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Michel de Montaigne (1533-92) is principally known today as a literary figure--the inventor of the modern essay and the pioneer of autobiographical self-exploration who retired from politics in midlife to write his private, philosophical, and apolitical Essais. But, as Biancamaria Fontana argues in Montaigne's Politics, a novel, vivid account of the political meaning of the Essais in the context of Montaigne's life and times, his retirement from the Bordeaux parliament in 1570 "could be said to have marked the beginning, rather than the end, of his public career." He later served as mayor of Bordeaux and advisor to King Henry of Navarre, and, as Fontana argues, Montaigne's Essais very much reflect his ongoing involvement and preoccupation with contemporary politics--particularly the politics of France's civil wars between Catholics and Protestants. Fontana shows that the Essais, although written as a record of Montaigne's personal experiences, do nothing less than set forth the first major critique of France's ancien régime, anticipating the main themes of Enlightenment writers such as Voltaire and Diderot. Challenging the views that Montaigne was politically aloof or evasive, or that he was a conservative skeptic and supporter of absolute monarchy, Fontana explores many of the central political issues in Montaigne's work--the reform of legal institutions, the prospects of religious toleration, the role of public opinion, and the legitimacy of political regimes.
This book provides an extensive and textual analysis of Montaigne's essays - both the relevant Villey French texts as well as the Frame English translations. It identifies and illustrates a unifying, recurring theme in the ostensibly diverse and often apparently contradictory essays of the sixteenth-century writer - the attempt at psychic harmony through «temporal solipsism», or living insofar as possible in the present moment by doing things for their own sake rather than for extrinsic purposes. Placing Montaigne in historical context, Montaigne's Essais argues that he implicitly provides his own synthesis of pagan and Christian ideas, with no fewer tensions than the Aquinian synthesis. A concluding bibliographic essay addresses some issues of scholarly controversy, primarily from the perspectives of philosophy and political theory.
Montaigne's English Journey provides a vivid account of the ways in which English readers made sense of Montaigne's Essays during the seventeenth century and how it influenced their own writing.
Early modern English thinkers were fascinated by the subject of animal rationality, even before the appearance of Descartes's Discourse on the Method (1637) and its famous declaration of the automatism of animals. But as Erica Fudge relates in Brutal Reasoning, the discussions were not as straightforward—or as reflexively anthropocentric—as has been assumed. Surveying a wide range of texts-religious, philosophical, literary, even comic-Fudge explains the crucial role that reason played in conceptualizations of the human and the animal, as well as the distinctions between the two. Brutal Reasoning looks at the ways in which humans were conceptualized, at what being "human" meant, and at how humans could lose their humanity. It also takes up the questions of what made an animal an animal, why animals were studied in the early modern period, and at how people understood, and misunderstood, what they saw when they did look. From the influence of classical thinking on the human-animal divide and debates surrounding the rationality of women, children, and Native Americans to the frequent references in popular and pedagogical texts to Morocco the Intelligent Horse, Fudge gives a new and vital context to the human perception of animals in this period. At the same time, she challenges overly simplistic notions about early modern attitudes to animals and about the impact of those attitudes on modern culture.
Leading scholars re-examine political judgement, attempting to understand the relationship between political theory and political practice.
This book investigates the scope and significance of Stanley Cavell’s lifelong and lasting contribution to aesthetic understanding. Focusing on various strands of the rich body of Cavell’s philosophical work, the authors explore connections between his wide-ranging writings on literature, music, film, opera, autobiography, Wittgenstein, and Austin to contemporary currents in aesthetic thinking. Most centrally, the writings brought together here from an international team of senior, mid-career, and emerging scholars, explore the illuminating power of Cavell’s work for our deeper and richer comprehension of the intricate relations between aesthetic and ethical understanding. The chapters show what aesthetic understanding consists of, how such understanding might be articulated in the tradition of Cavell following Wittgenstein and J. L. Austin, and why this mode of human understanding is particularly important. At a time of quickening interest in Cavell and the tradition of which he is a central part and present-day leading exponent, this book offers insight into the deepest contributions of a major American philosopher and the profound role that aesthetic experience can play in the humane understanding of persons, society, and culture.
First published in 2001. This is the first substantial reference work in English on the various forms that constitute "life writing." As this term suggests, the Encyclopedia explores not only autobiography and biography proper, but also letters, diaries, memoirs, family histories, case histories, and other ways in which individual lives have been recorded and structured. It includes entries on genres and subgenres, national and regional traditions from around the world, and important auto-biographical writers, as well as articles on related areas such as oral history, anthropology, testimonies, and the representation of life stories in non-verbal art forms.
"This collection of essays arises from the 7th annual Cambridge French Graduate Conference, held July 4-5, 2005, whose theme was 'threat'."
Two generations of students inspired by Harvey Mansfield come together here to demonstrate how their diverse approaches illuminate the topic of the arts of rule and speak to the wide scope of Mansfield's contributions. The essays collected here cover both ancient and modern ground. The first section covers topics such as Xenophon's question of what it is to be a gentleman, Aristotle's view of friendship, Montaigne's account of the highest good, and Montesquieu's elevation of modesty. The second section engages Machiavelli's political theory and its influence on subsequent thinkers, such as Bacon, Hobbes, and Hume. Authors in the third section examine the sources, conditions, and practices of freedom in the context of modern politics, drawing on writers from Shakespeare to Tocqueville to shed light on contemporary debates. The arts of rule cover the exercise of power by princes and popular sovereigns, but they range beyond the domain of government itself, extending to civil associations, political parties, and religious institutions. Artful rule both directs the use of authority toward a specific end and posits a more comprehensive vision of the best way of life for human beings. Making full use of political philosophy and benefiting from a range of backgrounds, this collection recognizes that although the arts of rule are comprehensive, the best government is a limited one.
V. 1. Cognitions -- v. 2. Critical theories