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"Depicted as a graphic history and informed by newly discovered primary sources and years of archival research, Monumental resurrects, in vivid detail, Louisiana and New Orleans after the Civil War, and an iconic American life that never should have been forgotten. The graphic history is supplemented with personal and historiographical essays as well as a map, timeline, and endnotes that explore the riveting scenes in even greater depth. Monumental is a story of determination, scandal, betrayal-and how one man's principled fight for equality and justice may have cost him everything"--
"Kevin O'Callaghan is a wizard who can find the monumental in anything and sees the potential genius in everyone, and Monumental is his manifesto, featuring hundreds of beautiful and useful design objects made out of obsolete, useless cast-off technology." --Front flap.
"This book is situated within the terrain of intense debate over the placement and displacement of monuments to difficult histories. Installed in Plymouth in 1921 to commemorate the Tercentenary of the landing of the Pilgrims, Cyrus Dallin's statue Massasoit was intended to memorialize the Pokanoket Massasoit (leader) 8sãameeqan as a welcoming diplomat and participant in the mythical first Thanksgiving. But Massasoit did not remain only in Plymouth. Lisa Blee and Jean O'Brien track the physical and narrative mobility of Massasoit through its inception and its movement to numerous locations in the US to illuminate how Massasoit's attachment to national origins did and did not move with the installations. The historical memory surrounding Massasoit suggests both the rich potential of Indigenous public historians to intervene in sanitized national narratives of origins, and the ways in which this history is commodified. Can Massasoit prompt viewers to reckon with ... the structural violence of settler colonialism in commemorative landscapes, or does it further entrench celebratory narratives of national origins?"--
The ceremonial centers of the Syro-Hittite city-states (1200-700 BC) were lavishly decorated with large-scale, open-air figurative reliefs - an original and greatly influential artistic tradition. But why exactly did the production of such an array of monumental images ever start? This volume explores how Syro-Hittite monumental art was used as a powerful backdrop to important ritual events, and opens up a new perspective by situating monumental art in the context of public performances and civic spectacles of great emotional impact, such as processions, royal triumphs, and dynastic funerals.
This volume presents a collection of studies by international experts on various aspects of ancient Israel’s society, economy, religion, language, culture, and history, synthesizing archaeological remains and integrating them with discussions of ancient Near Eastern and biblical texts. Driven by theoretically and methodologically informed discussions of the archaeology of the Iron Age Levant, the 47 chapters in The Ancient Israelite World provide foundational, accessible, and detailed studies in their respective topics. The volume considers the history of interpretation of ancient Israel, studies on various aspects of ancient Israel’s society and history, and avenues for present and future approaches to the ancient Israelite world. Accompanied by over 150 maps and figures, it allows the reader to gain an understanding of key issues that archaeologists, historians and biblical scholars have faced and are currently facing as they attempt to better understand ancient Israelite society. The Ancient Israelite World is an essential reference work for students and scholars of ancient Israel and its history, culture, and society, whether they are historians, archaeologists or biblical scholars.
In this volume, Barbara Stark examines settlement in the coastal plain of lowland Mesoamerica, which was richly endowed with fertile soil and valued tropical resources such as jaguars, cacao, avian species with bright plumage, and cotton. The book provides basic archaeological data about regional settlement from three decades of survey research in south-central Veracruz in the western lower Papaloapan basin, a region with low density urbanism. The data reveals political and social change, with consolidation of wealth by elite families during the Late Classic period. The political analysis considers archaeological evidence related to several organizational principles: collective versus autocratic, corporate versus exclusionary/network, and segmentary (unspecialized versus specialized). Many variables related to these principles used by other scholars are either suited to historically documented states, not archaeological ones, or ambiguous. Many published studies either focus on a particular city or use documents or other evidence drawn from the top of the settlement hierarchy, characterizing the whole society politically from a biased sample. This political analysis is regional in scope and attentive to variation in the settlement hierarchy, providing a guidepost to analysis of political principles with archaeological data.
The quality of 'monumentality' is attributed to the buildings of few historical epochs or cultures more frequently or consistently than to those of the Roman Empire. It is this quality that has helped to make them enduring models for builders of later periods. This extensively illustrated book, the first full-length study of the concept of monumentality in Classical Antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in moulding their individual or collective aspirations and identities. Although no single word existed in antiquity for the qualities that modern authors regard as making up that term, its Latin derivation - from monumentum, 'a monument' - attests plainly to the presence of the concept in the mentalities of ancient Romans, and the development of that notion through the Roman era laid the foundation for the classical ideal of monumentality, which reached a height in early modern Europe. This book is also the first full-length study of architecture in the Antonine Age - when it is generally agreed the Roman Empire was at its height. By exploring the public architecture of Roman Italy and both Western and Eastern provinces of the Roman Empire from the point of view of the benefactors who funded such buildings, the architects who designed them, and the public who used and experienced them, Edmund Thomas analyses the reasons why Roman builders sought to construct monumental buildings and uncovers the close link between architectural monumentality and the identity and ideology of the Roman Empire itself.