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[BookStrand Western Paranormal Romance, shape-shifters] In post Civil War Texas, Mary Ann Beauclere is trapped by raiders demanding bedding and food. Though she's outraged when Captain Craig Wolfe steals a kiss, and more, in front of the men, she follows orders, desperate to protect her little sisters asleep upstairs. But when Captain Wolfe helps her, she softens toward the desperado, accepting his kisses as she's drawn to him like no other. Admiring Mary Ann's courage, Confederate spy Captain Craig Wolfe recognizes her as his life mate. But when he claims her as his mate, secret identities and a vicious pack member threaten their lives and their future. Will Captain Wolfe have to spend his life without his mate? ** A BookStrand Mainstream Romance
Shortly after the end of war with Mexico, Kathleen Adams disgraces her family when she travels west to the New Mexico territory to teach school. In the midst of her travels, the notorious desperado Black Bart holds up her stage and unexpectedly steals something very personal from hera kiss. With that kiss, their bond is forever sealed. As they become inseparable and their lives inextricably intertwined, they realize they are meant to be together. They attend a Mexican fiesta in the nearby settlement of San Pedro and visit an infamous gambling hole called El Diablo. Meanwhile, she has aroused the suspicion of Hiram Brown, the town banker, who was also on the stage when it was intercepted by Black Bart. Kathleen has also befriended Brigitte, the Swedish lady who runs the boarding house where she gets her meals and in whom she feels she can confide. Suspecting that the banker has a plan in place to take Bart down, Kathleen tries to warn the desperado before it happens. Now that she has left behind a quiet existence for the excitement of the Wild West and found the love of her life, will she get to him in timeor lose him forever?
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Film Composers in America is a landmark in the history of film. Here, renowned film scholar Clifford McCarty has attempted to identify every known composer who wrote background musical scores for films in the United States between 1911 and 1970. With information on roughly 20,000 films, the book is an essential tool for serious students of film and a treasure trove for film fans. It spans all types of American films, from features, shorts, cartoons, and documentaries to nontheatrical works, avant-garde films, and even trailers. Meticulously researched over 45 years, the book documents the work of more than 1,500 composers, from Robert Abramson to Josiah Zuro, including the first to score an American film, Walter C. Simon. It includes not only Hollywood professionals but also many composers of concert music--as well as popular music and other genres--whose cinematic work has never before been fully catalogued. The book also features an index that lets readers quickly find the composer for any American film through 1970. To recover this history, much of which was lost or never recorded, McCarty corresponded with or interviewed hundreds of composers, arrangers, orchestrators, musical directors, and music librarians. He also conducted extensive research in the archives of the seven largest film studios--Columbia, MGM, Paramount, RKO, 20th Century-Fox, Universal, and Warner Bros.--and wherever possible, he based his findings on the most reliable evidence, that of the manuscript scores and cue sheets (as opposed to less accurate screen credits). The result is the definitive guide to the composers and musical scores for the first 60 years of American film.