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More Tales Behind the Tombstones tells the stories behind the deaths (or supposed deaths) and burials of even more of the Old West's most nefarious outlaws, notorious women, and celebrated lawmen. Readers will learn the stories behind these legendary characters and visit the sites of tombs long forgotten while legends have lived on. Read about the lives (and deaths) of fearless, famous lawmen such as Bass Reeves, Chalk Beeson, Bill Tilghman, and Pat Garrett; learn about the dauntless women who blazed new paths for their sex in medicine, journalism, entertainment, and voting rights; and discover the intriguing facts and myths that continue to circulate about these and other infamous characters long after their grave markers have become worn down or simply lost to time.
Tales Behind the Tombstones tells the stories behind the deaths (or supposed deaths) and burials of the Old West's most nefarious outlaws, notorious women, and celebrated lawmen. Readers will learn the story behind Calamity Jane's wish to be buried next to Wild Bill Hickok, discover how and where the Earp brothers came to be buried, and visit the sites of tombs long forgotten while legends have lived on.
In Wall Street lingo, tombstones are the black-bordered newspaper notices of corporate mergers. Lederman, who created the recapitalization technique while a partner at Wachtell Lipton, presents richly detailed stories from the takeover wars of the 1980's, informed by his intimate knowledge of the strategies and personalities involved.
In order to be accepted by the ''in crowd'' at her new high school, Jamie accepts a dare to spend one night in a local cemetery collecting rubbings from ten gravestones. Once inside the gate of the dark and frightening burial ground, Jamie meets Paul, a handsome boy who works as a caretaker at the cemetery. Paul explains to Jamie about Tombstone Tea: a fund-raising performance in which actors impersonate the people buried in the cemetery. The actors are supposedly rehearsing on this particular evening, but Jamie quickly discovers that they aren't actors at all but the ghosts of men and women buried in the cemetery. When one woman decides to adopt Jamie to replace her lost daughter, our heroine fears she may never escape the cemetery. Full of rich history and filled with a cast of ghostly characters, the third eerily descriptive novel from Joanne Dahme is just as creepy as her first novel Creepers.
A FINANCIAL TIMES, I PAPER AND STYLIST BOOK OF THE YEAR 'In his absorbing book about the lost and the gone, Peter Ross takes us from Flanders Fields to Milltown to Kensal Green, to melancholy islands and surprisingly lively ossuaries . . . a considered and moving book on the timely subject of how the dead are remembered, and how they go on working below the surface of our lives.' - Hilary Mantel 'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing a deep humanity to his subject. He has written a delightful book.' - The Guardian 'The pages burst with life and anecdote while also examining our relationship with remembrance.' - Financial Times (best travel books of 2020) 'Among the year's most surprising "sleeper" successes is A Tomb with a View. In a year with so much death, it may have initially seemed a hard sell, but the author's humanity has instead acted as a beacon of light in the darkness.' -The Sunday Times 'Fascinating . . . Ross makes a likeably idiosyncratic guide and one finishes the book feeling strangely optimistic about the inevitable.' - The Observer 'Ross has written [a] lively elegy to Britain's best burial grounds.' - Evening Standard (*Best New Books of Autumn 2020*) 'One of the non-fiction books of the year.' - The i paper (*2020 Best Books for Christmas*) 'Brilliant.' - Stylist (*Best Christmas books for Christmas 2020*) 'Never has a book about death been so full of life. James Joyce and Charles Dickens would've loved it - a book that reveals much gravity in the humour and many stories in the graveyard. It also reveals Peter Ross to be among the best non-fiction writers in the country.' - Andrew O'Hagan For readers of The Salt Path, Mudlarking, Ghostland, Kathleen Jamie and Robert Macfarlane. Enter a grave new world of fascination and delight as award-winning writer Peter Ross uncovers the stories and glories of graveyards. Who are London's outcast dead and why is David Bowie their guardian angel? What is the remarkable truth about Phoebe Hessel, who disguised herself as a man to fight alongside her sweetheart, and went on to live in the reigns of five monarchs? Why is a Bristol cemetery the perfect wedding venue for goths? All of these sorrowful mysteries - and many more - are answered in A Tomb With A View, a book for anyone who has ever wandered through a field of crooked headstones and wondered about the lives and deaths of those who lie beneath.
This book relates the stories and describes the memorials of the people buried in Shelby, North Carolina's historic Sunset Cemetery, a microcosm of the Southeastern United States. The authors, an academic and a journalist, detail the lives and memories of people who are buried here, from Civil War soldiers to those who created the Jim Crow South and promoted the narrative of the Lost Cause. Featured are authors W.J. Cash and Thomas Dixon, whose racist novel was the basis for The Birth of a Nation. Drawn from historical research and local memory, it includes the tales of musicians Don Gibson and Bobby "Pepper Head" London, as well as a paratrooper who died in the Battle of the Bulge and other ordinary folks who rest in the cemetery. A bigger responsibility is to give a voice to the silenced, enslaved people of color buried in unmarked graves. Cemeteries are sacred places where artistry and memory meet--to understand, we need both the tales and the tombstones.
Winner of the Samuel Johnson Prize An unprecedented, groundbreaking history of China's Great Famine that recasts the era of Mao Zedong and the history of the People's Republic of China. "Between 1958 and 1962, China descended into hell. Mao Zedong threw his country into a frenzy with the Great Leap Forward, an attempt to catch up to and overtake Britain in less than 15 years The experiment ended in the greatest catastrophe the country had ever known, destroying tens of millions of lives." So opens Frank Dikötter's riveting, magnificently detailed chronicle of an era in Chinese history much speculated about but never before fully documented because access to Communist Party archives has long been restricted to all but the most trusted historians. A new archive law has opened up thousands of central and provincial documents that "fundamentally change the way one can study the Maoist era." Dikötter makes clear, as nobody has before, that far from being the program that would lift the country among the world's superpowers and prove the power of Communism, as Mao imagined, the Great Leap Forward transformed the country in the other direction. It became the site not only of "one of the most deadly mass killings of human history,"--at least 45 million people were worked, starved, or beaten to death--but also of "the greatest demolition of real estate in human history," as up to one-third of all housing was turned into rubble). The experiment was a catastrophe for the natural world as well, as the land was savaged in the maniacal pursuit of steel and other industrial accomplishments. In a powerful mesghing of exhaustive research in Chinese archives and narrative drive, Dikötter for the first time links up what happened in the corridors of power-the vicious backstabbing and bullying tactics that took place among party leaders-with the everyday experiences of ordinary people, giving voice to the dead and disenfranchised. His magisterial account recasts the history of the People's Republic of China.
On October 20, 1882, future actress Margaret Dumont was born in Brooklyn, New York. A Broadway regular by the 1920s, Dumont found lasting fame once she started appearing with the Marx Brothers. Tall and regal in bearing, her character provided the perfect foil to the wisecracking Groucho Marx in a series of films including A Night at theOpera and Duck Soup. Her character’s seemingly obliviousness to insult led to the widespread belief, encouraged by Groucho himself, that Dumont was a humorless person who never got the joke. a belief she contradicted in a 1942 interview. “I’m not a stooge,” she said. “I’m a straight lady. There’s an art to playing straight. You must build up your man but never top him and never steal the laughs from him. Straight Lady: The Life and Times of Margaret Dumont, "The Fifth Marx Brother" d focuses on the Dumont and her role in the production of the comedy teams' most successful films. Several books have been written about the Marx Brothers as a comedy family and about their individual lives, but there haven’t been any books written about Margaret Dumont. This book will appeal to motion picture enthusiasts, Marx Brothers’ fans, and film historians.
Tales I Have Woven is a collection of short stories that spin around the colorful fabric of life. The common threads of love, search for meaning, human choices, family values, tradition, change, environment, destiny and lifes purpose are intricately contrived into a tapestry that blends into one. In The Stone House, Mr. So lived his life following the family values of honor and responsibility. He took care of his fathers textile company and of his aging mother. Polistico was the respected tenor in a little village until the day of a big wedding in the story of Polistico. In Chrysalis the quiet town of Anao woke up hearing a bellowing voice of a strange creature. It was a historical town that whispered and was heard. And in Amapola, the fields of poppies in the valley made people leave and move. It was the restless need to chase and venture towards something that followed them. As the lives of these characters unfold, Elenita unveils her keen observation in the dynamic power of human sentiments, of love, compassion, purpose, and communal spirit. Tales I Have Woven is a propitious literary debut.
Before there was a death care industry where professional funeral directors offered embalming and other services, residents of the Arkansas Ozarks—and, for that matter, people throughout the South—buried their own dead. Every part of the complicated, labor-intensive process was handled within the deceased's community. This process included preparation of the body for burial, making a wooden coffin, digging the grave, and overseeing the burial ceremony, as well as observing a wide variety of customs and superstitions. These traditions, especially in rural communities, remained the norm up through the end of World War II, after which a variety of factors, primarily the loss of manpower and the rise of the funeral industry, brought about the end of most customs. Gone to the Grave, a meticulous autopsy of this now vanished way of life and death, documents mourning and practical rituals through interviews, diaries and reminiscences, obituaries, and a wide variety of other sources. Abby Burnett covers attempts to stave off death; passings that, for various reasons, could not be mourned according to tradition; factors contributing to high maternal and infant mortality; and the ways in which loss was expressed though obituaries and epitaphs. A concluding chapter examines early undertaking practices and the many angles funeral industry professionals worked to convince the public of the need for their services.