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MashUp: The Birth of Modern Culture traces the inexorable rise of collage, montage, sampling and the cut-up. Tracing its roots from the multiple-perspectives, montages and readymades of Marcel Duchamp, Kurt Schwitters and Hannah Hoch, to the present with its postmodern network culture, where remixing and co-production are the norm and the New Aesthetic seeks to harmonise the now-everyday crossover of the digital and the actual. The book addresses the development of détournement and deconstruction in art, architecture, music and society. Each chapter is a detailed, inclusive look at a cross-section of the main artists and thinkers that have embraced and developed all forms of 'mashup' culture, since its inception in the late nineteenth century with Braque and Picasso's experiments into perspective. MashUp: The Birth of Modern Culture finds parallels between the works of luminaries such as Jean-Luc Godard, Joseph Cornell, Elizabeth Price, Joyce Wieland and Jeff Wall, tracing the lasting impact of such seemingly disparate cultural phenomena as voguing, hacking and the use of audio and film as a kind of a globally available, open source language in vidding, hip hop and dub, and in art that deals with the mass proliferation and dissemination of images and knowledge brought on by digital technologies. MashUp: The Birth of Modern Culture situates the work of Andy Warhol, Richard Hamilton and Guy Debord alongside the likes of Rem Koolhaas and Bruce Mau, Superstudio, Brian Eno and Cory Arcangel, and more generally within a culture where the new is necessarily re-made and re-modelled, and quotation and re-appropriation are an integral part of the way we talk about it. Published in collaboration with the Vancouver Art Gallery.
Beware, all you monsters who go bump in the night--Sonic the Hedgehog bumps back! Check out this 100+ page Digital Exclusive collecting some of his freakiest friends, foes and fears. Sonic comes face-to-fangs with a giant cobra, a cybernetic yeti, a terrifying alien wasp race, Bunniezilla, and more! With interior art featuring Steven Butler and the legendary Patrick "SPAZ" Spaziante, this book is a real SCREAM!
Invaders from space travel through time to battle warriors from around the world and throughout history: Roman gladiators, Vikings, Aztecs, pirates, samurai, soldiers of WWI and WWII, and other warriors.
The bestselling genre of Frankenfiction sees classic literature turned into commercial narratives invaded by zombies, vampires, werewolves, and other fantastical monsters. Too engaged with tradition for some and not traditional enough for others, these 'monster mashups' are often criticized as a sign of the artistic and moral degeneration of contemporary culture. These hybrid creations are the 'monsters' of our age, lurking at the limits of responsible consumption and acceptable appropriation. This book explores the boundaries and connections between contemporary remix and related modes, including adaptation, parody, the Gothic, Romanticism, and postmodernism. Taking a multimedia approach, case studies range from novels like Pride and Prejudice and Zombies and The Extraordinary Adventures of the Athena Club series, to television programmes such as Penny Dreadful, to popular visual artworks like Kevin J. Weir's Flux Machine GIFs. Megen de Bruin-Molé uses these monstrous and liminal works to show how the thrill of transgression has been contained within safe and familiar formats, resulting in the mashups that dominate Western popular culture.
From a towering tiger to a monstrous megabat, gargantuan natural predators are destroying everything in their path! Can a squadron of giant robots capture the awe-inspiring animals? Includes over 40 thrilling illustrations to color.
Mutant marauders battle a beastly battalion of giant-sized killer whales, great white sharks, bald eagles, Kodiak bears, and more. It's global warfare at its most extreme! More than 40 action-packed illustrations.
From barbarians and gladiators to soldiers in tanks and helicopters, warriors from around the world and throughout history face off against raptors, pteranodons, a tyrannosaurus rex, and other gigantic rampaging reptiles.
The "Monster Mash" was a graveyard smash--and now it's a picture book by David Catrow The "Monster Mash" gets Wolf Man, zombies, and other monsters to dance and party in this catchy, classic song. Dracula rises out of his coffin, vampires feast in the master bedroom, and the ghouls get a jolt from Boris's electrodes. This "graveyard smash" caught on in a flash, and it became the hit of the land. The song, written in 1962 by Bobby "Boris" Pickett and Lenny Capizzi, has gone on to sell over 4 million copies. Fifty years later, David Catrow takes it to new heights as a picture book, with his fun and wacky illustrations that are sure to get kids singing and "mashing" along.
He was the final addition to Universal's "royal family" of movie monsters: the Creature from the Black Lagoon. With his scaly armor, razor claws and a face only a mother octopus could love, this Amazon denizen was perhaps the most fearsome beast in the history of Hollywood's Studio of Horrors. But he also possessed a sympathetic quality which elevated him fathoms above the many aquatic monsters who swam in his wake. Everything you ever wanted to know about the Gill Man and his mid-1950s film career (Creature from the Black Lagoon, Revenge of the Creature, The Creature Walks Among Us) is collected in this book, packed to the gills with hour-by-hour production histories, cast bios, analyses, explorations of the music, script-to-screen comparisons, in-depth interviews and an ocean of fin-tastic photos.