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What exactly is a blackamoor? The black seems obvious but what of the Moor in this forgotten compound word which was of great use long not so long ago? More importantly, why should anyone care about it's definition? This word is of enormous significance when it comes to the identity of the population of ex-slaves in the Americas and the world over. There are those in the so-called conscious community that go to great lengths to discredit Moorish perspectives on the history an identity of the descendants of ex-slaves in the United States. The information in this writing aims to aid those interested in the subject with sound historical facts whereby one may derive a coherent understanding of the usage of the term Moor and it's relation to the people known as "black" today. There are numerous books written on the word Moor so we shall not run the risk of sounding redundant or repetitive, we shall include only a necessary small section of the classic definition and instead seek highlight the concrete connections between past and present word Moor and also the people.
Leonard Moore has been teaching Black history for twenty-five years, mostly to white people. Drawing on decades of experience in the classroom and on college campuses throughout the South, as well as on his own personal history, Moore illustrates how an understanding of Black history is necessary for everyone. With Teaching Black History to White People, which is “part memoir, part Black history, part pedagogy, and part how-to guide,” Moore delivers an accessible and engaging primer on the Black experience in America. He poses provocative questions, such as “Why is the teaching of Black history so controversial?” and “What came first: slavery or racism?” These questions don’t have easy answers, and Moore insists that embracing discomfort is necessary for engaging in open and honest conversations about race. Moore includes a syllabus and other tools for actionable steps that white people can take to move beyond performative justice and toward racial reparations, healing, and reconciliation.
PULITZER PRIZE FINALIST • A NEW YORK TIMES NOTABLE BOOK • The imagined memoirs of the first black explorer of America—this "stunning [book] sheds light on all of the possible the New World exploration stories that didn’t make history” (Huffington Post). In these pages, Laila Lalami brings us the invented memoirs Mustafa al-Zamori, called Estebanico. The slave of a Spanish conquistador, Estebanico sails for the Americas with his master, Dorantes, as part of a danger-laden expedition to Florida. Within a year, Estebanico is one of only four crew members to survive. As he journeys across America with his Spanish companions, the Old World roles of slave and master fall away, and Estebanico remakes himself as an equal, a healer, and a remarkable storyteller. His tale illuminates the ways in which our narratives can transmigrate into history—and how storytelling can offer a chance at redemption and survival.
From New York Times bestselling author Holly Black comes a captivating original novel set between Disney's Maleficent and Maleficent: Mistress of Evil, in which newly-queened Aurora struggles to be the best leader to both the humans and Fair Folk under her reign; her beau, Prince Phillip, longs to get to know Aurora and her kingdom better; and Maleficent has trouble letting go of the past.
Exploring the character of a man who rose from slavery to become a general, a wealthy landowner, a distinguished military engineer, an intellectual and bibliophile, and who triumphed over his wife's unfaithfulness. It explains the mythical status within Russia of his Great Grandson Alexander Pushkin, and how his life was destroyed by jealousy.
"In 2009, while thru-hiking the Appalachian Trail, Robert Moor began to wonder about the paths that lie beneath our feet: How do they form? Why do some improve over time while others fade? What makes us follow or strike off on our own? Over the course of the next seven years, Moor traveled the globe, exploring trails of all kinds, from the miniscule to the massive. He learned the tricks of master trail-builders, hunted down long-lost Cherokee trails, and traced the origins of our road networks and the Internet. In each chapter, Moor interweaves his adventures with findings from science, history, philosophy, and nature writing--combining the nomadic joys of Peter Matthiessen with the eclectic wisdom of Lewis Hyde's The Gift. Throughout, Moor reveals how this single topic--the oft-overlooked trail--sheds new light on a wealth of age-old questions: How does order emerge out of chaos? How did animals first crawl forth from the seas and spread across continents? How has humanity's relationship with nature and technology shaped the world around us? And, ultimately, how does each of us pick a path through life? With a breathtaking arc that spans from the dawn of animal life to the digital era, On Trails is a book that makes us see our world, our history, our species, and our ways of life anew"--Book jacket flap.
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Historic, relevant and detailed! Excellent read from start to finish. Packed with information and perspective. Cozmo El has outdone himself with a combination of written and complied works containing commentary backed by historical and current references. On the subject of Moors, denationalization and political disenfranchisement of those termed black in society, El challenges the status quo. This book is a must have for anyone looking to make sense of the abundant and sometimes confusing books about Moors and how they came to be labeled as black in America as well as how this process in continued today. Controversial topics are covered in this book. It is not for the faint of heart.
The intelligent, intuitive, indomitable, large, black, American male actor explores Shakespeare, race, and America ... not necessarily in that order. Keith Hamilton Cobb embarks on a poetic exploration that examines the experience and perspective of black men in America through the metaphor of Shakespeare's character Othello, offering up a host of insights that are by turns introspective and indicting, difficult and deeply moving. American Moor is a play about race in America, but it is also a play about who gets to make art, who gets to play Shakespeare, about whose lives and perspectives matter, about actors and acting, and about the nature of unadulterated love. American Moor has been seen across America, including a successful run off-Broadway in 2019. This edition features an introduction by Professor Kim F. Hall, Barnard College.