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After the “war with no name” a cat assassin searches for his lost love in Repino’s strange, moving sci-fi epic that channels both Homeward Bound and A Canticle for Leibowitz. The “war with no name” has begun, with human extinction as its goal. The instigator of this war is the Colony, a race of intelligent ants who, for thousands of years, have been silently building an army that would forever eradicate the destructive, oppressive humans. Under the Colony's watchful eye, this utopia will be free of the humans' penchant for violence, exploitation and religious superstition. As a final step in the war effort, the Colony uses its strange technology to transform the surface animals into high-functioning two-legged beings who rise up to kill their masters. Former housecat turned war hero, Mort(e) is famous for taking on the most dangerous missions and fighting the dreaded human bio-weapon EMSAH. But the true motivation behind his recklessness is his ongoing search for a pre-transformation friend—a dog named Sheba. When he receives a mysterious message from the dwindling human resistance claiming Sheba is alive, he begins a journey that will take him from the remaining human strongholds to the heart of the Colony, where he will discover the source of EMSAH and the ultimate fate of all of earth's creatures.
"Mort is a fireball. . . . Personal, political, and passionate, Mort's poetry will surely sustain many reading audiences. Highly recommended."—Library Journal "A one-of-a-kind work of passion and insight."—Midwest Book Review "Mort's style—tough and terse almost to the point of aphorism—recalls the great Polish poets Czeslaw Milosz and Wislawa Szymborska."—Los Angeles Times Valzhyna Mort is a dynamic Belarusian poet, and Collected Body is her first collection composed in English. Whether writing about sex, relatives, violence, or fish markets as opera, Mort insists on vibrant, dark truths. "Death hands you every new day like a golden coin," she writes, then warns that as the bribe grows "it gets harder to turn down." "Preface" on a bare tree— a red beast, so still, it has become the tree. now it's the tree that prowls over the beast, a cautious beast itself. a stone thrown at its breast is so fast—the stone has become the beast. now it's the beast that throws itself like a stone, blood like a dog-rose tree on a windy day, and the moon is trying on your face for the annual masquerade of the dead. death decides to wait to hear more. so death mews: first—your story, then—me. Valzhyna Mort was born in Minsk, Belarus. Her American debut, Factory of Tears, appeared in 2008 and she was featured on the cover of Poets & Writers. She has received many honors and awards, including a Civitella Raineri fellowship. She lives in Baltimore, Maryland.
Mort Downey, Jr., has found phenomenal success with his confrontational talk show, which deals with issues affecting the common man. This book shares his position on the issues, and serves as a kind of blue-collar manifesto for the masses.
New York Times bestselling author Terry Pratchett makes Death a central character in Mort, his fourth sojourn to Discworld, the fantasy cosmos where even the angel of darkness needs some assistance. Death comes to everyone eventually on Discworld. And now he's come to Mort with an offer the young man can't refuse. (No, literally, can't refuse since being dead isn't exactly compulsory.) Actually, it's a pretty good deal. As Death's apprentice, Mort will have free board and lodging. He'll get use of the company horse. And he won't have to take any time off for family funerals. But despite the obvious perks, young Mort is about to discover that there is a serious downside to working for the Reaper Man . . . because this perfect job can be a killer on one's love life. Terry Pratchett's profoundly irreverent, bestselling novels have garnered him a revered position in the halls of parody next to the likes of Mark Twain, Kurt Vonnegut, Douglas Adams, and Carl Hiaasen.
There's nothing like a journal to get you thinking about life, the universe, and a Disc suspended by four elephants standing atop a giant turtle. Who better to help you than Death, Sir Terry Pratchett's most enduring anthropomorphic personification? He's seen it all. With space aplenty to plan your daily routines, express your wildest dreams, or write your life story, you'll be aided and abetted by Death's wit, wisdom and observations along the way. Fill the pages how you like, there's no wrong way to live a life. Or complete a journal. So come along, brief mortal, and make the most of Death's OUTSIDE PERSPECTIVE.
Alberto Breccia is recognized as one of the greatest international cartoonists in the history of comics and Mort Cinder is considered one of his finest achievements. Created in collaboration with the Argentine writer Héctor Germán Oesterheld, best known in the U.S. for his politically incendiary sci-fi masterpiece, the Eisner Award-winning The Eternaut, Mort Cinder is a horror story with political overtones. This episodic serial, written and drawn between 1962–1964, is drawn by Breccia in moody chiaroscuro. The artist’s rubbery, expressionistic faces capture every glint in the eyes of the grave robbers, sailors, and slaves that populate these stories; while the slash of stripes of prisoners’ uniforms, the trapeziums of Babylon, and more create distinct and evocative milieus.
Can freedom ever be for all? How do you save a nation from tyranny?When the King of Bennvika dies in suspicious circumstances and a foreign usurper named Jostan Kazabrus seizes the throne, ruthlessly imposing his will on the population, a disunited triumvirate of leaders and their followers must attempt to resist him.The first is Silrith, the ousted philanthropic Princess who had been expected to take the throne. The second is Ezrina, a vengeful rebel who is desperate to overturn the years of ethnic oppression of her people, the Hentani. The third is Zethun, a minor noble who believes the only way to fight for the common people is to abolish the monarchy altogether.As the various factions fight the threat of tyranny and religious persecution, each must be prepared to make the ultimate sacrifice for their cause.
Rachilde was the pseudonym of Marguerite Eymery Vallette (1860-1953), a woman of powerful personality who made her place at the very center of the Symbolist movement in fin-de-siecle France. Though relatively unknown in America, Rachilde had a significant influence on the course of French and Western literature and theater. She was a pioneer of antirealistic drama and the first to use the term absurd to characterize the new kind of theater that would be "a pretext for a dream." Rachilde's sexual politics and sardonic humor make her plays more interesting - and more performable - today than many of those of her more famous contemporaries. Where male Symbolists were obsessed with death, Rachilde explores the fearful thrill of sexuality. Topical, challenging, and all but lost to contemporary audiences, her extraordinary work offers the shock of relevance and freshness of discovery.
WINNER OF THE INTERNATIONAL GRIFFIN PRIZE A NEW YORK TIMES BEST POETRY BOOK OF 2020 Music for the Dead and Resurrected captures the complexity of living in the shadows of imperial force, of the vulnerability of bodies, of seeing with more than the eyes. Valzhyna Mort's work is characterised by a memorial sensibility that honours those lost to the violences of nation states. In Music for the Dead and Resurrected the poet offers us a body of work which balances political import with serious play. There are few poets writing with such an intuitive sense of the balance between arcane and contemporary currents in poetry. Mort's lines are timeless, finely honed to last beyond a single lifetime.
From Shadow to Light: The Life and Art of Mort Meskin is a coffee table art book and critical biography of one of the twentieth century’s most influential comic book artists. Meskin’s career spanned both the Golden and Silver ages of comics, from the 1940s to the 1960s. His drawing, chiaroscuro technique, and storytelling are considered by connoisseurs of the form to be among the most sophisticated of his time. His passion for his artwork was equaled by his skill, and the quality of his overall oeuvre blurs the artificial distinction between high and low art. Yet he is known mostly among hard-core aficionados today, eclipsed by many of his peers, some of whom he profoundly influenced. Among Meskin’s fans and admirers are Jim Steranko, Joe Kubert, Alex Toth, Carmine Infantino, Steve Ditko, Jerry Robinson, and Jack Kirby. From Shadow to Light: The Life and Art of Mort Meskin will finally give this neglected artist the recognition he’s due.