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Transatlantic studies have begun to explore the lasting influence of Spain on its former colonies and the surviving ties between the American nations and Spain. In Monsters by Trade, Lisa Surwillo takes a different approach, explaining how modern Spain was literally made by its Cuban colony. Long after the transatlantic slave trade had been abolished, Spain continued to smuggle thousands of Africans annually to Cuba to work the sugar plantations. Nearly a third of the royal income came from Cuban sugar, and these profits underwrote Spain's modernization even as they damaged its international standing. Surwillo analyzes a sampling of nineteenth-century Spanish literary works that reflected metropolitan fears of the hold that slave traders (and the slave economy more generally) had over the political, cultural, and financial networks of power. She also examines how the nineteenth-century empire and the role of the slave trader are commemorated in contemporary tourism and literature in various regions in Northern Spain. This is the first book to demonstrate the centrality of not just Cuba, but the illicit transatlantic slave trade to the cultural life of modern Spain.
"Monsters of the Market" investigates modern capitalism through the prism of the body panics it arouses. Examining "Frankenstein," Marx s "Capital" and zombie fables from sub-Saharan Africa, it offers a novel account of the cultural and corporeal economy of global capitalism.
Winner of the 2012 Isaac and Tamara Deutscher Memorial Prize. Monsters of the Market investigates the rise of capitalism through the prism of the body-panics it arouses. Drawing on folklore, literature and popular culture, the book links tales of monstrosity from early-modern England, including Mary Shelley’s Frankenstein, to a spate of recent vampire- and zombie-fables from sub-Saharan Africa, and it connects these to Marx’s persistent use of monster-metaphors in his descriptions of capitalism. Reading across these tales of the grotesque, Monsters of the Market offers a novel account of the cultural and corporeal economy of a global market-system. The book thus makes original contributions to political economy, cultural theory, commodification-studies and ‘body-theory’.
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Every culture knows the phenomenon of monsters, terrifying creatures that represent complete alterity and challenge every basic notion of self and identity within a cultural paradigm. In Latin and Greek culture, the monster was created as a marvel, appearing as something which, like transgression itself, did not belong to the assumed natural order of things. Therefore, it could only be created by a divinity responsible for its creation, composition, goals and stability, but it was triggered by some in- or non-human action performed by humans. The identification of something as monstrous denotes its place outside and beyond social norms and values. The monster-evoking transgression is most often indistinguishable from reactions to the experience of otherness, merging the limits of humanity with the limits of a given culture. The topic entails a large intersection among the cultural domains of law, literature, philosophy, anthropology, and technology. Monstrosity has indeed become a necessary condition of our existence in the 21st century: it serves as a representation of change itself. In the process of analysis there are three theoretical approaches: psychoanalytical, representational, ontological. The volume therefore aims at examining the concept of monstrosity from three main perspectives: technophobic, xenophobic, superdiversity. Today’s globalized world is shaped in the unprecedented phenomenon of international migration. The resistance to this phenomenon causes the demonization of the Other, seen as the antagonist and the monster. The monster becomes therefore the ethnic Other, the alien. To reach this new perspective on monstrosity we must start by examining the many facets of monstrosity, also diachronically: from the philological origin of the term to the Roman and classical viewpoint, from the Renaissance medical perspective to the religious background, from the new filmic exploitations in the 20th and 21st centuries to the very recent ethnological and anthropological points of view, to the latest technological perspective , dealing with artificial intelligence.
The story of Aurora Plastic Corporation's controversial Monster Scenes model kits from 1971. They raised cries of outrage, prompted protests, and ultimately toppled the once-proud hobby and toy company.
Collects Monsters Unleashed #1-5. It's all hands on deck with the AVENGERS, CHAMPIONS, GUARDIANS, X-MEN and the INHUMANS as they clash with monstrous hazards that threaten to destroy every corner of the Marvel Universe. Who are the LEVIATHONS? Who controls them? How can they be stopped before Earth becomes another tragic barren world in their wake?
Collects Ultimates 2 #1-6. It's been one year since they stopped an alien invasion, and now there are new members, new costumes and new villains for the Ultimates! Who's getting married? Who's divorced? Who's gone nuts since we last saw them? See Ultimate Hulk and the secret origin of Ultimate Thor!
From the co-creator of The Sixth Gun and Harrow County comes a new action horror comedy graphic novel! Meet Tanner "Griz" Grisholm. Along with a shrewd necromancer who wants him dead and a chainsaw-wielding koala bear named Cuddles, as he wages a bloody war against nightmares from beyond time and space. It's thankless work, but someone has to do it. And when a group of government contractors go missing in the nightmare landscape of the Flooded Zone, Griz stumbles into a mystery he may not be able to carve his way out of. His old biker pals, the Howling Gargoyles, are up to no good, and the memories might be too much for Griz to handle. Collects the series Monsters are my Business #1–#4.
With her best friend, Kovit's, life in danger, Nita is determined to take down the black market once and for all.