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Source documents compiled by insurance investigator Ralph Henderson are used to build a case against Baron "R___", who is suspected of murdering his wife. The baron's wife died from drinking a bottle of acid, apparently while sleepwalking in her husband's private laboratory. Henderson's suspicions are raised when he learns that the baron recently had purchased five life insurance policies for his wife. As Henderson investigates the case, he discovers not one but three murders. Although the baron's guilt is clear to the reader even from the outset, how he did it remains a mystery. Eventually this is revealed, but how to catch him becomes the final challenge; he seems to have committed the perfect crime.
Reproduction of the original.
Starting with William Godwin's Caleb Williams and Charles Brockden Brown's Edgar Huntly, this book covers in detail the great works of detective fiction--Poe's Dupin stories, Conan Doyle's The Adventures of Sherlock Holmes, Christie's The Murder of Roger Ackroyd, Sayers' Strong Poison, Chandler's The Big Sleep, and Simenon's The Yellow Dog. Lesser-known but important early works are also discussed, including Wilkie Collins' The Woman in White, Emile Gaboriau's M. Lecoq, Anna Katharine Green's The Leavenworth Case and Fergus Hume's The Mystery of a Hansom Cab. More recent titles show increasing variety in the mystery genre, with Patricia Highsmith's criminal-focused The Talented Mr. Ripley and Chester Himes' African-American detectives in Cotton Comes to Harlem. Diversity develops further in Sara Paretsky's tough woman detective V.I. Warshawski in Indemnity Only, Umberto Eco's medievalist and postmodern The Name of the Rose and the forensic feminism of Patricia Cornwell's Postmortem. Notably, the best modern crime fiction has been primarily international--Manuel Vasquez Montalban's Catalan Summer Seas, Ian Rankin's Edinburgh-set The Naming of the Dead, Sweden's Stieg Larsson's The Girl with a Dragon Tattoo and Vikram Chanda's Mumbai-based Sacred Games. Instructors considering this book for use in a course may request an examination copy here.
Paris and London have long held a mutual fascination, and never more so than in the period 1750–1914, when they vied to be the world's greatest city. Each city has been the focus of many books, yet Jonathan Conlin here explores the complex relationship between them for the first time. The reach and influence of both cities was such that the story of their rivalry has global implications. By borrowing, imitating and learning from each other Paris and London invented the true metropolis. Tales of Two Cities examines and compares five urban spaces—the pleasure garden, the cemetery, the apartment, the restaurant and the music hall—that defined urban modernity in the nineteenth century. The citizens of Paris and London first created these essential features of the modern cityscape and so defined urban living for all of us.
Sherlock Holmes: The Hero With a Thousand Faces ambitiously takes on the task of explaining the continued popularity of Arthur Conan Doyle's famous detective over the course of three centuries. In plays, films, TV shows, and other media, one generation after another has reimagined Holmes as a romantic hero, action hero, gentleman hero, recovering drug addict, weeping social crusader, high-functioning sociopath, and so on. In essence, Sherlock Holmes has become the blank slate upon which we write the heroic formula that best suits our time and place. Volume One looks at the social and cultural environment in which Sherlock Holmes came to fame. Victorian novelists like Anthony Trollope and William Thackeray had pointedly written "novels without a hero," because in their minds any well-ordered and well-mannered society would have no need for heroes or heroic behavior. Unfortunately, this was at odds with a reality in which criminals like Jack the Ripper stalked the streets and people didn't trust the police, who were generally regarded as corrupt and incompetent. Into this gap stepped the world's first consulting detective, an amateur reasoner of some repute by the name of Sherlock Holmes, who shot to fame in the pages of The Strand Magazine in 1891. When Conan Doyle proceeded to kill Holmes off in 1893, it was American playwright, director, and actor William Gillette who brought the character back to life in his 1899 play Sherlock Holmes, creating a sensation on both sides of the Atlantic with his romantic version of Holmes, and cementing his place as the definitive Sherlock Holmes until the late 1930s. By that point, Sherlock Holmes had developed a cult following who facetiously maintained that Holmes was a real person, formed clubs like The Baker Street Irregulars, and introduced the idea of cosplay to the embryonic world of fandom. These well-educated fanboys subsequently became the self-assigned protectors of Sherlock Holmes, anxious that their version of the character not be besmirched or defamed in any way. In spite of this, there was considerable besmirching and defaming to be seen in the early silent films featuring Sherlock Holmes, which effectively turned him into an action hero due to the lack of sound. When sound films took the industry by storm in the late 1920s, there were a numbers of pretenders who reached for the Sherlock Holmes crown, including Clive Brook, Reginald Owen, and Raymond Massey, but it took more than a decade before a new definitive Sherlock Holmes would be crowned in 1939 in the person of Basil Rathbone.
This masterful collection of seventeen classic mystery stories, dating from 1837 to 1914, traces the earliest history of popular detective fiction. Today, the figure of Sherlock Holmes towers over detective fiction like a colossus—but it was not always so. Edgar Allan Poe’s Dupin, the hero of “The Murders in the Rue Morgue,” anticipated Holmes’ deductive reasoning by more than forty years. In A Study in Scarlet, the first of Holmes’ adventures, Doyle acknowledged his debt to Poe—and to Émile Gaboriau, whose thief-turned-detective Monsieur Lecoq debuted in France twenty years earlier. If Rue Morgue was the first true detective story in English, the title of the first full-length detective novel is more hotly contested. Among the possibilities are two books by Wilkie Collins—The Woman in White (1859) and The Moonstone (1868)—Mary Elizabeth Braddon’s The Trail of the Serpent (1861) or Aurora Floyd (1862), and The Notting Hill Mystery (1862-3) by the pseudonymous “Charles Felix.” As the early years of detective fiction gave way to two separate golden ages—hard-boiled tales in America and intricately-plotted “cozy” murders in Britain—and these new sub-genres went their own ways, their detectives still required the intelligence and clear-sightedness that characterized the earliest works of detective fiction: the trademarks of Sherlock Holmes, and of all the detectives featured in these pages.
E-artnow presents to you this unique collection of the greatest classics of thriller and mystery every fan of the genre should experience at least once in their life: The Hound of the Baskervilles (Arthur Conan Doyle) The Valley of Fear (Arthur Conan Doyle) The Return of Sherlock Holmes (Arthur Conan Doyle) His Last Bow (Arthur Conan Doyle) The Double (Fyodor Dostoyevsky) The Murder on the Links (Agatha Christie) The Man in the Brown Suit (Agatha Christie) The Secret of Chimneys (Agatha Christie) The Fall of the House of Usher (Edgar Allan Poe) The Tell-Tale Heart (Edgar Allan Poe) The Cask of Amontillado (Edgar Allan Poe) The Clue of the Twisted Candle (Edgar Wallace) That Affair Next Door (Anna Katharine Green) The Wisdom of Father Brown (G. K. Chesterton) The Incredulity of Father Brown (G. K. Chesterton) The Man Who Was Thursday (G. K. Chesterton) The Moonstone (Wilkie Collins) Great Expectations (Charles Dickens) Wuthering Heights (Emily Brontë) The Secret Garden (Frances Hodgson Burnett) Nostromo (Joseph Conrad) Treasure Island (Robert Louis Stevenson) The Mysterious Island (Jules Verne) The Wings of the Dove (Henry James) The Mysterious Portrait (Nikolai Gogol) Moll Flanders (Daniel Defoe) The Plumed Serpent (D. H. Lawrence) The Great Gatsby (F. Scott Fitzgerald) The Bat (Mary Roberts Rinehart) Max Carrados (Ernest Bramah) The King in Yellow (Robert William Chambers) The Great Impersonation (E. Phillips Oppenheim) The Middle Temple Murder (J. S. Fletcher) The Beetle (Richard Marsh) The Man in the Iron Mask (Alexandre Dumas) The Hollow Needle (Maurice Leblanc) The Mystery of the Yellow Room (Gaston Leroux) Monsieur Lecoq (Émile Gaboriau) The Jewel of Seven Stars (Bram Stoker) In a Glass Darkly (Sheridan Le Fanu) At the Mountains of Madness (H. P. Lovecraft) Carnacki, the Ghost Finder (William Hope Hodgson) The Horla (Guy de Maupassant) Trent's Last Case (E. C. Bentley) The Red House Mystery (A. A. Milne) The Mystery of Dr. Fu-Manchu (Sax Rohmer) The Riddle of the Sands (Erskine Childers) The Amateur Cracksman (E. W. Hornung) The House Without a Key (Earl Derr Biggers) The Benson Murder Case (S. S. Van Dine)