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This book contains the definitive treatment of the stories, texts, and music of Turandot, Gianni Schicchi, The Barber of Bagdad, Thaïs, Eugen Onegin, Prince Igor, The Golden Cockerel, Elektra, Orfeo ed Euridice, Lakmé, Les Huguenots, Così fan tutte, The Seraglio, Les Troyens, Don Pasquale, La Juive, Manon, Falstaff, Louise, Pelléas and Mélisande, The Bartered Bride, Die Fledermaus, Romeo and Juliet, Der Rosenkavalier, Cavalleria Rusticana, I Pagliacci, Wozzeck, L’Heure Espagnole, and Boris Godounov. The foremost authority on opera presented in the comprehensive volume all that the opera-goer, radio listener, music-lover, and confirmed operamane will wish to know about them. It is unique as both guide and armchair companion. Ernest Newman’s gigantic grasp of his subject is clear at every turn, as are his sheer writing ability and wit. He larded his treatment of the operas with biographical and historical materials acquired in a long lifetime of study and writing. This is the first volume of the trilogy of books (the other two being The Wagner Operas and Seventeen Famous Operas) with which Ernest Newman wished to replace his much earlier book, Stories of the Great Operas.
Here at last is the definitive opera story collection, the only one now authorized by the Metropolitan Opera. Written by the associate editor of Opera News magazine, the volume includes the complete plots of 150 different operas, biographical information on all of the 72 composers represented, easy access to the stories through both a table of contents and an index, and a foreword by Peter Allen.
Cross's standard reference work on opera, updated and enlarged to include twenty-five additional works, provides scene-by-scene, aria-by-aria descriptions of significant operas.
An invaluable guide for both casual opera fans and aficionados, 100 Great Operas is perhaps the most comprehensive and enjoyable volume of opera stories ever written. From La Traviata to Aïda, from Carmen to Don Giovanni, here are the plots of the world’s best-loved operas, told in an engaging, picturesque, and readable manner. Written by noted opera authority Henry W. Simon, this distinctive reference book contains act-by-act descriptions of 100 operatic works ranging from the historic early seventeenth century masterpieces of Monteverdi to the modern classics of Gian-Carlo Menotti. In addition to highlighting the most important aspects of each opera, the author discusses the main characters, the famous turnings of plot, and the most significant arias. Here, too, is a wealth of anecdotes concerning literary background, past performances and stars, and production problems of the great operas.
With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.
Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radio includes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, or topic being examined.
A guide to recordings of operas.
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Indexes 1,605 titles by 627 composers.