engage in the final battle with the monks opposing them. But the fate of the battle is changed by the intervention of a mysterious military organization…
"Argues against the accepted idea that Thomas Hobbes turned away from humanism to pursue the scientific study of politics. Reconceptualizes Hobbes's thought within early modern humanist pedagogy and the court culture of the Stuart regimes"--Provided by publisher.
Pregnant women in Albuquerque, New Mexico are being tortured and mutilated in secluded areas of the city. Cut out of their mother's bellies, the babies that once squirmed happily inside them are nowhere to be found. Albuquerque Homicide Detective, Peter Kostas, is in a stale mate. He has been chasing the monster responsible for these heinous crimes for almost a year now. No one can tell him who the victims are or where they come from. But thanks to local paramedic, Lillian Martin, his latest victim is alive but in critical condition at the University Hospital. The only clue the last victim has to offer Peter is a small, unknown medical device that protrudes from her once pregnant abdomen. Lillian recognizes its structure as a self-administering medication port, but she has never heard of any condition requiring its use. Discovering the purpose of the port will change their lives...forever, but can they find the babies and catch the killer before it's too late? Or is this case larger than they realize? Things are never as they appear to be on the surface...
The escalating war between the gods takes Athena and Cassandra across the globe, searching for lost gods, old enemies, and the great warrior, Achilles, and although their alliance is fragile, they must find a way to work together or all is lost.
The first interdisciplinary study of the long history of an important phenomenon in European intellectual and cultural history / Fills an important gap in the history of ideas / Will appeal to scholars and students of classical reception, mediaeval and Renaissance literature, historiography, and theories of myth and religion
This is a collection of plays written by Olive Tilford Dargan. She was a writer and a poet. Her early works revolved around mountain poetry. Her works were inspired by her love of mountains and nature. Later in her career, she published books that focuses on racism, sexism, and fascism through her feminist visions of political activism and romanticism. This volume contains the following plays: "The Mortal Gods" - "A Son of Hermes" - "Kidmir"
The Urhobo peoples occupy the western fringe of the Niger River delta in southern Nigeria, an area rich with oil reserves. Since the 1970s, the petroleum industry has brought worldwide wealth and attention to Nigeria, but tragically has also detracted from broad-based economic progress as flow stations, flare-offs, drilling platforms and pipelines have proliferated. As rural economies suffered an inevitable decline, the custom of maintaining traditional Urhobo art has experienced a parallel atrophy. The resultant decline in Urhobo culture has prompted a response among many Urhobo who want to celebrate and preserve their traditions for future generations. The Museum for African Art in New York makes a major contribution to this effort through the presentation of "Where Gods and Mortals meet," the first exhibition to showcase Urhobo arts. The exhibition introduces never-before-seen Urhobo art and footage of cultural performances, from yesterday and today. This accompanying catalogue includes approximately 80 works of art: traditional art from the historical period 1850 to 1975, including monumental wood figures, metal and clay sculpture, and masks and costumes with accompanying poetry and song; a small selection of contemporary work by Bruce Onobrakpeya, an Urhobo by birth and one of Africa's foremost artists; plus photos and video footage of extraordinary multimedia masquerades.