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Roger Gordon, ace movie buff, must locate Captain Crusader, the legendary movie hero and the only person capable of stopping the hundreds of celluloid evildoers who are on the loose throughout dozens of movie worlds.
Riding a cowboy never sounded so good... City-girl Renee plans to take one last look at the sage-covered hills before she sells her late grandfather's ranch. When she meets a shirtless cowboy with abs of steel and a soft spot for horses, she decides to extend her visit into a vacation. But the ranch workers are acting mighty strange, and her sexy cowboy has a secret she never expected... Horse shifter Black Stevens has always been an outsider. To the herd he’s defective, unable to shift to full equine form, and to humans he’s a monster found only in myth. When the herd's leader offers him a chance to earn a position among his people, he can't say no. Now he only has to get the ranch's sexy young heiress to say yes... As he shows Renee around, he discovers there's more to this little human than he gave her credit for, and he wants her. Bad. Can he convince her to leave behind the life she's always known and keep the ranch? More important, can he convince her to give herself over to a monster like him? Content warning: Explicit love scenes, troubled cowboys, and sexy shifter secrets. Intended for mature audiences. *No cliffhangers, no cheating, and a guaranteed happily-ever-after! Get your copy today!*
This book showcases stunningly realistic and wonderfully posed models and dioramas depicting various characters and scenes from science fiction and horror cinema. The models and dioramas are presented in chronological order starting with the silent films from 1910 to 1927, then the classic films from the 1930s and 1940s, including Universal Studios' Dracula, Frankenstein, and Wolf Man franchises. Next are the many radiation induced mutants and invaders from outer space of the 1950s, followed by offerings from the 1960s, 1970s, 1980s, and 1990s. Hammer Films are included as well as the Mummy movies and Universal's Gillman series. A detailed explanation of the nitty-gritty of model and diorama building is presented and particular details unique to each piece are shown in close-ups and discussed. The figures are of unprecedented artistry.
Religion's great and powerful mystery fascinates us, but it also terrifies. So too the monsters that haunt the stories of the Judeo-Christian mythos and earlier traditions: Leviathan, Behemoth, dragons, and other beasts. In this unusual and provocative book, Timothy K. Beal writes about the monsters that lurk in our religious texts, and about how monsters and religion are deeply entwined. Horror and faith are inextricable. Ans as monsters are part of religious texts and traditions, so religion lurks in the modern horror genre, from its birth in Dante's Inferno to the contemporary spookiness of H.P. Lovecraft and the Hellraiser films. Religion and Its Monsters is essential reading for students of religion and popular culture, as well as any readers with an interest in horror.
If getting together with old fiends sounds like just your cup of brew, you'll be right at home here, Couch Pumpkin. Let your Thriller Theatre host Margali introduce you to folk who are dying--or perhaps coming back--to meet you in this latest collection of tales both classic and obscure. In this volume, you'll find science fiction blended with eldritch evil; a classic haunting that made for a rare A-list haunting classic; a touch of hard-boiled noir laced with voodoo; and, for a bit of a switch, a tale based upon a screenplay. And some of our monsters are even human--or at least started that way. So curl up in your favourite chair or get cozy in the blankets, and let Auntie M make you UNcomfortable . . .
In Edo-period Japan, readers relished works known as kibyōshi that combined text and illustration on the same page, much like comic books and manga. Monsters often took center stage in these stories. This book presents a selection of Edo monster comics in English for the first time, introducing readers to a captivating, humorous, and eye-opening genre of popular fiction. The River Imp and the Stinky Jewel and Other Tales collects five kibyōshi published between 1778 and 1807, chosen for both entertainment value and stylistic variety. Their authors reinvent traditional Japanese monsters as contemporary characters who mirror the foibles of the human world. They tell stories such as: The lover of the long-necked rokuro-kubi makes a ridiculous attempt to rescue her from her human captor. A mischievous river creature steals a jewel lodged deep inside a boy’s buttocks, setting off a curious chain of events involving a historical samurai and a real-life “fart man.” A demon girl from hell is sent to the world of the living in order to destroy a sacred Buddhist statue—but things don’t go quite as she plans. Exploring the grotesque, comic, bumbling, salacious, and charming world of these creatures, the stories also provide a glimpse into the society and culture of Edo-period Japan through the monsters’ distorted lens. The kibyōshi are reproduced in their entirety, conveying the feel of the original comics and allowing readers to experience the full visual impact of the monsters.
A retrospective of Universal Pictures' classic monster cycle of films for the studio's 100th anniversary.
During the eighteenth century, Edo (today’s Tokyo) became the world’s largest city, quickly surpassing London and Paris. Its rapidly expanding population and flourishing economy encouraged the development of a thriving popular culture. Innovative and ambitious young authors and artists soon began to look beyond the established categories of poetry, drama, and prose, banding together to invent completely new literary forms that focused on the fun and charm of Edo. Their writings were sometimes witty, wild, and bawdy, and other times sensitive, wise, and polished. Now some of these high spirited works, celebrating the rapid changes, extraordinary events, and scandalous news of the day, have been collected in an accessible volume highlighting the city life of Edo. Edo’s urban consumers demanded visual presentations and performances in all genres. Novelties such as books with text and art on the same page were highly sought after, as were kabuki plays and the polychrome prints that often shared the same themes, characters, and even jokes. Popular interest in sex and entertainment focused attention on the theatre district and “pleasure quarters,” which became the chief backdrops for the literature and arts of the period. Gesaku, or “playful writing,” invented in the mid-eighteenth century, satirized the government and samurai behavior while parodying the classics. These entertaining new styles bred genres that appealed to the masses. Among the bestsellers were lengthy serialized heroic epics, revenge dramas, ghost and monster stories, romantic melodramas, and comedies that featured common folk. An Edo Anthology offers distinctive and engaging examples of this broad range of genres and media. It includes both well-known masterpieces and unusual examples from the city’s counterculture, some popular with intellectuals, others with wider appeal. Some of the translations presented here are the first available in English and many are based on first editions. In bringing together these important and expertly translated Edo texts in a single volume, this collection will be warmly welcomed by students and interested readers of Japanese literature and popular culture.
In The End of Cinema As We Know It, contributors well known in the 'movie' field talk about the movie industry and look at the variety of new ways we are viewing films. They query whether or not we are getting different, better movies?
Dracula's Bride - Immortal Monsters Book One