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This book contains the definitive treatment of the stories, texts, and music of Turandot, Gianni Schicchi, The Barber of Bagdad, Thaïs, Eugen Onegin, Prince Igor, The Golden Cockerel, Elektra, Orfeo ed Euridice, Lakmé, Les Huguenots, Così fan tutte, The Seraglio, Les Troyens, Don Pasquale, La Juive, Manon, Falstaff, Louise, Pelléas and Mélisande, The Bartered Bride, Die Fledermaus, Romeo and Juliet, Der Rosenkavalier, Cavalleria Rusticana, I Pagliacci, Wozzeck, L’Heure Espagnole, and Boris Godounov. The foremost authority on opera presented in the comprehensive volume all that the opera-goer, radio listener, music-lover, and confirmed operamane will wish to know about them. It is unique as both guide and armchair companion. Ernest Newman’s gigantic grasp of his subject is clear at every turn, as are his sheer writing ability and wit. He larded his treatment of the operas with biographical and historical materials acquired in a long lifetime of study and writing. This is the first volume of the trilogy of books (the other two being The Wagner Operas and Seventeen Famous Operas) with which Ernest Newman wished to replace his much earlier book, Stories of the Great Operas.
An illustrated retelling of the plots of fifteen well-known operas.
“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.
The author's rewriting of opera stories from seven different composers combined with illustrations and a select discography, introduces to children some of the great operatic themes of the last 200 years.
This is a new release of the original 1943 edition.
A tribute to thirty renowned operas shares the plots and theatrical backgrounds of each, in a volume that covers such productions as Figaro and Turandot.
A comprehensive guide to Richard Strauss's SALOME, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with German/English side-by side, and over 25 music highlight examples.
Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you. Opera 101 is recognized as the standard text in English for anyone who wants to become an opera lover--a clear, friendly, and truly complete handbook to learning how to listen to opera, whether on the radio, on recordings, or live at the opera house. Fred Plotkin, an internationally respected writer and teacher about opera who for many years was performance manager of the Metropolitan Opera, introduces the reader (whatever his or her level of musical knowledge) to all the elements that make up opera, including: A brief, entertaining history of opera; An explanation of key operatic concepts, from vocal types to musical conventions; Hints on the best way to approach the first opera you attend and how to best understand what is happening both offstage and on; Lists of recommended books and recordings, and the most complete traveler's guide to opera houses around the world. The major part of Opera 101 is devoted to an almost minute-by-minute analysis of eleven key operas, ranging from Verdi's thunderous masterpiece Rigoletto and Puccini's electrifying Tosca through works by Mozart, Donizetti, Rossini, Offenbach, Tchaikovsky, and Wagner, to the psychological complexities of Richard Strauss's Elektra. Once you have completed Opera 101, you will be prepared to see and hear any opera you encounter, thanks to this book's unprecedentedly detailed and enjoyable method of revealing the riches of opera.
This was the first work to have applied a systematised feminist theory to opera. It concentrates on the stories & text of opera, that perhaps have more relevence today in a growing literature than it had when it was the "sacrilegious" pioneering work.