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This acclaimed fantasy classic of men, elves, and gods is at once breathtakingly exciting and heartbreakingly tragic. Published the same year as The Fellowship of the Ring, Poul Anderson’s novel The Broken Sword draws on similar Scandinavian and Anglo-Saxon sources. In his greed for land and power, Orm the Strong slays the family of a Saxon witch—and for his sins, the Northman must pay with his newborn son. Stolen by elves and replaced by a changeling, Skafloc is raised to manhood unaware of his true heritage and treasured for his ability to handle the iron that the elven dare not touch. Meanwhile, the being who supplanted him as Orm’s son grows up angry and embittered by the humanity he has been denied. A pawn in a witch’s vengeance, the creature Valgard will never know love, and consumed by rage, he will commit a murderous act of unspeakable vileness. It is their destiny to finally meet on the field of battle—the man-elf and his dark twin, the monster—when the long-simmering war between elves and trolls finally erupts with a devastating fury. And only the mighty sword Tyrfing, broken by Thor and presented to Skafloc in infancy, can turn the tide in a terrible clashing of faerie folk that will ultimately determine the fate of the old gods. Along with such notables as Isaac Asimov and Ray Bradbury, multiple Hugo and Nebula Award winner Poul Anderson is considered one of the masters of speculative fiction. This edition contains the author’s original text.
Introduced by Donald Smith. Set in Rome during Nero’s reign of terror, The Blood of the Martyrs is a disciplined historical novel tracing the destruction of one cell of the early church. With a cast of slaves, ordinary Roman people, exiles and entertainers, it is thorough in its historical interpretation and in its determination to make the past accessible and readable. Written in 1938-9, the novel contains many symbolic parallels to the rise of European fascism in the 1930s and the desperate plight of persecuted minorities such as the Jews and the left-wing activists with whom Naomi Mitchison personally campaigned at the time. With the invasion of Britain a real possibility, she felt compelled to write a testament to the power of human solidarity which, even faced with death, can overcome the worst that human evil can achieve. The Blood of the Martyrs is the least autobiographical of Mitchison’s major works of fiction, yet, with its implicit credo, is her most passionately self-revealing. ‘ . . . when a novelist is historically faithful in these treacherous waters of the human psyche, the results are tremendous. As a twentieth-century woman, it no doubt hurt Naomi Mitchison a good deal to describe the savagery of the early Christian persecution in The Blood of the Martyrs . . . But it is the pain that gives the history its lifeblood. The imagination that is a novelist’s fuel must be harnessed to serve history as history was, not as anyone wishes it had been.’ Joanna Trollope
The Gods are dead. The Magelord Salazar and his magically enhanced troops, the Augmentors, crush any dissent they find in the minds of the populace. On the other side of the Broken Sea, the White Lady plots the liberation of Dorminia, with her spymistresses, the Pale Women. Demons and abominations plague the Highlands. The world is desperately in need of heroes. But what it gets instead are a ragtag band of old warriors, a crippled Halfmage, two orphans and an oddly capable manservant: the Grim Company.
For God so loved the world that he gave his only two begotten sons. and a few million zombies Thugs, pushers, gangsters, rapists, murderers; Detective Philip Makane thought he'd seen it all until he awoke on the morning of Easter Sunday 2015, to a world filled with bleeding rain, ravenous zombies, a homicidal ghost, and the sudden arrival of two men with extraordinary powers who both claim to be Jesus Christ in the flesh.
"A fable satirizing Spenser's 'The Fairie Queen' and reflecting the real life of Elizabeth I, tells of a woman who ascends to the throne upon the death of her debauched and corrupted father, King Hern. Gloriana's reign brings the Empire of Albion into a Golden Age, but her oppressive responsibilities choke her, prohibiting any form of sexual satisfaction, no matter what fetish she tries. Her problem is in fact symbolic of the hypocrisy of her entire court. While her life is meant to mirror that of her nation - an image of purity, virtue, enlightenment and prosperity - the truth is that her peaceful empire is kept secure by her wicked chancellor Monfallcon and his corrupt network of spies and murderers, the most sinister of whom is Captain Quire, who is commissioned to seduce Gloriana and thus bring down Albion and the entire empire." -- Goodreads.com.
In a city ridden with prostitute furries, cannibal cops and warehouse-sized mob bosses, I've got my work cut out for me. My name is Jimmy Plush. I'm a private detective. I'm also a teddy bear. It all started when the original Jimmy Plush entered my life, offering to take my gambling debts away if I agreed to switch bodies with him. But I didn't know that being a three-foot-high plush toy would be such a living hell, especially now that everyone in town wants a piece of me. All I've gotten out of this deal is a faithful Chinese chauffeur, a custom teddybear .45, and a girlfriend who won't take off the fox suit she turns tricks in. Now I've got to keep this town clean and try to track down the real Jimmy Plush without losing my stuffing for good. Only one thing is for sure: Life is hard when you're soft. Jimmy Plush, Teddy Bear Detective is a high octane pulp satire. In the tradition of Sam Spade, The Shadow, Dick Tracy, Hellboy and Howard the Duck comes a new kind of hero, a hero that reminds us that the measure of a man is in his guts and his gun.