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Chamonix is the most famous climbing area in Europe. Nowhere else has as much quality rock, spectacular peaks and varied mountaineering history. For most climbers a trip to Chamonix is an integral part of their climbing and mountaineering career. When there you want to try everything; perfect granite rock routes, magnificent long ridges, intimidating north faces and then also have some valley sport climbing for the 'rest days'. Or maybe you just want to tick Mont Blanc. For Rockfax this is one of our most exciting challenges yet. Doing justice to this vast area with it many iconic climbs and mountain routes and great variety of climbing is no small task. For the first time ever, all this is in a single publication from Rockfax with hundreds of routes ranging from short sport ticks to the best multi-day adventures. It is illustrated with some amazing phototopos, superb maps and with excellent detailed descriptions.
Whether you are scaling the world’s most challenging peaks, bouldering on epic rock faces or hanging underneath cavernous crags spread out along the ocean, rock climbing is one of the world’s most exciting sports. From the most beautiful routes in the UK, France and America to deep-water soloing in Majorca and opening new lines in South Africa, James Pearson and Caroline Ciavaldini, two of rock climbing’s biggest stars, take you to the sport’s most iconic, unusual and daring destinations. With stunning photography showcasing rock climbing’s various styles and landscapes, each entry also includes expert tips, grading details and helpful topography of specific routes or sectors. Climbing Beyond is a beautiful homage to the sport of rock climbing and an inspiration to anyone who has ever dreamed of chalking up their hands and taking on the world’s most epic rock faces.
The author of many books on typography, Dan X. Solo was also the proprietor of his own typography shop in Oakland, California — an establishment dedicated to unusual typography and special effects. This comprehensive catalog offers graphic designers a dazzling selection of over 4,000 typefaces and optical effects available from Solotype Typographers. Here, in Solo's words, is "a great cast of characters" — the alphabet — abetted by a cornucopia of typographical ideas and an endless resource of letters, words, phrases, slogans, logos, humorous comments, headlines, and graphic symbols. Individual sections of the book display a rich variety of typefaces in categories such as Condensed, Victorian, Art Nouveau, Art Deco, Rustic, Thick-and-tin, Calligraphic, Uncials, Latins, and Blackletter. Samples are imaginatively presented. "Stagecoach," for example, is printed in Fargo typeface, evoking dusty trails, rawhide, and ten-gallon hats, while "Sizzling summer savings" appears appropriately in the flamboyant Firebug typeface. All typefaces are indexed for quick and easy reference. As entertaining as it is practical and useful, this impressive treasury of versatile typefaces and optical effects will be indispensable to busy commercial artists as an inexhaustible source of typographic ideas and a "swipe file" of words, phrases, and letters for use in graphic art projects.
The Mont Blanc is a various and multiform mountain. It is the symbol of its own history, of ice, of mixed, of rock and especially of all those people who left a mark on it. Writing about Mont Blanc has always been difficult as the editors of Vallot guide and the great Gino Buscaini, who collected the entirety of routes traced on the mountain, surely knew. Then other writers followed their predilections, tales, photos and selected routes, of ice, mixed or rock. Each one of these works could not disregard the Vallot or Buscaini's guidebooks, and also whoever uses selected routes guides must approach the mountain throughout these fundamental pieces.This piece is a further evolution of "MONT BLANC SUPERCRACK", published in 2012, but it has the same arduous goal of extracting the "best cracks" from the rock routes: aesthetics, technique, accessibility are the key words to read these cracks in a climbing perspective. We refrained from searching cracks' lines in specifically glacial environments or with objective risks. In this perspective, and despite the height and severe environment, a proper weather forecast may allow a pleasant climb of the Mont Blanc's granite crack routes.
Comprehensive, practical treasury of Art Deco typography selected by noted typographer Dan Solo. Includes Broadway Engraved, Lampoon, Modernique, Plaza Suite, Neon, over 90 more. Alphabets are immediately useable and copyright-free; printed in jet black ink on repro quality paper. Many fonts display both upper and lower case letters.
When you buy this book you get an electronic version (PDF file) of the interior of this book. The font consists of 26 black and white alphabet letters. All capital letters A-Z are in the Steampunk style. All letters are in exactly the same style as the letters on the cover. These alphabet letters can be used in various art projects and can be colored in any way or style that you like. Each picture is printed on its own 8.5 x 11 inch page.
Can you draw letters that look like bones, pencils, or tools? What about broken, slimy, or fuzzy letters? Kids will love copying these wacky alphabets, and will be inspired to create their own fonts. The book includes examples of 17 different alphabets, followed by sections on cartoon words (such as drawing words in the shape of the things they describe), special effects (such as loops), and ideas for what to do with these newly learned skills. Use this resource to encourage students to be imaginative and to make lettering that can enhance school projects of all kinds. Grades 2-8. Illustrated.
Treasury of royalty-free fonts with eye-catching appeal includes Carnival Open, Ecclesiastic, Garland, Laurel, Daisy Delight, scores more. All fonts include uppercase alphabets; some contain punctuation marks and lowercase letters. Most have numerals. Graphic artists and illustrators will find these distinctive alphabets ideal for use in display ads, on posters, signs, menus, more.