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From his childhood adventures to his prankster teens and from his Army years to his decades of being a Police Officer, Lonie B. Adcock continues with this, his sequel of memories as an Old Geezer. Sometimes he touches your heart and sometimes your funnybone, but you'll keep wondering what else this Old Geezer remembers!
A collection of Lonie B. Adcock stories over the years from the newspaper.
"Like his bass, the lows are low and the style upfront."--Financial Times "An exhilarating journey."--Mojo A frank and fascinating account of a geezer's life in the music business. Jah Wobble begins by offering the most authentic insider's account of the beginning of punk rock yet. He covers the celebrated ups of his career along with the downs, both personally and professionally. Throughout the book Wobble tells it like he sees it. Jah Wobble is one of the founding members of Public Image Limited (PiL) along with John Lydon. He is a bassist, singer, composer, poet, and music journalist.
The perfect companion to Lois Lowry's "The Giver," this study guide contains a chapter by chapter analysis of the book, a summary of the plot, and a guide to major characters and themes. BookCap Study Guides do not contain text from the actual book, and are not meant to be purchased as alternatives to reading the book. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month.
One night, I sat on the bench by the river and an old man shared his wisdom with me. He told me that I can always hear his voice through that of others. These are his words and what I learned from some of our conversations.
A young couple visits a carnival on All Hallows Eve unaware that they will be separated by one who is not to be toyed with. Now, Edward must put his fate into the hands of a mysterious woman who knows the way of the dead, the way to the Forget-Me-Not Garden, to find his beloved Emily and save her before the end of All Hallows Eve.
Three lonersÉThree keysÉA wizardÉA demonÉ And a riddle: Three parts of a single key, brought together by destiny; Three challenges are your test, strength will come from needed rest; One last place four doors await, where good and evil decide fate; Only then can thy lights shine, Trigon completed-all in TIME. Can three fourteen-year-old loners overcome their fears and come together to solve the riddle of the Trigon? Or will a hungry, magical, and mysterious shadow demon swallow them, sending them to oblivion? The fate of the universe may depend on these three unlikely heroes. Only if they work together will they succeed; but the demon knows their deepest fears and desires, which he will not hesitate to use against them. Their fear, anger, uncertainty, and even their ignorance are only an appetizer for his eternal hunger. He will not deny his ravenous appetite. If the magic of the Trigon fails, the demonÕs appetite will eventually devour everything-even Time.
Finalist for the International Booker Prize and the National Book Award A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor. On an unnamed island, objects are disappearing: first hats, then ribbons, birds, roses. . . . Most of the inhabitants are oblivious to these changes, while those few able to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young writer discovers that her editor is in danger, she concocts a plan to hide him beneath her f loorboards, and together they cling to her writing as the last way of preserving the past. Powerful and provocative, The Memory Police is a stunning novel about the trauma of loss. ONE OF THE BEST BOOKS OF THE YEAR THE NEW YORK TIMES * THE WASHINGTON POST * TIME * CHICAGO TRIBUNE * THE GUARDIAN * ESQUIRE * THE DALLAS MORNING NEWS * FINANCIAL TIMES * LIBRARY JOURNAL * THE A.V. CLUB * KIRKUS REVIEWS * LITERARY HUB American Book Award winner
This is a story of tragedy, love, heartbreak, hope, humor, forgiveness, and the pure power of human compassion. An old man has been living on his own for many years. Although not considered a recluse or hermit, he does spend much time alone. He is guilt-ridden and has many regrets which he thinks about in his isolation. Mainly, it's the guilt of leaving his children on that day, those many years past. His guilt haunts him in the form of dreams and nightmares. The old man is a father whose heart aches with the love for his children, yet he finds it difficult to locate the level ground on which to have a relationship, as well as a level piece of ground to deal with the choices that he has made in his life. A bird of faith, not believed to exist, befriends him and stands by him, even to protect him from a near-death tragedy, and has the ability to locate him, no matter where he is. Although once a solid blackbird, it slowly changes to white as the man sheds his guilt. He develops a passion to make sketches of the bird, and this becomes a source that creates the problem. Due to certain circumstances, he ends up in a hospital mental ward. A continuous barrage of technicalities and other circumstances make it difficult for him to attain his freedom. He captures the love of a middle-aged, not-so pretty, recovering drug addict who along with her illiteracy had a speech impediment. A dedicated doctor finds he is not too old to learn a lesson about life from his patient. And two compassionate ward nurses befriend him and help him make life-changing decisions. His impact on them is no less life-changing. Hopefully, the man who dared to dream will capture your heart, as well.
Fireflies is a book about how writing poetry can help us explore memory and identity, and it is also a book of poetry that explores memory and identity. This work is an example of the “liminal” scholarship advocated in The Need for Revision (2011, by the same author), occupying a space in the academic world’s “windows and doorways,” not exactly in any one field but rather in the “spaces-between where the inside and outside commingle”; it seeks to trouble the boundaries between teacher and writer, critic and artist, writer and reader, and teacher and student in a way from which all parties might benefit. Fireflies aims for a different kind of scholarship, and hopes to offer new ways for teachers to be professional and academic. The second section of the book is a full-length poetry text— the author’s own exploration of the notions that people who teach writing should also be writers, and that poetry is more something you do than something you are. The book says we should write poems not because of some inborn gift for it, but because the act of writing poetry is good for us, and helps us understand ourselves better; it is a book written in the hopes that other books will be written. Maybe by you. “David Owen has taken his understanding of currere, the root of curriculum, to a new level with his demonstration of the value of reading and writing poetry. He argues that writing poetry develops an ‘attitude of adventure’ into everydayness. As his first chapter ‘Songs of Ourselves’ suggests, we all can be Whitman’s if we take up our pens to celebrate what lives around us as well as in us. Owen demonstrates this theory with a calendar of poems he wrote that share small frozen moments of the seasons of a year. Connecting his memories with forays into night skies and fireflies and ‘the fractals that God makes,’ David Owen’s poetic images suggest that our deep connection with Earth can be recovered if we let a little more ‘oak in the voice’ of our words.” – Mary Aswell Doll, author of The Mythopoetics of Currere