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This is an adaptation of Dickens' 'Hard Times' for the stage.
Dominic Janes is at pains here to highlight the role played by Christianity in the history of homosexuality in Britain. His story deals not merely with genital relations but also with identities both embraced and refused. Necessarily, coded expressions of desire as well as creative blurrings between religious idealism and queer gender and sexuality are integral to Janes s account. A special focus for Janes is the way in which visual images and imaginary visions of suffering in ecclesiastical contexts were used to develop concepts of male same-sex desire that projected the self as dutiful and penitent rather than shameful. And so, a model (and in ways a substitute) for same-sex relationships was readily available in idealizations of the person and body of Christas unmarried queer martyr. Homosexual desires and identities prove to have unfolded in creative dialogue with religion during and since the 19th century. Various figures enter into Janes s history, from Cardinal Newman and Oscar Wilde to artists such as Simeon Solomon and Frederick Rolfe, and the plot thickens with forays into Victorian monasteries that functioned as queer families, with fascinating side trips into Rolfe s Christmas cards as expressions of queer aesthetic/identity. He brings the account full circle with a concluding chapter on the life and works of Derek Jarman. Janes uses this case to show that the experience of the AIDS epidemic led to a reconnection with older modes of queer self-expression specifically concerned with the endurance of suffering. The religious roots of queer creativity are a vital resource for modern churches and openly gay men and women to learn from."
Stokes offers studies of Wilde's place in the Romantic tradition, and of his relationships with such legendary figures of the fin de siecle as Aubrey Beardsley, Alfred Jarry, and Arthur Symons. And always, as part of the process of historical inquiry, Stokes considers those who came after: humanitarian disciples who kept Wilde's memory sacred, performers in his plays, actors who impersonated the man himself.
Oscar Wilde said of himself, "I put all my genius into my life; I put only my talent into my work." Now, for the first time, Neil McKenna focuses on the tormented genius of Wilde's personal life, reproducing remarkable love letters and detailing Wilde's until-now unknown relationships with other men. McKenna has spent years researching Wilde's life, drawing on extensive new material, including never-before published poems as well as recently discovered trial statements made by male prostitutes and blackmailers about Wilde. McKenna provides explosive evidence of the political machinations behind Wilde's trials for sodomy, as well as his central role in the burgeoning gay world of Victorian London. Dazzlingly written and meticulously researched, The Secret Life of Oscar Wilde fully charts Wilde's astonishing odyssey through London's sexual underworld and paints a frank and vivid psychological portrait of a troubled genius.
Oscar Wilde and Modern Culture: The Making of a Legend explores the meteoric rise, sudden fall, and legendary resurgence of an immensely influential writer’s reputation from his hectic 1881 American lecture tour to recent Hollywood adaptations of his dramas. Always renowned—if not notorious—for his fashionable persona, Wilde courted celebrity at an early age. Later, he came to prominence as one of the most talented essayists and fiction writers of his time. In the years leading up to his two-year imprisonment, Wilde stood among the foremost dramatists in London. But after he was sent down for committing acts of “gross indecency” it seemed likely that social embarrassment would inflict irreparable damage to his legacy. As this volume shows, Wilde died in comparative obscurity. Little could he have realized that in five years his name would come back into popular circulation thanks to the success of Richard Strauss’s opera Salome and Robert Ross’s edition of De Profundi. With each succeeding decade, the twentieth century continued to honor Wilde’s name by keeping his plays in repertory, producing dramas about his life, adapting his works for film, and devising countless biographical and critical studies of his writings. This volume reveals why, more than a hundred years after his demise, Wilde’s value in the academic world, the auction house, and the entertainment industry stands higher than that of any modern writer.
'Queer London' explores the underground gay culture of London during four decades when homosexual acts between consenting adults remained illegal. The author discovers how queer men made sense of their sexuality and how their lifestyles were affected by and in turn influenced the life of the metropolis.
More than 1,000 quotations from Wilde on subjects from absinthe to Zola as well as selections from personal letters filled with poignant remarks on his life and the human condition.
In 1967, after a ten-year campaign, the laws which treated all homosexual acts between males as crimes in England and Wales were altered to permit such behavior between two consenting men aged over twenty-one in private. Twenty-five years on, the profound significance of that change, and the nature of the struggle that was waged to achieve it, are not always fully appreciated. Gay people and their lifestyles are still the subjects of considerable controversy and entrenched prejudice, and today's gay rights campaigners are justified in believing that many more sweeping changes in legal and social attitudes are now called for. Quest for Justice is the inside story of the battle for the Wolfenden reforms, told by one of its main protagonists. Antony Grey was Secretary of the Homosexual Law Reform Society during much of the campaign and for some time afterwards. Here, besides giving his personal account of the reform campaign, he comments on the subsequent course of the developing movement for gay rights, and his own not always entirely harmonious relations with it. He also describes the rising power of the 'moral majority' backlash, and its bitter attacks upon the liberalisers whom it miscalled 'permissive'. Whilst expressing disappointment at the slow progress of human sexual rights during recent years, and a sense of ever greater urgency, with the advent of AIDS, for the widespread acceptance of much more frank and realistic attitudes, Antony Grey concludes on a hopeful note, foreseeing a sexually saner twenty-first century in which updated moral, social and legal attitudes will combine to promote, rather than hinder, human happiness.
This is the first book-length study of Forster’s posthumously-published novel. Nine essays focus exclusively on Maurice and its dynamic afterlives in literature, film and new media during the twentieth and twenty-first centuries. Begun in 1913 and revised over almost fifty years, Maurice became a defining text in Forster’s work and a canonical example of queer fiction. Yet the critical tendency to read Maurice primarily as a ‘revelation’ of Forster’s homosexuality has obscured important biographical, political and aesthetic contexts for this novel. This collection places Maurice among early twentieth-century debates about politics, philosophy, religion, gender, Aestheticism and allegory. Essays explore how the novel interacts with literary predecessors and contemporaries including John Bunyan, Oscar Wilde, Havelock Ellis and Edward Carpenter, and how it was shaped by personal relationships such as Forster’s friendship with Florence Barger. They close-read the textual variants of Forster’s manuscripts and examine the novel’s genesis and revisions. They consider the volatility of its reception, analysing how it galvanizes subsequent generations of writers and artists including Christopher Isherwood, Alan Hollinghurst, Damon Galgut, James Ivory and twenty-first-century online fanfiction writers. What emerges from the volume is the complexity of the novel, as a text and as a cultural phenomenon.
Nicholas Frankel presents a revisionary account of Oscar Wilde’s final years, spent in poverty and exile in Europe following his release from an English prison for the crime of gross indecency between men. Despite repeated setbacks and open hostility, Wilde—unapologetic and even defiant—attempted to rebuild himself as a man, and a man of letters.